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Fiction. African American Fiction. Literature. Historical Fiction. HTML:From Jesmyn Ward�the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow�comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War. "'Let us descend,' the poet now began, 'and enter this blind world.'" �Inferno, Dante Alighieri Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. Annis, sold south by the white enslaver who fathered her, is the listener's guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads listeners through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation. From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land�the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward's most magnificent novel yet, a masterwork for the ages.… (more)
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That is essence of Annis’ story, as told in Let Us Descend by celebrated author Jesmyn Ward. The novel’s title alludes to a passage from the Inferno in which Dante begins his descent into Hell, guided by the shade of the poet Virgil. This becomes an apt metaphor for the soul-crushing journey through life that Annis finds herself on, which is unrelentingly grim in almost every instance. (In a playful touch of irony, Ward has Annis hear Dante’s poem recited during the little bit of education she is allowed, meaning that the character has a literary context for just how bad her plight really is.) Perhaps the only things saving the reader from the comparably grim fate of experiencing Annis’ pervasive misery are the often sublime sentences that the author constructs in telling the tale. Ward truly is a wordsmith of the highest order and many of the images she creates are as remarkable as they are compelling.
And yet, Let Us Descend is far from a perfect novel and it is also one that, for me, falls well short of the impossibly high standard the author has set with her previous work (Salvage the Bones, Sing, Unburied, Sing). The biggest shortcoming in this book is its overreliance on the magical realism elements embodied in the spirits with whom Annis is in almost constant contact. In fact, the term “element” is misleading here because Aza, the spirit who impersonates Annis’ grandmother, appears so frequently that she/it really becomes a main character in the story; certainly, Annis does not “talk” to anyone else nearly as much as she does to Aza. Unfortunately, most of these conversations are turgid and repetitive to the point that they become a distraction. So, while Annis’ history is one that is well worth telling, this rendition was not as affecting as it might have been.
After the walk south, Annis thought there could be nothing worse than what she
Sad, painful, full of grief story and yet filled with beautiful memories, beliefs, and hope. Beautifully written but the magical realism was sometimes little bit confusing for me, and I didn’t expect it to be mixed with historical fiction events. I strongly believe that this book will be loved by many readers.
The difficulty for me with this book is not the plot, but Annis' constant communication with Aza, the spirit of her mother, or her grandmother, or some guiding spirit. The story meanders back and forth from reality to the magical realism world of the spirit. Probably beautiful writing in places, but at times it just seemed there was no real character development just a series of the horrors of slavery, one event after the other: the trek to New Orelans, the slave market, the constant hunger, the escape. I'm just not a fan of magical realism.
First her mother is sold,
The author has said that she “wanted to encourage readers to feel with and for Annis, and to recreate her experience as viscerally as possible.” This she does, to devastating effect. But she also wants to convey how someone enslaved might have retained a sense of self, even when she had no physical agency over her own body, and what she did or did not do with it.
Annis relies a great deal on the memories of stories told to her by her mother about her warrior ancestors, as well as a belief in spirits in nature.
The writing is excellent but the experience of enslavement, as seen through Annis’s eyes, is almost unbearably terrifying and horrifying at once. It is a lovely book and perhaps a necessary book for both Black and white descendants of the slavery period, but not for the faint of heart.
Ward is a brilliant writer, her words sing from the page and her use of magic realism folds naturally into this very harsh story. I avoided this novel because although I loved Sing, Unburied, Sing, it was clear from the description that this novel would be hard to read. But eventually I did pick it up and it is a testament to how well Ward writes that a novel as unrelentingly bleak as this one would flow so beautifully. It's both horrifying and gorgeous. I will likely never want to read this book again, but so much of it is sitting with me, inhabiting my imagination now.
After Annis’ mother is taken away and sold, Annis begins seeing a spirit named Aza, who takes the form of her grandmother. Annis calls on Aza to help her through a series of the hardships. Aza is inconsistent and no substitute for Annis’ mother, but their dialogue helps Annis find her way. I had difficulty suspending my disbelief over Aza’s character, and found the Aza-Annis dialogue difficult to follow at times.
Ward’s literary talents were most on display when describing the horrors Annis endured, and the violent behavior of the white community. She doesn’t mince words, but stories like these need to be told and re-told, in hopes that as a society we will someday atone for this period in history.