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Publication
New York : Alfred A. Knopf, 2011.
Description
Presents the stories of six Japanese mail-order brides whose new lives in early twentieth-century San Francisco are marked by backbreaking migrant work, cultural struggles, children who reject their heritage, and the prospect of wartime internment.
Media reviews
This passage may give a clue as to how Julie Otsuka's book is to be read. She calls it a novel. It is closely and carefully based on factual history/ies. There are novelistically vivid faces, scenes, glimpses, voices, each for a moment only, so you cannot linger anywhere or with anyone. Information
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is given, a good deal of it, in the most gracefully invisible manner; and history is told. Yet the book has neither a novel's immediacy of individual experience, nor the broad overview of history. The tone is often incantatory, and though the language is direct, unconvoluted, almost without metaphor, its true and very unusual merit lies, I think, in that indefinable quality we call poetry.....I am sorry that after it, in the last chapter, she suddenly changes her narrative mode and ceases to follow her group of women. The point of view changes radically and "we" suddenly are the whites: "The Japanese have disappeared from our town." Show Less
Narrated in the first-person plural, The Buddha in the Attic is a slight, but powerfully moving piece of prose. It tells the story of a group of Japanese mail-order brides, from their journey to America, through marriage, work, childbirth and motherhood, until they and their entire communities are
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rounded up at the beginning of the war....Some might find the plurality of voice troubling, suggesting that it does little to restore individual identities to those whom history has forgotten, but I would argue the opposite. A host of individual characters and experiences crystallise as families and communities take root Show Less
But the book’s plural voice is particularly effective at capturing their long, giddy conversations on the ship as they wonder if American men really grow hair on their chests, put pianos in their front parlors and dance “cheek to cheek all night long” with their lucky wives....But no story
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in the conventional sense ever develops, and no individuals emerge for more than a paragraph....Had we known them as full individuals — as real and diverse and distinct — we couldn’t have whisked them away to concentration camps in the desert. A great novel should shatter our preconceptions, not just lacquer them with sorrow. Show Less
Subjects
Awards
National Book Award (Finalist — Fiction — 2011)
Dublin Literary Award (Shortlist — 2013)
LA Times Book Prize (Finalist — Fiction — 2011)
Grand Canyon Reader Award (Nominee — Teen — 2015)
PEN/Faulkner Award (Finalist — 2012)
Joyce Carol Oates Literary Prize (Longlist — 2017)
Prix Femina (2012)
David J. Langum, Sr. Prize in American Historical Fiction (Winner — 2011)
San Francisco Chronicle Best Book of the Year (Fiction — 2011)
Village Voice Favorite Books (2011)
Library Journal Top Ten Book (2011)
Language
Physical description
129 p.; 20 cm
ISBN
9780307700001