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"Ray McMillian loves playing the violin more than anything, and nothing will stop him from pursuing his dream of becoming a professional musician. Not his mother, who thinks he should get a real job, not the fact that he can't afford a high-caliber violin, not the racism inherent in the classical music world. And when he makes the startling discovery that his great-grandfather's fiddle is actually a priceless Stradivarius, his star begins to rise. Then with the international Tchaikovsky Competition-the Olympics of classical music-fast approaching, his prized family heirloom is stolen. Ray is determined to get it back. But now his family and the descendants of the man who once enslaved Ray's great-grandfather are each claiming that the violin belongs to them. With the odds stacked against him and the pressure mounting, will Ray ever see his beloved violin again?"--… (more)
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The Publisher Says: A riveting tale about a Black classical musician whose family heirloom violin is stolen on the eve of the most prestigious classical music competition in the world.
Ray McMillian loves playing the violin more than anything, and nothing will stop him from
Then with the International Tchaikovsky Competition—the Olympics of classical music—fast approaching, his prized family heirloom is stolen. Ray is determined to get it back. But now his family and the descendants of the man who once enslaved Ray's great-grandfather are each claiming that the violin belongs to them.
With the odds stacked against him and the pressure mounting, will Ray ever see his beloved violin again?
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Want to know what people really think of you? Stand between them and a big, fat payday. You will get your actual, genuine position in their hierarchy delivered at express speed and before the varnish could be applied, still less dried.
Rayquan (usually "Ray") McMillian learns that there's nothing in this world like the benjamins to bring stuff into focus very early: He grows up without anything extra and the minimum was as cheap as it could reasonably be (often enough cheaper). As soon as it became possible, Ray was pressured to stop wasting time with his stupid fiddling and get a shelf-stockin' job to "help the family" (aka his selfish mother). Time to make horrible noises on his fiddle was more than merely grudged, it was a source of actual anger...seen as selfish, unproductive, the action of a loser. (All those fingers pointin' back from the accusatory poking one missed her notice, it seems.)
You knew there'd be a grandmother in here, right? One who Believes in Ray? You were right, there is.
And a more wonderful soul it's hard to conjure. I was all ready to Pearl-Rule this bad boy before Grandma Nora (she whose belief in Ray makes her "talk so sweet {about him} it could give you diabetes") came on stage, I was so pissed off at the Philistines and money-grubbers Ray has to call family! What malign genetic flub gave Grandma Nora a daughter like Ray's mom?! And there's no end to the nasty, of course, since this is a thriller/mystery. But that's the tour I signed up to take, and was ready for. A bracing dose of lovingkindness later, it was all gas no brakes and that finish line won't know what hit it.
Ray, as you'll have gathered, is a fine musician and to hell with his grasping, whiny mother complaining about the "racket" his practicing makes. He perseveres, Grandma Nora's staunchness in his corner, and actually begins to climb the ladder of classical violin's performance hierarchy. What he faces along the way is no surprise to anyone reasonably sentient, as his ethnicity is used by everyone around him. Only rarely to help him, I'm sure you'll be stunned to learn. His other shining light is his teacher, his one professional mentor, Dr, Janice Stevens. She makes school a haven, a place where someone really gets him and sees the music in his being.
Ray's early training in Keep Calm and Carry On within the loving bosom of his family pays off. That ability to focus is his superpower. It leads him to the *pinnacle* of a violin soloist's ambitions: the International Tchaikovsky Competition, a quadrennial classical-music Olympics that unquestionably makes a musician's career. Even competing there is a leg up...and for a Black man raised with nothing, it is damned near unprecedented for him to be there.
That? That's enough novel for most of us. But Author Slocumb said, "...now, what happens if the Black man happens to get a Stradivarius from his grandmother...?"
What happens is betrayal, heartbreak, and the kind of publicity you damn sure can't pay for. Broken hearts mend; wounds don't fester forever; a career launched into the stratosphere by a juicy scandal leads to a lifetime of opportunities. Ones Ray's absolutely up to taking full advantage of, coming away with a silver medal in spite of the horrors around his violin's rape from him. This one unique possession, it will surprise no one to learn, opens so many doors to him. It will not surprise anyone, either, that he walks boldly up to the doors expecting them to open...and they do.
