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From the prizewinning author of Mr. Fox, the Snow White fairy tale brilliantly recast as a story of family secrets, race, beauty, and vanity. In the winter of 1953, Boy Novak arrives by chance in a small town in Massachusetts, looking, she believes, for beauty-- the opposite of the life she's left behind in New York. She marries a local widower and becomes stepmother to his winsome daughter, Snow Whitman. A wicked stepmother is a creature Boy never imagined she' d become, but elements of the familiar tale of aesthetic obsession begin to play themselves out when the birth of Boy' s daughter, Bird, who is dark-skinned, exposes the Whitmans as light-skinned African Americans passing for white. Among them, Boy, Snow, and Bird confront the tyranny of the mirror to ask how much power surfaces really hold. Dazzlingly inventive and powerfully moving, Boy, Snow, Bird is an astonishing and enchanting novel. With breathtaking feats of imagination, Helen Oyeyemi confirms her place as one of the most original and dynamic literary voices of our time.… (more)
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There seems to be a lot of hype with this book. I read the glowing reviews. It is well written but I didn't like the story. I think comparing it to Snow White is far fetched.
This was told mostly by Boy’s point of view, but the middle section is from Bird’s point of view when she’s 13. It was… different. I’m rating it ok, as some parts of it were interesting, but some of it wasn’t. It started off really promising, when Boy was younger, and I probably found that the most interesting part of the book. It wasn’t a long book, so it didn’t take long to read. It was hard keeping track of some of the characters. I skimmed over some of the long paragraphs. At first, I enjoyed the letters between the two sisters, but then they got wordy and talked about things I really didn’t care about… things that I’m not sure really meant anything to the story. Boy made some odd decisions/choices and I didn’t like her much of the time.
At times lyrical and at times syncopated, this was not an easy book to get into and I just wanted to get to the end so I could be done with it. A shame really because there are some passages that the author's talents flashed brilliantly through. I just wish she could have carried it throughout the book.
The second part told from Bird's perspective was much easier to believe and the letter writing between Snow and Bird gave more insight into the characters. I liked Bird and her inquisitiveness and her spunk. This book dealt with so many societal and family issues that at times I felt dizzy trying to sort them all out.
The last part of the book throws in a final twist that I don't think any reader would see coming. And then it ends abruptly and I'm not sure what direction any of the characters take. With all that said, after a struggle in the beginning, I think I liked it, I wanted to finish it, but there just seemed to be too many elements missing to say I loved it.
Told through the voices of more than one of the complex characters in this novel, Boy, Snow, Bird is a great choice for book groups and anyone who likes multilayered fiction. You won’t be bombarded with parallels to Snow White’s story, but you will catch a glimpse of her from time to time.
Unfortunately, this book falls into many of the same traps as it goes along. The story has a very ethereal, almost magical realism feel to it, but there actually isn't any magical realism. The time also feels odd: while the book is set in the 1950s, none of the dialogue sounds like it's from that era, and the trappings of it (segregated schools and bathrooms, for instance) are inconsistent.
Perhaps the most glaring issue is that the book has two narrators separated by decade, generation, race, and upbringing, who sound exactly alike. Boy and Bird are utterly indistinguishable. I find Oyeyemi's writing beautiful, but it doesn't make sense for them to sound the same.
Another valiant effort, and worth the read, but a stronger guiding hand of an editor could have really helped pull this together.
Although this was a compelling read, I never understood the protagonist’s motivation in one of the key points of the book. At that point, the book shifted to be written from her daughter’s point of view, and I was left unsatisfied. A similar thing happened at the end of the book. I was intrigued by what was going to happen, but the book ended without revealing the resolution. Although the story had a lot of potential, I was disappointed that I felt I understood the motivation of minor characters more than I did the major ones. Despite this, I think that this book could provide a great inspiration for an interesting book discussion.
Boy, Snow, Bird by Helen Oyeyemi is kind of like a modern day Snow White, but with lots of alterations. The story is told mainly by Boy, who is actually a girl, who escapes from an abusive father and makes
Boy, Snow, Bird is unique. It's part Snow White, part family secret, but it's all worth the read.
Have you read any books that have part of a familiar tale woven in?
Thanks for reading,
Rebecca @ Love at First Book
Oyeyemi weaves in the (obvious--in that they're obviously going to be part of the narrative) questions of race, gender, and identity with fairy tales other
This isn't helpful as a review. I love this book. I think it's going to be one of the best books of the year. It says important things on important subjects without beating one over the head with the -ism stick. Young girls and women of all ages should read it. I will read it again.
The plot is very interesting. The book is divided into three sections. The first is told by Boy's point of view, then the middle is told from her daughter, Bird's view point and it ends again with
Boy is actually a girl who runs away from her abuse father whom she refers to as the Rat catcher, which is really his job description. Boy winds up in Flax Hill, MA and eventually marries Arturo. Boy becomes step mother to Snow, his beautiful, charming daughter by his first wife. Once Bird is born, it becomes apparent that Arturo and his family are actually light skinned blacks who have been secretly passing themselves off as white.
What follows is a unique story about Boy, Snow and Bird. It was surprising the discover more family dynamics as the book went on. A big surprise awaits that I found a bit farfetched for this kind of novel and it would have been nice to have a section of the book be dedicated to Snow's voice besides her letter writing. Overall, a good book. I received a complimentary copy as part of the Librarything Early reviewers.
But this otherwise outstanding book failed me in a significant way. Despite the author’s remarkable and obvious literary talents, I felt emotionally detached from the disturbing subject as well as from the characters. This was a novel that appealed mainly to the intellect rather than the heart. This is primarily why I hesitated and did not give this work five stars. I wanted more of an emotional connection with the characters.
