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Fiction. Literature. Historical Fiction. HTML:Katherine Howe, author of the phenomenal New York Times bestseller The Physick Book of Deliverance Dane, returns with an entrancing historical novel set in Boston in 1915, where a young woman stands on the cusp of a new century, torn between loss and love, driven to seek answers in the depths of a crystal ball. Still reeling from the deaths of her mother and sister on the Titanic, Sibyl Allston is living a life of quiet desperation with her taciturn father and scandal-plagued brother in an elegant town house in Boston's Back Bay. Trapped in a world over which she has no control, Sybil flees for solace to the parlor of a table-turning medium. But when her brother is suddenly kicked out of Harvard under mysterious circumstances and falls under the sway of a strange young woman, Sibyl turns for help to psychology professor Benton Jones, despite the unspoken tensions of their shared past. As Benton and Sibyl work together to solve a harrowing mystery, their long-simmering spark flares to life, and they realize that there may be something even more magical between them than a medium's scrying glass. From the opium dens of Boston's Chinatown to the opulent salons of high society, from the back alleys of colonial Shanghai to the decks of the Titanic, The House of Velvet and Glass weaves together meticulous period detail, intoxicating romance, and a final shocking twist in a breathtaking novel that will thrill readers. Bonus features in the eBook: Katherine Howe's essay on scrying; Boston Daily Globe article on the Titanic from April 15, 1912; and a Reading Group Guide and Q&A with the author, Katherine Howe..… (more)
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The Allston family of Beacon Street lost its matriarch, Helen, and youngest daughter, Eulah, when that ship went down (we meet the two of them in occasional interludes, as Eulah strikes up a shipboard friendship with Harry Widener). Carrying on at home are eldest daugther Sibyl, her father Lan (a shipping magnate) and her brother Harlan, whose days at Harvard seem to be numbered.
Howe limns the Boston of 1915 quite nicely, capturing the tensions between the traditional way of life for Brahmin families in the Hub with the technological and societal changes being ushered in during the early years of the 20th century. Sibyl's attraction to séances and spiritualism in the aftermath of the deaths of her mother and sister plays a key role in the plot of the book, and the fierce debates about those fields are represented (briefly, of course).
While there were some parts of the novel that moved a bit slowly, and some loose ends that I thought didn't quite come together, overall I liked it ... and the few twists at the end were nicely done.
The story jumps around between
As I neared the end of the book it was a solid 3 star for me. At times I had the feeling that the plot was lacking and I couldn't see the tie that bound everything together. As major revelations were made toward the end of the novel I began to enjoy it more and I thought the ending brought everything together in a satisfying way. I loved the time period that the book was set in and I am partial to stories involving the Gilded Age and the Titanic.
Katherine Howe's after word which gave further insight into her story was an interesting way to end the book. If you have patience there is a lot to enjoy in this story and it would be a great book to read the mark the 100 year anniversary of the sinking of the Titanic.
Sybil Allston is keeping house for her father in 1915 Boston. Her mother and sister perished on the Titanic three years earlier. She's never really
Howe has delivered another rich period piece, filled with many details that bring the Boston Brahmins, social life and mores of the times to life. Interspersed with Sybil's story are 'interludes' that give us a window into Eulah and her mother's final hours on the Titanic. I have to say, it is Eulah and the interludes I enjoyed the most. Eulah as a character drew me to her more that Sybil. Eulah is full of life and brashness and spirit. She embraces life, as short as hers will be. Sybil is equally well drawn, but life has taken on a different mien with her loss. I did come to appreciate her more as the book progressed.
I chose to listen to this book. The reader was Heather Corrigan. At first, I thought her voice was too young and sweet to tell this story, but quickly realized that that is exactly the tone to tell Sybil's story. Corrigan has a light voice, enunciates well and is easy to listen to.
The House of Velvet and Glass is not a fast read,rather it is a slow, measured building towards an unexpected revelation.The last third of the book moves along quite quickly, including another setting and more from one character that I been had expecting.
Howe has crafted another unique offering that will appeal to historical fiction fans. I enjoyed the book, but personally prefer something that moves along a little faster.
The biggest strength of The House of Velvet and Glass is its writing. Ms. Howe's lush descriptions and pinpoint characterizations create vividly clear, precise imagery and utterly realistic characters. The setting envelops the reader with its gorgeous prose, while the story unfolds with stunning clarity as the background becomes another character in its own right. It is as if the reader becomes a contemporary within the posh world of wealthy Boston in the late 1910s.