Ray's search for the thief of his prized possession, his almost desperate desire not to believe where the search leads him, and his dogged perseverance through it all speak volumes for the value of adversity surmounted in creating character. I think Author Slocumb did exactly the right thing by enabling Ray to reach back, to offer a hand of fellowship from his place of privilege.
Ray made it a point to highlight music by Black and Latinx composers. After all those years fighting and proving wrong the preconceptions that people who looked like him couldn't play the music of dead white men, he dove into the phenomenal music written by those people who did indeed look like him.
It is the thing that defines my memory of Ray McMillian, fictional character: He worked his ass off, he focused on the problem at hand, and he stomped the daylights out of the inner voices installed early that demanded he think about unimportant stuff instead of powering himself, supercharging his gifts with well-honed talents.
In the end, what matters in a life? Looking back, what difference does any of what we do make?
"Music's the gift. Caring's the gift. There are a lot of ways apart from a concert hall to make a difference in someone's life."
That's Dr. Janice Stevens, if you're wondering, having a ghostly chat with post-disaster Ray. Thanks, Janice. Whatever your name, wherever you might be...whichever one of us you reached out for, gave a hand to...Thanks to the Janices the world over who do something easy for them and priceless to the recipient.
Care.
5 stars overall
Characters 4/5
Plot: 5/5
Storytelling: 5/5
Enjoyment: 5/5
Intrigue/Interest: 5/5
Thank you to NetGalley and Knopf Doubleday for the ARC.
I was not too fond of the language in the book. Many of the instances of use fit the mood and circumstances. There were also many times that the foul language was just gratuitous. Someone who plays as magnificently as Ray does would be able to find better words to express himself.
That being said, I will read Mr. Slocumb's next book. He is a good writer.
There has been an emphasis on works by underrepresented composers, especially African American and
I had heard a lot of good buzz about Brendan Slocum’s debut novel The Violin Conspiracy, and although I do enjoy a good suspense/mystery, I especially was interested that the protagonist was an African American classical musician, and also because that Slocum is a violinist.
The book has a good story line, a nicely drawn mystery, and lots of insider info about the life of an aspiring classical musician of color.
Ray was a kid with a passion music, but little money for a good instrument or private teacher. A mentor appears who encourages him to pursue music. She helps him develop his skill and uses her contacts to advance his education and start his career.
Ray is told that a black man couldn’t succeed as a soloist in the world of classical music. He works twice as hard to prove himself. He learns to stand up to racism that assumes who he is. He holds onto the love and example of his grandmother while his mother and family denigrate his dreams.
The mystery revolves around an heirloom violin that his grandmother gives him, that belonged to her enslaved grandfather. The beloved violin turns out to be a 10 million dollar Stradivarius. His family believes he should sell it and split the money. The rare find brings notoriety, everyone interested in the poor boy who found the golden ticket. The violin comes to the attention of the Marks family, whose ancestor owned Ray’s ancestor. They insist the instrument belongs to them; it went ‘missing’ at the end of the Civil War. Ray needs to prove it was truly a gift to his ancestor by his natural father and master.
Ray is preparing for the Tchaikovsky Competition when the violin is stolen, a ransom note left in its place. Ray’s life becomes a balancing act, trying to find the violin and preparing for the competition without it. Luckily, his girl friend is there to support him.
It’s a great read, with a mystery and a wonderful character. I loved the insight into the world of classical music and the challenges Ray faces.
I listened to the audiobook, and the narrator really should have learned how to pronounce the names of Classical composers.
"The melody started slow, in the night, a plucking of strings, snowflakes falling dreamily, one flake at a time; and then a burst of cold air poured down on them, and flakes eddied, biting in the chill, the north wind coursing through the living room. Dawn came, light glistening off a frozen pond. A bird flew down, hopped on new snow, looking for seed. Bare trees reached to the sky, achingly blue in the cold. Skaters swirled on ice. Skiers coasted down long cold runs. Then back to the house, to the warmth, to chocolate thawing on the stove and mittens steaming in front of a fire."
