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"From the indie rockstar of Japanese Breakfast fame, and author of the viral 2018 New Yorker essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean-American, losing her mother, and forging her own identity. In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence (; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Michelle Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread"--… (more)
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Michelle Zauner writes a bluntly emotional memoir, on how it feels when the person you thought you'd have for decades more suddenly starts to fade, and the process of working through that grief even while the person is still alive. Her hometown of Eugene is not far from where I am (I actually go on a weekly basis), so that helped with visualizing some of the places described for where teenage!Michelle went to see shows, or the drive up Spencer's Butte to the family home, or her nightmares about being a car driving off the Ferry Street Bridge. A lot of her bond with her mom is over food, and that's a universal love that can lead to, well, crying in H Mart. Or Sunshine Market, as it were.
Listen to Psychopomp for the final third!
Reread 2022 for book club~
The core of the book relates to her mother's cancer diagnosis, slow decline, and death. Zauner reflects on how this period drew her closer to her mother and see her in a different way. Food is central to the narrative as Zauner finds learning how to cook traditional Korean recipes as a way to connect to her Korean identity. It's a beautifully written and heartbreaking book that I recommend highly.
BOTTOM LINE: Powerful, but painful.
“It felt like the world had divided into two different types of people: those who had felt pain and those who had yet to.”
Sidenote: I had just finished watching Kim's Convenience when I started this. That show, about a Korean family in Canada, gave me a good base of understanding for some of the cultural elements mentioned in the book.
"Sometimes my grief feels as though I've been left alone in a room with no doors. Every time I remember my mother is dead, it feels like
Her father was called by her mother “a broken plate”. He lost his mother early one and his father deserted the family, His older brothers didn’t give him emotional support, so he had trouble relating to everyone. I enjoyed the book very much, but it is not a relaxing book. He could not give emotional support because he had never experienced it himself.
The scenes of her mother dying are harrowing. Going through her mother's possession after her passing gave the author surprises and helped to create a peace for her.
This book has spent weeks on the NYT nonfiction
Except for a few memorable details, such as Zauner's Tiger Mom wearing her daughter's new shoes in order to spare the girl the pain of having to break them in herself, this book just didn’t speak to me.
> On my birthday, we ate miyeokguk—a hearty seaweed soup full of nutrients
> There was no one in the world that was ever as critical or could make me feel as hideous as my mother, but there was no one, not even Peter, who ever made me feel as beautiful. Deep down I always believed her
> I racked my brain for something I could make them for breakfast and landed on doenjang jjigae, the ultimate Korean comfort food. My mother often served it alongside our Korean meals, a rich, hearty stew filled with vegetables and tofu. I had never made the dish myself, but I knew its basic components and what it should taste like. Still in bed, I turned onto my side and googled how to make Korean fermented soybean soup. The first link led me to a website run by a woman named Maangchi.
> why hadn’t she written it in Korean? Had she translated it specifically for me? There was a part of me that felt, or maybe hoped, that after my mother died, I had absorbed her in some way, that she was a part of me now.
> I wondered if the late bloom of her creative interests had shed light on my own artistic impulses. If my own creativity had come from her in the first place. If in another life, if circumstances had been different, she might have been an artist, too.
> If dreams were hidden wishes, why couldn’t I dream of my mother the way I wanted? Why was it that whenever she appeared she was still sick, as if I could not remember her the way she’d been before?
> I decided to turn to a familiar friend—Maangchi, the YouTube vlogger who had taught me how to cook doenjang jjigae and jatjuk in my time of need. Each day after work, I prepared a new recipe from her catalog.
> The smell of vegetables fermenting in a fragrant bouquet of fish sauce, garlic, ginger, and gochugaru radiated through my small Greenpoint kitchen, and I would think of how my mother always used to tell me never to fall in love with someone who doesn’t like kimchi. They’ll always smell it on you, seeping through your pores. Her very own way of saying, “You are what you eat.”