Plotwise, The House of Velvet and Glass is all over the place. It is an amalgamation of the tragic story of the sinking of the Titanic and the impact on the loved ones of the lost, a commentary on Spiritualism, a lesson on growing beyond one’s boundaries set by tradition, society, and family, and a warning about the dangers of becoming an addict. The reader is taken from Boston in 1914 to onboard the Titanic on the night of its sinking to Singapore in 1886, and the links between the three time periods is never truly apparent until the end. At many points throughout the novel, a reader will struggle to discern towards what point Ms. Howe is driving her audience.
In spite of all the issues with the plot, The House of Velvet and Glass draws in a reader and holds one’s interest. The plot itself might be confusing as it struggles to decide whether to be a character-driven novel or a plot-driven one, but Ms. Howe’s imageries more than make up for the plot’s inadequacies. Combined with its highly flawed characters and mystical elements, The House of Velvet and Glass is another excellent modern Gothic novel worth reading.
Acknowledgments: Thank you to Hyperion Voice for my review copy!
I finished reading 'The House of Velvet and Glass" and loved it! It took me awhile to figure out how the different characters would come together and where the plot was going and just who the heck was Lannie in old Shanghai anyway? haha...
loved the
Baiji the parrot was what every sailor should have at the end of his sailing days, the love between man and bird is telling of the loneliness Harlan must have felt most of his life with his gift/curse. Who could you ever tell, unburden yourself with the anguish of knowing the future but a sly and loyal parrot. I confess I have always wanted a parrot.
Opium dens and prescription laudanum cures...how crazy that seems today. Fascinating to have been born in those times, so concerned with manners and morals right and wrong, rich and poor.
Sybil was finally able to cut loose a little with Dovie and have some fun. Had she not done that would she have been able to come together with Ben? I think not
Sybils naughty bored brother who it seems was just trying to find his place in the world what he needed was a reason to be a man, somebody his family could look up to and be proud of and the war was just the thing.
I enjoyed the chapters with Eulah and Helen on the Titanic and wished for more and glad at the end I found out what happened to them although I can not get out of my head why Eulah did not panic, why she was calm and just wanted to look out over the ocean with her mother...could she possibly have the gift as well? The gift or curse handed down from Harlan to both daughters and not just to Sybil? could she have known this was their destiny after all? And then Helen just acquiescing...complete faith and love in her child to calmly go to what surely was their death?
Is it romance or lunacy to want die at the height of happiness? that is the question that has been turning around in my mind ever since I turned that last page and closed the book.
I bought Katherine Howes first book "The Physick Book of Deliverance Dane" with it's touch of mystery, mysticism and just a smidge of romance the minute I saw it at the bookstore, so I just knew I would also enjoy "The House of Velvet and Glass"
and so I have...
The Alston’s, a well to do family, live on Beacon Street, at a time when social standing is de rigeur, and the marriage of a daughter was of prime concern. Spinsterhood was often mocked by people of the upper class. Presenting one’s child to the world, to find an appropriate mate, was a major undertaking.
Harlan Allston, made his fortune in the shipping industry. His wife, Helen, a good deal younger than he, had given up hopes for her elder daughter’s marriage. Sybil, a very proper young woman, had refused one marriage proposal and did not receive a second, from Benton Derby, the one she longed for, as he married someone else and moved to Italy. Helen decides to take her younger, more outspoken daughter, Eulah, on a trip to Europe to prepare her to enter society and find a suitable marriage mate. The whirlwind tour is a success and they are very happy when they make their return trip home, unaware of the tragedy to come, on the magnificent ill-fated ship, The Titanic.
The story is a romantic piece of historic fiction, and it covers many of the major events and issues of the time, including many real people that did exist, as well as characters made up from the author’s imagination. The sinking of the Titanic, illicit use of opiates and its addiction, the horrors of World War I, the cultural and political climate of the time, are all accurately portrayed. The lifestyle of the gentry is well described, illustrating their carriage and their demeanor, their attention to manners and proper decorum, coupled with the snobbism and prejudices of the day. The early belief in spiritualism and clairvoyance add to the storyline. We witness behavior patterns that go to the depths of depravity, and alternatively reach the heights of heroism. There is an interesting parrot Baiji, that is introduced at the beginning of the tale, in Shanghai, and makes additional appearances until the end, in Boston. It seems to symbolize change and progress, as the narrative moves forward. There is an Asian theme concerning opiates, threaded throughout the book, as well.