Also interspersed in the narrative are the musician's experiences with racism and understanding of the d dictation and work effort needed to be a concert performer. These passages are taken from the author's own history. All in all I find the novel worth reading and enjoyed my time spent as the mystery unfolded.
Lines:
His body was on autopilot, and he could tell even as he played that this was vastly better than anything he’d ever performed before. The mournful opening notes gave way to sunlight on a park bench, to the glitter of water pouring endlessly from a waterfall on a very hot summer day. When the last note rang out, his listeners leapt to their feet.
Each note sprang out, the fast passages zoomed by, the violin dancing above the orchestra, them leaping to meet him as he soared on ahead, a wave pouring endlessly up a beach, the foam bubbles kicking in, the stone crabs dancing in the surf, the tide pouring out until he led it, roaring, up the beach again.
Author: Brendan Slocumb
Publisher: Knopf Doubleday Publishing Group, Anchor
Reviewed By: Arlena Dean
Rating: Five
Review:
"The Violin Conspiracy" by Brendan Slocumb
My Assessment:
After all, is said and done, 'The Violin Conspiracy' was a good read. First, we find Ray
If you are looking for a good book 'about music, mystery, coming of age, and social commentary,' you have come to the right place for 'The Violin Conspiracy' will give it all to you and more.
Thanks to NetGalley and the publisher for the chance to read this arc in exchange for an honest review.
Given a violin by his beloved grandmother, Ray McMillian, discovers the instrument is a genuine Stradivarius worth a fortune.
While he is trying to focus on his music, the discovery of the Stradivarius and its monetary
Now, coming out of the woodwork, is a family who claims the violin belongs to them, while Ray’s own family is blind to his musical abilities, but has no problem seeing the dollar signs attached to him and that special instrument.
Right on the cusp of a very important recital, the instrument is stolen and held for ransom, leaving Ray scrambling, frantic to find the violin and prepare for a competition…
Not all mysteries involve murders. In this case, the theft of a historical violin, is at the center of this multi-layered ‘whodunit’.
As a veteran mystery reader, I did guess early-on who was behind the theft. Despite that, the particulars are well hidden, and worth sticking around for. But in my opinion, this book is far more than just a standard mystery/thriller.
It’s an eye-opening story, giving the reader a look at the classical music world, which can be an adversarial environment, especially when it comes to competitions. The story examines some ridiculous stereotypes, which caused Ray to receive some open surprise sometimes, and maybe even some skeptical dismissal by his musical peers.
The best thing about the story, though, in my opinion, was Ray characterization. I loved his dedication to his craft, his determination, and his principles.
His family is a mixed bag, but others step up on his behalf, giving him the support and encouragement, he needs. But it’s Ray’s big, honest heart, his confidence, and moral code, along with his dedication to his craft and his will to succeed that makes this an inspirational feel-good story, just as much as it is thrilling and enlightening.
Normally, I am a sucker for a missing stringed instrument story (such as Gone by Min Kym), but this one really stinks. The Violin Conspiracy is about a genius classical violinist who happens to be Black, and who also happens to have inherited a Stradivarius that just happens to have
The author’s reliance on stereotypes instead of character development is my biggest complaint against this contrived novel. With very few exceptions the White people Ray encounters both in the classical music world and outside it are cartoonish, unrepentant racists who don’t hesitate to put him down to his face in the strongest possible terms. Moreover, Ray’s insensitive, avaricious Black family members, especially his mother, are also based on stereotypes. Subtlety is not this novel’s strong suit.
On top of all that, the whodunnit aspect of the novel is easy to figure out.
Many readers, including Oprah Winfrey, have liked this book, but I found it painfully bad. Not recommended.
