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Hidden in the depths of eighteenth-century London, a secret apothecary shop caters to an unusual kind of clientele. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary's fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo through the centuries. Meanwhile in present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, running from her own demons. When she stumbles upon a clue to the unsolved apothecary murders that haunted London two hundred years ago, her life collides with the apothecary's in a stunning twist of fate, and not everyone will survive.… (more)
User reviews
The story moves back and forth
I was a history major just like Caroline, so I totally get her desire to learn more. This book was interesting and a fine listen. I doubt I'll remember it in a year.
There was some sloppy editing that was obvious even on audio. If you can see a door hinge, the door opens TOWARD you, you don't push it in. And Caroline does not need a librarian to look up London death records for her. They are all available online, for free, and totally searchable. And they have been for years. She could do it on her phone (though a computer is preferable!).
A few days before Caroline Parcewell and her husband are about to embark on a trip to London to celebrate their 10th anniversary, Caroline discovers that James has been unfaithful. Of course, as expected, he first denies doing anything wrong, then says it was a stupid mistake and begs for forgiveness. Broken-hearted, Caroline decides to take the trip on her own. There, she ponders her resentments, not just of the affair but of the fact that she gave up a chance to earn a Master's degree in history at Cambridge, opting to support James in his career instead, went to work in her family's business, and put off having a baby until James deemed that the time was right. I got really tired of all the wah, wah, wah. You made stupid choices; get over it and move on (which, of course, she does before the end of the book).
On her first day in London, Caroline joins a group of mudlarkers and, of course, finds an interesting artifact: a glass vial engraved with the figure of the bear. The group leader just happens to have a daughter who works at the British Museum and advises her to drop by to see if she can help. This sparks Caroline's old interest in history, and she becomes determined to uncover the secrets of the "lost" 18th-century apothecary.
While Nella's story is much more interesting, it certainly has its flaws. Nella's mother, a "white witch" type of apothecary. had taught her daughter the trade, but a bad experience with a bad, bad man (almost all of the men in the novel are horrible) turned Nella into a murderer, and she started a practice in a secret back room to help rid other women of the problematic men in their lives. It is through the course of helping one of these women that Nella meets 12-year old Eliza, a servant sent to pick up the "remedy." Eliza begs to learn the apothecary's trade, but she is actually more enamoured of "magic" than medicine. The two have a push-me/pull-me relationship: Nella wants to send the girl away yet needs her help and is drawn to her as to the daughter she never had.
So blah blah blah, and Caroline hides her discoveries and bonds with Nella over their mutual betrayals by the men they loved. She even finds herself accused of trying to bump off her annoying husband James. Of course, she becomes Her Own Woman in the end, planning the future she always REALLY wanted. In short, the author should have dropped the boring cliché of Caroline and James and stuck with the Nella-Eliza plotline.
Writing this review has made me realize that I liked this book even less than I thought I had. It follows a tired formula, the writing is mediocre and the dialogue not always fitting for the time period, it screams I AM WOMAN, and one of the main characters annoyed the heck out of me. Throwing in magical elements only made it worse.
Modern-day, Caroline's story was underwhelming for the most part and it felt disconnected from the historical storyline. In fact, I'm not entirely sure why the author felt it was necessary to include her. I don't think she added much to the overall story. The historical characters could have carried the plot by themselves.
While I liked twelve-year-old Eliza and her curiosity, Nella was not the strong female protagonist I was expecting. I did appreciate the friendship that developed between them, it was the highlight of the novel, however, I wanted complex, conflicted characters I could emotionally connect with and this didn't happen.
Overall," The Lost Apothecary" was an okay read for a debut but it could have been so much better.
While Caroline is wandering around London and taking
As most of you know, give me a book that I learn something and I am hooked. I have never heard of mudlarking…Yep, that is a thing. It is digging in the mud on a river, like the Thames, to find ancient artifacts. This sent me down a rabbit hole. I started researching and watching videos. This is now on the bucket list.
This story is told in two different time periods, present day and the 18th century. It is part family drama and part mystery. I was captivated all the way through. The characters, the time period, the science, the reasons behind the murders, the old maps with the clues…oh boy! What a book!
Grab your copy today!
I received this novel from the publisher for a honest review.
"A forgotten history.
A secret network of women.
A legacy of poison and revenge.
Welcome to The Lost Apothecary."
The Lost Apothecary is a historical fiction novel told in a dual-narrative style.
In the past of late 18th-century London, we follow:
-Nella (narrated by Lorna Bennett), the
-Eliza (narrated by Lauren Irwin), the spunky but naive 12-year-old girl that visits Nella's shop in search of poison for her mistress, who inadvertently sets off a chain of events that could spell the ruin for everyone involved.
In present-day London, we follow:
-Caroline (narrated by Lauren Anthony), who is in London on her tenth anniversary trip, alone, after discovering a terrible secret about her husband. She stumbles upon a mudlarking group, who search the River Thames for hidden treasures (a real thing!), and finds a small, blue vial. As she searches to discover the vial's origin, she slowly uncovers truths about the past and the fate of the apothecary's shop.