Ships and water are major themes, as is addiction and clairvoyance or second sight. The sinking of both The Titanic and The Lusitania are catalysts that move the story forward and mark momentous changes in the lives of the characters, moving the story toward its conclusion.
Katherine Howe writes with an easy to read prose, often injecting subtle humor and eloquently describes the grief and tragedy the character’s experience. Her characters feel as if they belong in the time of the book and you will easily recognize them and get to know them well. The introduction of ideas that are somewhat supernatural flows well and does not feel awkward. At the end, you will learn of the author’s connection to that time period. It would be helpful if the reader enjoyed delving into the supernatural a bit, especially with extra-sensory projection and/or psychic phenomenon, since they are major ideas presented in the book.
In my reading, I discovered that in the Chinese culture, the parrot symbolizes freedom and life. It is the bearer of good news, signifies change and wisdom and represents our hopes and ultimate goals. How we live our lives, long or short, is a very major theme of the book. Were we able to leave a permanent, positive mark on society, did we live the best life we could? Dovie, the unconventional girlfriend of Sybil’s brother Harlan, brings the circle of life full circle and explains how the character’s have each made their own indelible mark on life.
I haven't read Katherine Howe before. Enjoyable story. Intriguing use of the Titanic disaster--like using the word "God" in the title, it will always draw readers--to explore spirutualism, early 20th century shipping, opium, World War I and the evolving of emancipation. The author's research lends credibility to the setting, plot and characters but covering so many topics put too much weight on the novel's trajectory.
7 out of 10 Recommended to fans of American history.
When Sibyl’s brother Harley is kicked out of Harvard under circumstances that he won’t discuss --- everyone assumes it has something to do with a young woman --- her already heartbreaking and complicated life gets one more added layer of sadness. Her father and brother can’t be in the same room together without fighting, and after a particularly stressful time, Harley leaves. Later, a young woman shows up at the house covered in blood with news that Harley has been severely injured. While waiting at the hospital for news on Harley, Benton Derby, Sibyl’s former love --- a man she still has great feelings for --- shows up wanting to help throwing not only Sibyl, but the whole family, into a tail spin.
Sibyl, a devotee of fortune telling, begins to find solace in the art hoping that a medium used by her mother will help her find comfort in the memories of the past and answers about the future. What she doesn’t understand yet is her own gift in the art and the affect it will have on her life and her family members.
What Katherine Howe does very well is capture a moment in time. Boston of 1915 is a rich setting and she doesn’t let any of the details slip. The book moves around in time thanks to the fortune telling aspect, but the characters pull the story back reminding you where the story is taking place. Sibyl is a particularly poignant character looking for comfort and acceptance from her father but also from a deceased mother that lost hope in her and placed all her dreams of a good marriage match on her younger sister. Sibyl’s a sad person but so wrapped up in handling the necessities of her day that she hides most of her feelings hoping others won’t see her hurting. Her need for comfort, acceptance, and assurance land her in a dangerous place.
While I did enjoy certain aspects of the fortune telling in this story --- it was a popular pastime at this point in history --- it did make parts of the story feel slightly disjointed. It’s a nice touch but is also a bit heavy handed making the story feel like it is coming and going at the same time.
This is Howe’s second book following The Physick Book of Deliverance Dane. She’s a writer more than willing to immerse her readers in history and if you enjoy historical fiction, Howe is a writer to look to.
Sibyl is a practical woman, a spinster in a world before women's rights meant much, but still strong-minded enough to not alienate modern female readers. Her one 'weakness' is attending an annual seance, a comfort to her in her grief that she doesn't dare question too closely. Unfortunately events soon lead her to explore the true nature of psychic gifts. Her mother and sister, who died when the Titanic sank, seem to be actually communicating with Sibyl through a psychic medium, and maybe her mother can still offer guidance as to how Sibyl might help her wayward younger brother.
I love an author who’s not afraid to kill off some of her good guys, and Katherine Howe kills off not one, not two, but three at the end of this novel. Yes, you will need that box of Kleenex, but don’t let that stop you from reading The House of Velvet and Glass.