So this is a mash-up of thriller and novel about the experience of growing up and becoming a Classical musician who is Black and the racism that comes with being part of a profession where there are very few Black people. Slocumb is himself a musician and pulled some of the events in the book directly from his own life. It's easy to read and the characterizations are very much in keeping with the thriller genre, with some characters being one dimensional. There's a lot more backstory and descriptions of Ray's development as a musician than I suspect many thriller fans would prefer, but despite not quite being one kind of thing or the other, this was a book I really enjoyed once I saw what it was doing. Slocumb's writing style is very easy to read and he knows how to balance the sections exploring Ray's past with the momentum of a mystery to be solved.
Ray McMillian, who knows nothing of the inherent racism in the classical music world, dreams of becoming a professional musician despite the fact that his mother thinks his music is worthless and insists that he get a real job. Playing the violin is Ray’s passion .
But Ray’s grandmother enjoys his music and encourages him to continue to play, just as his grandfather played. And then, one Christmas, her gift to Ray is his grandfather’s fiddle. PopPop’s fiddle, passed down through the family for generations, had originally belonged to his great-great-grandfather. Stunned by what he considers an extravagant gift, Ray has the instrument cleaned and appraised . . . and discovers that it is actually a nearly-priceless Stradivarius violin.
Shortly after Ray decides to compete in the International Tchaikovsky Competition, his beloved violin disappears. And, adding to his despair, both members of his family and descendants of the man who once enslaved Ray’s great-grandfather all claim the violin actually belongs to them.
All Ray wants is to play the music. But will he ever put his beloved violin up to his shoulder again?
A fascinating mystery surrounds the theft of the Stradivarius [with several plot twists and a never-saw-that-coming ending that is sure to surprise readers] while the cruel and outrageous treatment Ray continually faces, even from members of his own family with their hands out for money, puts a vicious yet revealing face on the depravity that is racism.
And yet, this book isn’t truly about either of those things even though they are a large part of the fabric of the story spun out for captivated readers as a young boy grows into an upright, moral man and learns how to follow his dream in spite of the incredible odds he faces. The mystery is truly compelling; the story of Ray’s life is both heart-wrenching and heartwarming. The narrative draws readers in from the outset and never lets them go. Frustration, anger, empathy, joy . . . all woven into this mesmeric tale.
However, this book is, above all else, a love letter to music.
Music literally pours from these pages . . . Tchaikovsky, Mozart, Ravel, Bach, Vivaldi, Corelli, Rimsky-Korsakov, Kabalevsky, Monti, Mendelssohn, de Falla, Bruch, Saint-Saëns, Still, Beethoven, Brahms, Massenet, Dvořák, Bazzini, Paganini, de Sarasate, Kreisler. “Rhosymedre,” “l’Inverno,” “Water Music Suite,” “Christmas Concerto,” “Capriccio Espagnol,” “Orpheus in the Underworld,” “Czardas,” “The Lark Ascending,” “Spanish Dance,” “Third Violin Concerto,” “Tzigane,” “Violin Concerto no. 1 in G Minor,” “Violin Concerto in E Minor,” “Concerto in A Minor,” “Introduction and Rondo Capriccioso,” “Suite for Violin and Piano,” “Marche Slave,” “Thaïs,” “Romance in F Minor,” “Valse-Scherzo,” “Dance of the Goblins,” “Sérénade mélancolique,” “Violin Sonata no. 21,” “Zigeunerweisen,” “Preludium and Allegro,” “Concerto no. 5.” And so much more.
Add this book to your must-read list and be prepared to be enthralled.
Highly recommended.
I received a free copy of this eBook from Knopf Doubleday Publishing Group, Anchor and NetGalley
#TheViolinConspiracy #NetGalley
The strength of this novel lies in the way it realistically brings the world of classical music to life. Ray is one of the few black musicians, and he works his way through a competitive environment while also dealing with racism and feelings that he is being favored due to his minority status. With assistance from a college professor, who also serves as his mentor, he follows his dream to become a solo performer.
I found the writing uneven – some parts are a bit amateurish, while other parts are extremely refined. The musical and racial themes are much more compelling than the mystery. In the Afterword, the reader learns that the author is a professional violinist, so he knows what he is talking about – and many of the scenes described in the novel are based on his own experiences. I think this novel would make a great gift for a young person who wants to pursue a career in classical music.