I liked the split timeline, which I thought was done very well. After the end of each narrator, right when I was ready to learn more, it switched to a different perspective; while this can be jarring to some, I found it lent well to the unfolding mystery of the story. It kept me intrigued to keep reading to see how their stories would ultimately coalesce.
I think the author did a good job giving a distinct voice to the three main narrators. The audiobook definitely helped with this, and I liked the utilization of the three narrators; it really brought each of these three characters - Nella, Eliza, Caroline - to life. I will say that the narrator who portrayed Nella had a cadence that was significantly slower than the other narrators, which was slightly jarring; however, I did like her narration style, as I did with each of the other narrators. Lorna Bennett brought an air of experience and a hint of regret to Nella; Lauren Irwin’s voice was young and brought a sense of innocence to Eliza; Lauren Anthony brought sadness yet hope to Caroline.
Overall, I enjoyed this book. It was a pretty quick read with multi-faceted and interesting characters, a descent sense of tension, female relationships, and a satisfying conclusion.
Thank you to NetGalley and Harper Audio for an advanced copy of this audiobook in exchange for an honest review. All opinions are my own.
Present day, Caroline Parcewell has been betrayed and takes off across the ocean to lick her wounds and make some decisions which turn from bad to worse and back again. This part of the story could have been a throwaway. So much of it just did not work for me. Further, Penner seemed to have trouble embracing present day language and I felt she never shed the nuance of Nella’s time.
Not a bad debut, but not as great as it could have been. The potential is there, the history is interesting, the present less so, the endings disappointing. The opinions expressed in this review are completely my own. Thank you NetGalley and Harlequin for a copy.
(Thanks to NetGalley for this ebook in exchange for an honest review.)
The characters are well thought out, the plot doesn't get lost between timelines, and the story flows really well. Going in, I thought this would be a darker, more twisty book than it was so I was a bit disappointed with that, but overall I did enjoy this witchy, mysterious, debut novel.
Thank you to HARLEQUIN/Park Row via NetGalley for the e-arc to read and review honestly.
I’m conflicted about this story. I felt like I’d wandered into a secretive hidden world that exists between brutal reality and surface pretences. A supportive apothecary in the eighteenth century, hidden in the back alleyways of London, turned ‘serial killer!’ What
I confess, I’m never too keen on split time sequencing. Here it worked really well. The story walks between 1791 and the apothecary Nella, and today. Caroline is an American woman whose marriage is in turmoil. She’s flown to London to think things through. A British history major, she joins a group mudlarking, scrounging along the banks of the Thames like the Victorian mudlarkers looking for something valuable or interesting. What Caroline finds opens up the story to this fascinating historical aspect, the female apothecary. I enjoyed Caroline’s initial search for finding Bear Alley, searches in the British Library, the using of old digitalised map overlaid with more modern maps. Wonderful!
In the book’s introduction publisher Loriana Sacilotto writes that this is,
“a jaw-dropping, subversive, intoxicating read about women rebelling against the society that limits them...”
It is! I couldn’t put it down.
BTW I love the richness of colour in the cover design!
A Park Row / Harlequin Trade ARC via NetGalley
Please note: Quotes taken from an advanced reading copy maybe subject to change
Contemporary and historical women’s fiction. Alternating chapters from 1791 and present day.
1791 Eliza, a twelve year servant tasked with killing her employers husband with a poison from the hidden apothecary.
1791 Nella, an aging and sick spinster has been
Present day Caroline, a woman traveling alone in London after finding out her husband has had an affair. She finds an intriguing glass vial when joining a mudlarking tour on a whim. So begins her search for a lost apothecary.
A journal of adventure and self discovery. Intriguing and easy to read. I found both time frames fascinating and even a bit suspenseful. I also think Caroline found things a little too easy but no one would find hundreds of hours of research fun to read about so it made sense for the story. Loved the ending and resolution.
Excerpt:
“My eyes began to sting as I considered the odds of finding this object in the riverbed: a historical artifact, probably once belonging to a person of little significance, someone whose name wasn’t recorded in a textbook, but whose life was fascinating all the same. This was precisely what I found so enchanting about history: centuries might separate me from whoever last held the vial, but we shared in the exact sensation of its cool glass between our fingers. It felt as though the universe, in her strange and nonsensical way, meant to reach out to me, to remind me of the enthusiasm I once had for the trifling bits of bygone eras, if only I could look beneath the dirt that had accumulated over time.”
Excerpt from The Lost Apothecary by Sarah Penner
I received a copy of this book from NetGalley.
Caroline came to London for a tenth anniversary celebration, but found out her husband had been having an affair so she came
She didn’t want to follow through with her itinerary she was to have had with her husband and happened upon a man who suggested she go mudlarking with a group.
Mudlarking was done in the 1800’s as a means of survival by finding things washed up on the shore, but this group did it for fun.