The novels two main protagonists are Lannie, a young sailor visiting Shanghai for the first time during the middle of the 19th century, and his daughter Sybil, navigating the world of Boston society during the early 20th century. Interspersed with these two are Lannie’s wife, Helen, and Lannie’s other daughter, Eulah, who are aboard the doomed cruise liner Titanic. Sometimes a novel with various timelines can be a challenge, but Katherine Howe handles these deftly. Each time the story shifted I felt both reluctant to let the one I’d been reading go, and eager to dive into the new thread. Not an easy task for a writer to pull off.
The old world she creates of sailors and of China are filled with so much atmosphere I could practically smell the century, from the exotic perfumes and blood of a brothel visit that turns bad, to the smoke permeated darkness of an opium den, the descriptions are well-imagined and evocative.
Nothing in Salem approached this wall for age and majesty, which protected old Shanghai from the incursions of the new. There were a few old-fashioned houses, of course, inhabited by the poorer people, crowded together in their darkness and dampness, the stench of two hundred years’ worth of mice and sweat and woodsmoke and whitewash. But when New England was still a wilderness, this wall was already over a hundred years old. Lannie felt small and insignificant before it, a passing rill on an otherwise unbroken stream of time.
Boston is one of my favorite towns, having lived just forty-five minutes north of the place for ten years during the 90’s. It’s history-soaked and unique, as all great cities are, and this writer captures the atmosphere and society of it, the university in particular, in tiny, nuanced glimpses, as if seen from the window of a passing carriage.
She makes use of the upper-crust slang and body language of the early twentieth century swells with an aptitude that must have meant hours of research, and yet it comes off as seamlessly natural in the characters’ internal thoughts.
His body was compact and muscled, slightly the wrong shape to look fashionable in suits. His shoulders were too broad. There was something unrefined about Benton’s body, though that was offset by the sharpness of his mind. A psychologist, that’s what Sibyl said he was. So Benton Derby liked to study crazy people. Well, bully for him. Harlan had better things to do with his time.
The character of Sybil is an anorexic, which struck me as odd upon first encountering it, since I tend to think of the disorder as a modern one. The fact is introduced subtly, and not stated outright or made too much of, at first, which went a long way toward making me buy into it as a reader. And by the middle of the novel Sybil’s illness is so much a part of and the result of her circumstances: being thrown over and left behind by the man she hoped to marry, which has consigned her to the outer fringes of society and spinsterhood, and the tragic deaths of her mother and sister when the Titanic sinks—that it seems it couldn’t have been otherwise. The world had slid out of the emotionally locked down Victorian era, (and in fact, Sybil, an anachronism of sorts, still wears a corset – unlike the free-thinking Dovie, her brother’s lover) and the Great Depression spawned the skinny, headband wearing, jitterbugging Flapper, so it’s entirely plausible that a young, thwarted woman might resort to self-depravation, not to make herself thinner, perhaps, but to exert some perceived control. And that is exactly how she is portrayed. Despite being thin as a junkie, (which she actually becomes for a time) Sybil’s character is fully three-dimensional.
The author manages quite a feat with Lannie – or Harlan, as he becomes known as an adult. She makes the reader love him as a young boy, experiencing tragedy in the form of his new friend being killed on his first night in Shanghai, then she leads the reader to perceive him as a hard man in adulthood, where he hides himself away in his darkened den with Baiji, his mysterious Macaw. Though not entirely devoid of kindness – he’s gentle with Sybil, after all – he rules over his children’s lives like an autocrat, even to denying his apparently mugged son the relief of a shot of morphine while Harlan (Jr.) is recovering in the hospital. By the middle of the novel the reader wants to understand how the young Lannie we first come to know, becomes this secretive, closed off man.
I will only say this: things are not always what they seem in this novel—and you will not be disappointed.
This writer’s strengths: Where to begin! Katherine Howe is a writer’s writer. She writes perfectly crafted sentences that make one read them a second time, on occasion, just for the pleasure of them. Her punctuation and word choice are unobtrusive and lovely, making her easily accessible to any reader. Her descriptions are precise and vivid, particularly her character descriptions. Her characters are well rounded – even the ones we only meet briefly, like Johnny.
Who will enjoy this book? Any reader who likes a page turning read and tight plot with surprises, but also likes a bit of leisurely historical description. Readers who like a mix of commercial and lite-literary. History buffs who are fans of the era.
The House of Velvet and Glass is 407 pages. I found one dropped word, on page 349 of the hardback, the word ‘to’. Otherwise this novel is flawless in every way that matters. I very much enjoyed her first novel, The Physick Book of Deliverance Dane, which I read a few years ago and recall recommending to friends, but this novel is even better.