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Description
Once wildly popular and used by teachers across America to teach grammar, sentence diagramming is now a lost art to most people. But from the moment she encountered it in the seventh-grade classroom of Sister Bernadette, Kitty Burns Florey was fascinated by the bizarre method of mapping the words in a sentence. Now a veteran copyeditor, Florey studies the practice in a funny look back at its odd history, its elegant method, and its rich, ongoing possibilities--from its birth at the Polytechnic Institute in Brooklyn, to a consideration of how it works, to a revealing look at some of literature's most famous sentences in diagram. Along the way, Florey explores the importance of good grammar and answers some of language lovers' most pressing questions: Can knowing how to diagram a sentence make your life better? And what's Gertrude Stein got to do with any of it?--From publisher description.… (more)
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I especially loved the chapter about famous authors. Florey determined if those authors were likely to have learned diagramming at the time and place they were educated, then examines their writing to decide if they benefitted or not. It was just plain fun and I learned still more about writing and styles.
There was also a bit about grammar and social class, always interesting topic to me.
I had fun reading this book, and recommend it to those who are interested in sentence diagramming. I would think that would be a pretty specific audience.
In regards to this subject, I find that there are exactly 3 kinds of people in this world:
1. Those that have never been taught diagramming.
2. Those that have been taught diagramming, and hated it.
3. Those that have been taught diagramming, and loved it.
So this book, about the history of, mythology around, adherence to, mysticism surrounding, (and) love for sentence diagramming, can only be described as a book for the 3rd in that list. Such as I.
To go into much detail about this book would be to tell you the whole story, for it's not very long. The author, Kitty Burns Florey, a writer and copyeditor, tells of the two men who "invented" diagramming, Alonzo Reed and Brainerd Kellogg (thank you very much, gentlemen). She discusses several famous author's own opinions on the subject. She diagrams "Proustian" sentences. She talks about some common pitfalls in the English language. And she summarizes with pros and cons of the whole regime.
I found the book to be a very fun, fast, light read, which brought me back to Mrs. Jeancake's 8th grade English classes, not a set of memories I generally remember fondly, though in this case, those memories of standing in front of the class, scratching my lines onto the chalkboard (one of the few academic endeavors I did well) make me smile ever so slightly.
Decide for yourself what you think of diagramming. What it's done for me is helped me recognize the various parts of my own speech and writing, especially those parts that act as others, and, most helpful, parts of speech that can be assumed. In the previous sentence, "standing" is acting as an object. In the numbered list above (nos. 2 and 3), what looks like a comma-spliced set of sentences, could, in fact, be just a regular old compound sentence if you insert an assumed "(who)" after the comma. The sentence "Such as I" is grammatically correct because the word "(am)" is assumed at the end. (Which is why "Such as me" is not correct.)
These are things I learned from diagramming. Reading Kitty's book (for I feel we should be on a first-name basis, now) helped me relive that feeling of learning the rules of the game and gaining the power to understand which rules can be bent or even broken to enhance a thought or idea. And what writer wouldn't want that power?
Invisible Lizard's Unusual Oranges
I do recall some work diagramming sentences when I was in grade school. And I find my grammatical nomenclature has fallen by the wayside after all these years. So this was a refreshing little jaunt by a woman who shares my occasional aggravations with usage without sounding like a 'Sister Bernadette'.
On a down note, she fails to address the root causes of why the system fell out of fashion during the 60s. It's presented as something that just happened, perhaps much like how women "just happened" to stop wearing hats to church or how drug use "inexplicably" skyrocketed. Also, she proves the traditional premise that diagramming makes better writers false like this: since writers who learned how to diagram sometimes write strange or ungrammatical sentences, diagramming does not teach people to be better writers. Diagramming forces the teacher to teach grammar (a novelty in education today) and the student to consider the syntactic constructions they use.
Overall, it's a light read. A Sunday drive, perhaps, for those of us who had excellent English teachers. Teachers who taught us that the English language is fun and something to love and enjoy.
For language lovers, it's worth it to pick up this book just to see the diagrams of sentences from some famous authors, including the verbose Henry James and Proust.
Sentence diagramming began in the 1877y with the publication of Higher Lessons in English by Alonzo Reed and Brainerd Kellog. It's popularity with elementary school teachers grew and endured through the century that followed. Ms. Florey learned how to diagram from her sixth grade teacher, Sister Bernadette. Supporters of sentence diagramming included Gertrude Stein who famously said "A rose is a rose is a rose." Which, it turns out, is fairly easy to diagram.
Ms. Florey presents the basic rules for diagramming sentences and gives many useful and fanciful examples. When she is focused on sentence diagramming her Sister Bernadette's Barking Dog is at its strongest. When she moves on to her personal grammatical bugaboos, the use of 'ain't' for example, the book becomes weaker. Too often she interjects her own political agenda in ways that do not add to the discussion of sentence diagramming. In the end one can see why students like Ms. Florey found sentence diagramming so much fun to do, but I cannot see that it had much real value. There must be a thorough study out there somewhere proving or disproving the effectiveness of sentence diagramming. I can't believe no one ever did a doctoral dissertation on this topic. But if there is, Ms. Florey has not included it in her book. This is what makes Sister Bernadette's Barking Dog an amusing memoir rather than a more complete history of sentence diagramming.
The author talks about the impact diagramming did or didn't have on famous writers and provides lovingly crafted diagrams of their sentences. Ultimately she says that diagramming has absolutely no effect on a person's ability to write well. Of the writers she mentions only Gertrude Stein devoted any breath to her love of diagramming. Keep in mind Stein didn't believe in commas or question marks.
"Diagramming made language seem friendly, like a dog who doesn't bark, but, instead, trots over to greet you, wagging its tail."
This book takes me back to my one-room rural grade school days when things made sense. As you can see, I get a warm and fuzzy feeling when reminiscing about diagramming sentences.
Though tree diagrams today might be a better way to demonstrate structure and syntax of an English sentence, diagramming was what we had back then. It showed how a sentence was put together with parts of speech, nouns, adverbs and such. Parts of sentences, clauses and phrases and all, were where some really good sentences might not allow themselves to be diagrammed.
Florrey's diagram examples, especially the two-page ones, are probably the best part of the book. Or maybe the stories about Sister Bernadette's classroom were even better.