“We don’t talk about it. There’s never so much as a knowing look. We sit here in silence, eating our lunch. But I know we are all here for the same reason. We’re all searching for a piece of home, or a piece of ourselves. We look for a taste of it in the food we order and the ingredients we buy. Then we separate. We bring the haul back to our dorm rooms or our suburban kitchens, and we re-create the dish that couldn’t be made without our journey. What we’re looking for isn’t available at a Trader Joe’s. H Mart is where your people gather under one odorous roof, full of faith that they’ll find something they can’t find anywhere else.”
Zauner is a good writer, emotional without being overly sentimental, and I highly recommend this book. It also explores issues of being biracial and unsure of one's cultural identity. Also, a plus for me; I hadn't realized before reading the book, but Zauner grew up in Eugene, Oregon; so lots of Oregon references.
This book is very sad. I find sad books really not my thing. I enjoyed a lot about it. Especially food and travel descriptions. I really loved the descriptions of life in Seoul etc.
After I
I hadn't heard of them before so that seemed like a very funny coincidence,
Along with her boyfriend, Peter, she takes care of her mother, and travels to Oregon, then Korea and elsewhere to help her mother say goodbye to this life.
This is a moving account of the grief that one feels when someone so close to you is taken far too soon. It is a story of trying to hold onto each memory and remember what your mother gave to you.
A different kind of read for me, venturing into a memoir, written by a twenty something Korean rock star, but in truth this is a touching story of a young girl dealing with the death of her mother. In doing so she achieves a kind of peace in learning to cook the
"I’ll cry when I see a Korean grandmother eating seafood noodles in the food court, discarding shrimp heads and mussel shells onto the lid of her daughter’s tin rice bowl. Her gray hair frizzy, cheekbones protruding like the tops of two peaches, tattooed eyebrows rusting as the ink fades out."
Lines:
Hers was tougher than tough love. It was brutal, industrial-strength. A sinewy love that never gave way to an inch of weakness. It was a love that saw what was best for you ten steps ahead, and didn’t care if it hurt like hell in the meantime. When I got hurt, she felt it so deeply, it was as though it were her own affliction. She was guilty only of caring too much. I realize this now, only in retrospect. No one in this world would ever love me as much as my mother, and she would never let me forget it. “Stop crying! Save your tears for when your mother dies.” This was a common proverb in my household.
Some of the earliest memories I can recall are of my mother instructing me to always “save ten percent of yourself.”
gochujang, a sweet-and-spicy paste that’s one of the three mother sauces used in pretty much all Korean dishes.
tangsuyuk—a glossy, sweet-and-sour orange pork—seafood noodle soup, fried rice, and black bean noodles.
Nowadays, South Korea has the highest rate of cosmetic surgery in the world, with an estimated one in three women in their twenties having undergone some type of procedure, and the seeds of that circumstance run deep in the language and mores of the country.
Food poisoning was a rite of passage. You couldn’t expect to eat well without taking a few risks, and we suffered the consequences twice a year.
The cowboy boots arrived in one of these packages after my parents had vacationed in Mexico. When I slipped them on I discovered they’d already been broken in. My mother had worn them around the house for a week, smoothing the hard edges in two pairs of socks for an hour every day, molding the flat sole with the bottom of her feet, wearing in the stiffness, breaking the tough leather to spare me all discomfort.
“I had an abortion after you because you were such a terrible child!”
That it would ruin the way I saw my father, like a broken plate you’ve glued back together and have to keep using, but all you can see is the crack.
Whenever Mom had a dream about shit, she would buy a scratch card.
and I would think of how my mother always used to tell me never to fall in love with someone who doesn’t like kimchi. They’ll always smell it on you, seeping through your pores. Her very own way of saying, “You are what you eat.”
Dozens of kids left the venue with sleeves of vinyl held under their arms, fanning out into the city streets, my mother’s face on the cover, her hand reaching toward the camera like she’s just let go of the hand of someone below.