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In a memoir about the power of race to share one's personal identity, the daughter of Jewish father and African-American mother recalls her confusing but ultimately rewarding life lived between two conflicting ethnic identities. When Mel Leventhal married Alice Walker during the civil rights movement in the late 1960s, his mother declared him dead and did not reconcile until after the birth of her first grandchild. After Mel and Alice divorced, their daughter, Rebecca, alternated homes every two years, spending time in Mississippi, Brooklyn, San Francisco's Haight Ashbury, Washington, D.C., the Bronx, and suburban Westchester. With each new place came a new identity and desperate attempts to fit in: as white or black, as Puerto Rican or Jewish, as a party girl, a fighter, or a lover. Confused, and mostly alone, she turned to sex, drugs, books, and a cast of dangerous and thrilling characters. Black, White, and Jewish is the story of a child's unique struggle for identity and home when nothing in her world told her who she was or where she belonged. Poetic reflections on memory, time, and identity punctuate this gritty exploration of race and sexuality. Rebecca Walker has taken up the lineage of her mother, Alice, whose last name she chose to carry, and has written a lucid and inventive memoir that marks the launch of a major new literary talent.… (more)
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Quote of the book: "It all comes to this. I stand with those who stand with me. I am tired of claiming for claiming's sake, hiding behind masks of culture, creed, religion. My blood is made from water and so it is bloodwater that I am made of, and so it is a constant empathic link with others which claims me, not only carefully drawn lines of relation. I exist somewhere between black and white, family and friend. I am flesh and blood, yes, but I am also ether.
This, too, is how memory works."
I have to say that waiting for the right time worked out fantastically. Some books just seem to know when you need them. As I said, this one just spoke right to my heart. That's not to suggest that I "know" what it was like for Rebecca Walker to navigate her life or what it's like to be black and white and Jewish all at the same time. What I do know is that I am quite familiar with that sense of not quite belonging to anyone, but maybe belonging enough to be claimed here and there for this or that trait. I have drifted from one home to another within my family or neighborhood or group of friends and felt that change that Walker describes as "switching radio stations". I've felt the sting of being in one group while people denigrate the other part of you, the part that they don't claim, while they insist that it's not you but you know that it is, even if only in part. I've felt it on both sides of me.
We've lived vastly different lives in different times within this country and I couldn't possibly relate to all of Walker's experiences, but I had never known anyone to describe this being and not being so well, so beautifully. The idea of being a "movement baby" sounds terrifying, like for too much to live up to. Later, I found it far easier to relate to what happened when the ideas of the movement were gone and she was treated like her existence was half-oppressor and half-oppressed, when people asked her navigate those waters and explain what it felt like. I was never able to explain what it was like to be fragmented this way and now I have someone to turn to for that.
I loved Walker's style of writing and relating everything back to memory and the way that memory shifts, that way that it can be wrong and right at the same time and the way it shapes us and perceptions of us without ever asking for permission. I loved the poetic feel that accompanies most of the book. I peaked at some other reviews and it's not the kind of book that everyone loves, but I still find it an important book to read and discuss. Perhaps it would make a great book club memoir because it does bring in questions of race on several fronts and it could open conversations about sex in adolescence, the effect of divorce and/or neglect on a child's upbringing and other important issues that Walker goes through that still plague us.
The downside to that, of course, is that using the book that way invites criticism of Walker and her parents as people who were theoretically doing the best they could. I don't mean to sound like I doubt that anyone was doing their best but I also don't want to make it sound like I'm making assumptions about what could/should have been done. The point is simply that getting judgey about someone's life and story like this would miss the point of reading the book.
Despite what others might think, I found this book engaging, even at it's lowest moments. I appreciated the way it was a little episodic, moving through periods in her life and only stopping to fit in the moments that best sums up the time-frame for her rather than dwelling on incidentals. As mentioned above, what I loved the most was the way she relates what it is like to not fit succinctly into any single category of race, to be a part of something and not a part of it at the same time, close and yet removed from it. I have felt these things so many times in life when I am in Hispanic or not Hispanic depending on the way whoever I'm talking to feels about it and it rarely seems up to me to let them know who I am and how I fit into these categories and whether or not I even want to.
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