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"Celebrated for her powerful short fiction, Claire Keegan now gifts us three exquisite stories together forming a brilliant examination of gender dynamics and an arc from Keegan's earliest to her most recent work. In "So Late in the Day," Cathal faces a long weekend as his mind agitates over a woman with whom he could have spent his life, had he acted differently; in "The Long and Painful Death" a writer's arrival at the seaside home of Heinrich Bl?l for a two-week writing residency is disrupted by an academic who imposes his criticisms and opinions; and in "Antarctica" a married woman travels out of town to see what it's like to sleep with another man and ends up in the grip of a possessive stranger.' Each story probes the dynamics that corrupt what could be between women and men: a lack of generosity, the weight of expectation, the looming threat of violence."--… (more)
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They are perfect from a writingcraft perspective, and they are perfect in the stories themselves and their emotional impact on the reader.
The prose is spare, clean, and without a lot of frills. But when Keegan wants to use a longer sentence for effect, it is as powerful as
Keegan takes my breath away with her writing, and it is at its very best in these three short stories about love, regret, and bad decisions. This--like Keegan's other small book, "Small Things Like These"--is an instant classic.
While all three have been previously published, it is my understanding that the title story was revised and expanded for this edition. I have only
The characters in these stories are intriguing, not necessarily likable but certainly worth thinking about. Why are some people as they are? How much is fueled by what society teaches us and how much simply by living life and having to make do with what comes your way? When any of us fall into a role, whether grumpy man or adventurous spouse, and there are consequences, is it fate or just the fact that sometimes things don't work out as you want? More abstractly, is there an area between ethical and unethical, or is everything one or the other?
These questions aren't so much built into the stories as the stories can lead the reader to consider ideas in relation to the stories. In other words, those questions were brought to the fore when I read the collection, you will likely have different avenues into the stories and thus have different thoughts. The main thing is that the clear and precise writing gives the reader room to interject their ideas into the stories.
Recommended for readers of short stories that focus not simply on a character but on a character's choices and the outcomes that result. Do they get what they deserve? Who is to say?
Reviewed from a copy made available by the publisher via NetGalley.
The first story, So Late in the Day, is about a parsimonious man whose fiance’ dumps him just before their wedding. In the second story a writer has been granted a retreat in
These character’s choices and personality flaws reap inevitable consequences, and I was not sad for them as much as satisfied by the justice of their fate.
Thanks to the publisher for a free book.
In the first story So Late in the Day (4/5), we meet the protagonist, Cathal, in the course of his routine workday. The date is a significant one (which is revealed later) and throughout the day his thoughts often drift to Sabine, the woman with whom he had been in a relationship. As he reflects on the relationship – the highs and the lows- he is compelled to assess how his attitude toward Sabine and women, in general, contributed to the end of their relationship.
In The Long and Painful Death (4.5/5), we meet a thirty-nine-year-old writer in residence at the seaside home of Heinrich Böll. When she meets a German professor who insists on visiting the property, her interactions with him ( though not entirely pleasant) just might inspire the direction of the story she is currently writing and much more.
The final story, Antarctica (4.5/5), revolves around a married woman who plans a weekend intending to experience what it would be like to sleep with another man. As the story progresses, we follow her as her brief tryst turns into a situation she had not expected.
“As a child, she had been told that hell was different for everyone, your own worst possible scenario.”
Revolving around themes of loneliness, regret, commitment, fidelity and self-perception, these stories will stay with you long after you have finished reading. Complex characters, sparse prose, minimal melodrama, sharp observations on the human condition and plenty of food for thought – what more could we ask for in a short story? I can’t wait to read more from this talented author!
Many thanks to Grove Atlantic and NetGalley for the digital review copy of this book. All opinions expressed in this review are my own. This collection was published on November 14, 2023.
Despite being marketed as something it may not be, this collection of stories is a wonderful example of Keegan’s craft. As with her other books, the plots are accessible, the characters are nuanced, and the mood is decidedly dark.
The second story is narrated by a female writer who is on retreat. She is imposed upon by a German male professor who insists on his right to see the famous writers home that has been made into a retreat. Despite her misgivings, the writer is a gracious host providing refreshments and a tour. The professor greedily consumes the refreshments then disparages his host. This in turn inspires her next writing about a long and painful death.
The final story is about a woman who pursues a fantasy of a tryst outside her marriage which begins very sensuously and ends very badly.
The writing is spare and dark, and yet every nuance is there. Claire Keegan is a master of her craft.
Each story involves the relationships between men and women, and whether the relationships are glancing or intimate, involve men acting as though their own desires were the only ones that mattered. These stories are far less hopeful than her previous two longer short stories published in this format, but they are every bit as assured and resonant.
I like the physical form this book takes, treating just three short stories as though they were as important as a novel, and the way they are formatted on the page, with generous margins and a title page for each story.
“So Late in the Day” describes a romance as it evolves from courtship into engagement. In so doing, it comments on how the social mores in Ireland about marriage are lacking and could use substantial improvement.
“The Long and Painful Death” describes how a German professor courts a female aspiring writer, only to have his advances emerge ironically in her work of fiction.
“Antarctica,” a previously published story, tells of a short romantic fling between two new acquaintances… only one party is a married woman and the other part has something up his sleeve.
If you’re looking for quick reads packed with content and skillful writing, Keegan’s stories are for you. These stories do not convey romance at its best, but it tells an all-too-common tale about the difficulties between the genders.