There are three main characters: Boy, Snow, and Bird. Boy is a beautiful, but emotionally damaged woman, the odd survivor of a bizarre abusive childhood. After developing into a ravishing twenty-year-old platinum blond, she manages to escape her dehumanizing family situation and flees to a small town in New England. There she makes a life for herself, meets a young widower, and marries him despite the fact that she is not in love. Boy values freedom too much to allow love to enter her heart. She has never known love; how can she give it?
Snow Whitman is Boy’s husband’s six-year-old daughter. Boy is both strongly attracted and terrified by this child. Snow is arrestingly beautiful. She is the type of child everyone idolizes and desires, the type of child that has the world at her beck and call. Soon after Boy marries, she becomes pregnant and gives birth to a daughter named Bird. The new baby is black. As a consequence, Boy discovers that her husband and many of the other people she has come to know as family and friends are actually all white-skinned blacks who have long been passing for whites. What should Boy do with Bird? What should she do with Snow? She feels ensnared in an environment that worships whiteness. She fears Bird will be psychologically damaged if she is allowed to grow up in a black world dominated by an idolized white child. Can the issue of Bird in their lives force the family to abandon its long-held deceit? How will this all play out?
The book has such a large cast of secondary characters that I often found it difficult to keep track of them. If you read a digital version, you can always run a search on any name to help refresh your memory about any character and how he or she relates to the plot. However, if you read this book in print, I recommend that you take careful notes to aid your memory; you’ll need them. The book also contains a lot of unfamiliar black cultural references that you may need to look up on the Internet. This helped me in understanding what was going on, so I again recommend that you take the time to do this if any terms are unfamiliar to you. A lot of the new terms have to do with global ethnic fairy tale motifs.
This novel is complex. It can be difficult and confusing to read. However, as challenging as it is, it is also rewarding and well worth the effort.
I loved it. I questioned it. I disliked it.
All by turns.
I don't want to spoil it, but suffice to
Well worth a read.
So, this is the story of a woman named Boy. She
I could see small amounts of magical realism in Oyeyemi's writing but not on the level of other authors who use this device. Oyeyemi is better at drawing a picture of life in the 1940's and '60's, the prejudices of the time and what people felt they had to do to live a better life.
If the story seems to drag for you, I recommend completing it and waiting for the big reveal near the conclusion.
Boy, despite the name, is a beautiful blonde girl raised by her father Frank in a poor area of New York. Frank is a rat-catcher and an abuser. Boy runs away from home as soon as she can because she is afraid the next time he is going to kill her. She takes the bus to Flax Hill, a town of artists and artisans in New England. When Arturo Whitman asks her to marry him she agrees although she doesn't really love Arturo. But she does love his daughter Snow and wants to be near her. With the birth of her own daughter she discovers the Whitman family secret which is that they are passing for white. The daughter, Bird, is unquestionably coloured. Boy is shocked and mistrustful and hurt. Perhaps that is why she does what she does. If you want to find out what she does read the book yourself and then let me know what you think. There is more than a hint of the fairy tale Snow White in this book but that is all I'm going to say.
Helen Oyeyemi thanks Marina Endicott at the end of this book so that intrigued me because I wondered what the connection was. Praise be to Google I found an interview where she was asked this question. It turns out they met at a Literary Festival in Australia and they have the same agent. Their agent predicted that they would like one another and they did.
I loved this novel down to its sentences and the wry humor they frequently conveyed. One example:
"I couldn't make up my mind whether the baby was male or female; the only certainties were near baldness and incandescent rage. The kid didn't like its blanket, or its rattle, or the lap it was sat on, or the world…the time had come to demand quality."
The characters are far from the stereotypical archetypes that can be found in the Snow White tale. Boy, the evil stepmother of the story, is a damaged individual with a strong capacity for love who wants to protect her daughter at any cost. Snow, initially the sheltered favorite of her extended family, is sent away to her relatives in the south and faces the reality of racism and segregation. Bird, Boy's daughter and the second POV, shows wit and inquisitiveness as she pursues answers to the question of her exiled half-sister. These characters, plus a hint of magical realism in the use of mirrors, made for an enriching read.
A caveat: I found a revelation at the end of the novel to be problematic. For the sake of a spoiler free review I won't go into details, but I will say that though I see how this reveal/explanation fit thematically, on a representational basis it's troubling, even filtered through Boy's POV. I welcome discussion of this point.
Boy, who tells the majority of the story, is the product of an abusive childhood and seems to have a pretty great track record of sublimation in her own right. She runs away from NYC to the artsy Boston suburb of Flax Hill in an attempt to make a new life for herself, but even as she escapes the secrets of her youth she walks into what seem to be even deeper secrets (cue the whole passing/sublimation issue.) There is a healthy dose of magical realism in the relationship that develops between Boy and her stepdaughter Snow, in which Boy totally pulls an evil stepmother move. The birth of Boy's natural daughter Bird exposes said family secrets, and Bird has her own MR moments: she's an expert mimic (magic or genetic inheritance?), she and Snow occasionally don't appear in mirrors (more of the obvious Snow White stuff), and she has an interesting affinity with spiders.
I haven't decided how I feel about the twist at the end. Did it wrap things up too neatly? Maybe. It did provide me with a strange sense of relief, which is weird because the end is possibly more unsettling than the rest of the book. The whole narrative tone of the book changes for a brief period too, which threw me off a bit, too.
But then I wonder, is the end really unsettling or just jarring? Can the gender issues surrounding Boy's parentage even compete with the race issues, an attempt on the author's part to be shocking and therefore a huge cop out? In the end I think the gender issues are actually hugely important, but they were thrown out so quickly that they were left under-explored, especially after how deeply the race issues were addressed.
If I were the kind of reader who re-reads books this is one I'd want to take another swing at- I have a feeling there were a lot of things I missed on the first read.