Caroline finds a vial with a bear on it. Her curiosity as a historian had her searching for what the vial may have been used for and the place where a shop probably existed in 1791 that could have created remedies.
While Caroline is looking for clues, we flash back to 1791 and meet Nella who made remedies, actually poisons, for women who needed to be rid of their husbands. A young girl, Eliza, who came to the shop to have Nella make a potion for her mistress, took an interest in the shop.
Nella, Eliza, and Caroline collide virtually in present day through research and poisons.
THE LOST APOTHECARY is very clever, enjoyable, different, unique, and very well researched.
I loved the information about the maps of London and finding clues to how others lived and worked in past times.
History buffs, those who love solving years-old mysteries, and those who love Old London won’t want to miss this book.
ENJOY!!
An amazing debut!! 5/5
This book was given to me by the publisher via NetGalley in exchange for an honest review.
The story weaves together the stories of Nella, an apothecary in 1791 London who has some dark secrets, her 12 year old client Eliza who wants to learn more about her trade, and present day Caroline, who travels to London on her own after making a shocking discovery about her marriage and then explores what she wants to do with the rest of her life.
In addition to being a fantastic story, I think this is the most beautiful book cover I've ever seen! I usually read the book along with the audio book, but in this case I only had access to the audio, so I look forward to buying a copy to reread and add to my book collection once the final version is released.
Thank you to NetGalley and Harper Audio for allowing me to listen to an advance copy of this audiobook in exchange for an honest review.
I was drawn to this book by what promised to be a unique read.
I did find dark, creative fiction that gave me a historical perspective of the time before poison could be detected at autopsy.
The dual timeline (1791 and present day London) wove the story of a secret apothecary that
Betrayal is a backdrop and the plot is cleverly woven to yield surprises.
A small jar recovered while mudlarking in the Thames leads to slowly revealing an underground web of revenge over two centuries ago.
Provocative characters make this an interesting read.
I'm not sure what to say about this one. Nella's story was interesting, and I wish the book had focused entirely on her. Caroline's story was unnecessary and dramatically slowed the plot down. I thought Caroline's research attempts were highly unlikely to yield any results and was just not believable. However, because I enjoyed the apothecary's story, 3 out of 5 stars.
Eliza Fanning is her newest client, a twelve-year-old girl sent by her mistress, Mrs. Amwell, for poison for Mr.
In the present day, Caroline Parcewell is in London on what was supposed to be a celebratory tenth wedding anniversary trip with her husband. Instead, her husband is home in Ohio, and Caroline is in London on her own, contemplating the possible end of her marriage.
On an unplanned mudlarking outing on the banks of the Thames, she finds an odd glass bottle, with nothing to identify it but a little engraving of a bear on all fours. A little initial research doesn't tell her where the bottle comes from, but does lead her to hints of the mystery of the late 18th century "apothecary killer," never caught or conclusively identified. Caroline's interest is caught, awakening dreams of doing historical research into ordinary lives she abandoned after her marriage.
The story is told in alternating chapters from the viewpoints of each of these two women and a child. Each narrative voice is clear and distinct, and the narrators do justice to them. We come to clearly understand Nella's choices. Caroline's struggle over her marriage and over her rediscovered dream of historical research into ordinary lives is real and palpable and moving. Eliza's efforts to understand the situation she's been thrust into, and arrive at the right choices and decisions, and even to understand her own body as it changes, are moving.
It's a thoroughly engrossing story, and I highly recommend it.
I bought this audiobook.
Unfortunately,
Secondly, I really don't think that the present-day story added much of anything to the story. I mean, I see how the author was trying to contrast the story of the modern-day character, Caroline, with the older one, but I really would have been much happier without her perspective. (Her story also really, really heavily revolves around marital infidelity/an unhappy marriage, and I just didn't like reading it. It's also extremely convenient, and I really struggled to think that it was very plausible.)
Further, a substantial number of the plot points in the book fundamentally resulted from misunderstandings that could so easily have been cleared up with a one-sentence explanation. This was definitely true of some pretty major plot points in the 1700s timeline, and I also deeply don't understand why Caroline decided to be secretive about her actions in the modern-day timeline.
With all that being said, though, I am definitely aware that this is a debut book, and I still want to underscore that the premise of this book was and still is really fascinating. While the plot didn't deliver for me, I do think that it might work for some people.
What follows is a dual tale, tracing Nella's possible downfall as one of her poisons is possibly taken by the wrong person, and Caroline's quest to figure out the mystery of the vial and to make the hard decisions about the rest of her life. Both Nella and Caroline are well-written characters, but their lives, both interior and exterior, weren't sketched out quite fully enough for me to understand some of their motivations. Similarly, some of the evidence that Caroline uncovers about Nella felt much too slender to base some of her conclusions on, and the connection between one conclusion and another often felt tenuous.
Still, both Nella's and Caroline's stories are compelling, and together they create a momentum that propels the book forward quite nicely.