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"Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, ripped apart by the death of his wife, is gradually restored by her frequent appearances--in their house, on the roadway, in the market. Crippled in his right arm and leg, Aaron has spent his childhood fending off a sister who wants to manage him. So when he meets Dorothy, a plain, outspoken, independent young woman, she is like a breath of fresh air. Unhesitatingly, he marries her, and they have a relatively happy, unremarkable marriage. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy's unexpected appearances from the dead help him to live in the moment and to find some peace. Gradually he discovers, as he works in the family's vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye. A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler's humor, wisdom, and always penetrating look at human foibles"--… (more)
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I noticed especially AT's skill in naming the characters - only those that mattered, and then each name so individual and noteworthy.
Aaron Woolcott and his spinster sister, Nandina, run Woolcott Publishing, a company with two basic sources of revenue: what, before the advent of self-published e-books, was called “vanity publishing” and a long series of books for “beginners” that are even more dumbed-down than the real-world “for dummies” series that is so popular. Aaron has recently lost his wife in a tragic, fluke accident and is struggling to say goodbye. He badly needs to feel a sense of closure but, because Dorothy died almost immediately after an argument with him, Aaron is too filled with regrets to let her go. Thus, the title of the book.
The novel’s self-description emphasizes how Aaron begins to see Dorothy at random intervals and places. Sometimes she speaks to him, sometimes she does not. Strangely, others often see Dorothy by Aaron’s side, but they instinctively focus on Aaron and never acknowledge Dorothy’s presence – even, it seems, to themselves. Surprisingly enough, despite the book blurb’s emphasis on it, Dorothy’s return plays a much smaller role in the story than one might expect.
The Beginner’s Goodbye is about how one man comes to terms with his grief. I suspect that all of us handle grief somewhat differently and that we do not truly know ourselves until we are tested this way. Aaron prefers to handle it internally despite the number of sympathetic and loving co-workers and friends with which he is surrounded. It is easier for him to deny that he is suffering than to explain to his friends the level of grief he is feeling.
But, as he will learn, the world continues to evolve, people change, and new relationships are formed. I find that the first and last sentences of The Beginner’s Goodbye perfectly encapsulate Aaron’s story:
“The strangest thing about my wife’s return from the dead was how other people reacted.”
“We go around and around in the world, and here we go again.”
This deceptively simple little novel has a lot to say about life and love. Anne Tyler fans will jump all over it. I hope that others less familiar with Tyler’s work will not miss out.
Rated at: 5.0
Aaron Woolcott is a married, thirtysomething, book publisher. When his physician wife is suddenly killed in an accident, Aaron is set adrift. One day, his wife “seems” to return and offer him guidance.
Aaron loses his wife Dorothy in a freak accident when a tree falls on their house. One moment they’re a couple - not as compatible as
But Aaron is a quirky Tyler character in that magical Tyler Baltimore that only she seems able to locate. And his journey through grief, though sad, will also be enlightening for both protagonist and reader.
To say that Tyler is a master craftsman is an understatement. The novel’s first sentence says it all: “The strangest thing about my wife’s return from the dead was how other people reacted.”
Tyler’s is a kinder, gentler view of humankind….she sees us as we are and as we wish to be. Dorothy’s post-death visits force Aaron, once his grief has ebbed a bit, to give serious thought to their marriage and to his own failures and hopes.
Tyler tells us that death is a leveler; that it hurts; that it can’t be avoided. But that, with care, our lives, like Aaron’s, will go on.
(The publisher provided a review copy of this book.)
In typical Tyler fashion, this novel is filled with unusual individuals who are presented as run-of-the-mill. Dramatic action, even action as dramatic as trees crashing through houses, is muted. Interior thoughts and self-doubt predominate. And there is a gentle sprinkling of light humour and passing psychological insight.
Somewhat unusually, there is a ghost lurking in this novel. Not the much talked about visions of Dorothy that Aaron experiences periodically during the year following her death. Rather, it is the character of Dorothy herself. She is endlessly enigmatic and always just out of reach. Who is this woman? She is an Oncologist of Hispanic origin with a respected medical practice. She is curiously muffled emotionally and strangely unpractised in social interaction. Very curiously (but entirely unexplored in the novel) even after years of marriage, Aaron has never met Dorothy’s family. Aaron’s call to her brother with the news of her death is his first occasion of speaking to him. I wanted to learn a great deal more about this woman. Alas, this is Aaron’s story and he either doesn’t know anything more about his wife, or doesn’t want to know.
As ever, when you try to situate an Anne Tyler within the range of her (now 19) novels, you find that it fits somewhere in the middle. As do all of the others. Gently recommended (for lovers of Anne Tyler novels).
As time passes, Aaron begins to see his late wife Dorothy in unexpected places, and at unexpected times. The reader even gets the feeling that she is also seen by others, but the reader can never be sure. Has she returned to him? Through these visits from Dorothy, he works out the problems they shared. She confides in him and tells him things he never knew about her before, which adds to his wonder. Is she real or is his imagination returning her spirit to him in order for him to discover solutions to work out his grief?
Aaron Woolcott is in the publishing business started by his family, and the company is working on a series of beginner's books: the beginner's book of marriage, the beginner's book of menopause, the beginner's book of pregnancy, etc. With this book, we watch Aaron work out the beginner's book of a widower, the beginner's book of grief. We watch him learn to cope with his loss. As the title hints, it is the beginner’s book of how to say good bye.
After the accident, Aaron finds he cannot return to the home he shared with Dorothy. It is the scene of the "crime", so he moves in with his sister Nandina, to his childhood home. He takes nothing with him; he leaves his life behind. He even buys a new razor because he can't bear to return to the house to get the one he left there. Finally, when the house deteriorates further, he has no choice but to hire a contractor to repair it, and with the rebuilding of the house, he also begins to rebuild his life.
Everyone tries to be kind and sympathetic toward him. They bring him casseroles for dinner, extend invitations to dinner, try to introduce him to friends, but he wants to be left alone. Dorothy was his whole life. He feels uncomfortable in social situations, but soon, he wants to get back into some activity. He wants to play racquetball with his friends again, but they want to invite him to dinner, thinking he is not ready for racquetball. Gradually, his life does begin to resume in some fashion, although, he becomes short tempered and angry at times. We are with him as he works through his loneliness.
I found the book to be well written, as Tyler's books are, but this one was a little too simplistic for me. I read "An Available Man", by Hilma Wolitzer, another book about a man, Edward Schuyler, who was also overcoming the loss of his wife, adjusting to life alone with the attentions of friends and family, sometimes wanted and sometimes unwanted. I believe that novel had more depth and more interesting characters, perhaps engaging me as a reader more, encouraging me to think about the grieving process more intensely and inspiring me to identify with the character's emotions more deeply.
To contradict some of the other reviewers: I would not say that this book features magical realism or supernatural events. What we have is Aaron's conscious and subconscious mind (and his heart) dealing with his loss.
Also, and this is Ms Tyler's responsibility, I didn't warm to the "ghost" concept on which a big chunk of the book is based - that is a man "sees" and even talks to his dead wife as though she really has come back to life. Sure, I can see the partial validity of this perspective as a manifestation of the grieving process (especially where there's unresolved issues between the couple, as in this case) but it was a bit too unrealistic to my mind. And I do like my novels to be completely believable.