Götter und Maschinen : wie die Antike das 21. Jahrhundert erfand

by Adrienne Mayor

Other authorsNikolaus de Palezieux (Translator)
Hardcover, 2020

Status

Available

Call number

CC 8700 M473

Collection

Publication

Darmstadt: wbg Philipp von Zabern

Description

The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, long before medieval automata, and centuries before technology made self-moving devices possible, Greek mythology was exploring ideas about creating artificial life--and grappling with still-unresolved ethical concerns about biotechne, "life through craft." In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements--and how these visions relate to and reflect the ancient invention of real animated machines. As early as Homer, Greeks were imagining robotic servants, animated statues, and even ancient versions of Artificial Intelligence, while in Indian legend, Buddha's precious relics were defended by robot warriors copied from Greco-Roman designs for real automata. Mythic automata appear in tales about Jason and the Argonauts, Medea, Daedalus, Prometheus, and Pandora, and many of these machines are described as being built with the same materials and methods that human artisans used to make tools and statues. And, indeed, many sophisticated animated devices were actually built in antiquity, reaching a climax with the creation of a host of automata in the ancient city of learning, Alexandria, the original Silicon Valley.… (more)

Media reviews

In Gods and Robots, Adrienne Mayor analyses ancient evidence for artificial life, creatures “made, not born” (2), and the art of creating them, which she terms biotechne. Mayor concentrates on Greek, Roman, and Etruscan textual and material culture, with frequent comparisons to Indian, Chinese,
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and Babylonian sources, among others. For example, she compares the Pygmalion myth to a Buddhist story about a mechanical woman used to seduce a painter, who retaliates by creating a tromp l’oeil of his own suicide (111). Mayor weaves together this ancient material with stories from SF (science/speculative fiction) and the current science of artificial life to make a vigorous case for how we should interpret artificial life in ancient cultures. Rather than being “animated by magic or divine fiat,” she argues, “these special artificial beings were thought of as manufactured products of technology, designed and constructed from scratch using the same materials and methods that human artisans used” (2). This puts Mayor at odds with a number of other scholars, including myself (as she acknowledges, 22), who contend that at least the earliest automata, including the self-moving tripods and golden maids created by Hephaestus in Homer’s Iliad, were probably understood as magical. On Mayor’s reading, these automata are much closer to modern robots, androids, and replicants than scholars have so far recognized.
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User reviews

LibraryThing member drardavis
Mayor assembles a fascinating picture of artificial life being born in mythology and emerging into the real world during ancient times. This is a scholarly work, not a work of popular science. For me, that was perfect, as I used it for background research for my latest sci-fi novel, Turing’s
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Nightmares. There is repetition though, as Mayor takes ancient myths, stories, dramas, and fragments of manuscripts, jewelry, painted pottery, complete or in shards, and pieces them together in various patterns to reveal humanity’s interest in what we now think of as artificial intelligence and robotics. From Talos to Pandora, from Daedalus to Hephaestus, to ancient extravaganzas reminiscent of some Rose Bowl Parade, to Ajatasatru and Asoka’s robot guardians of Buddha’s remains, you can enjoy rediscovering some amazing ideas if you read this book.
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LibraryThing member Opinionated
Adrienne Mayor traces the appearance of biotechne or automata in the stories, poetry, plays, pottery and statues of the Ancient World, particularly in Ancient Greece, but also with reference to Rome, India and China. From the bronze automaton Talos, protecting Crete by running its borders 3 times a
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day, throwing boulders at unknown shipping, to Pandora, the artificial woman with her jar of woes that was Zeus' vengeance on the world for the theft of fire, from the inventions of the immortal Hephaestus to the very mortal Daedalus, this is a fascinating history of how the ancients imagined and embraced the idea of automation, how they created statues with moving parts and developed their engineering ingenuity to create the illusion of artificial life

The ancients were in doubt as to what artificial beings could be used for; labour saving, sexual substitutes and warfare. Mayor cites numerous examples of the sexual allure of graceful statues, some of whom were assaulted by night. And Mayor also reveals that the Ancients would have had little truck with Asimov's First Law - that a robot may not injure a human; The automata of the Ancient World were often created with vengeance, torture and punishment in mind

Its a fascinating book, and one that reminds us that concerns about the ethics and control of artificial beings is hardly a new concern; the Ancients were struggling with this three millenia ago
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LibraryThing member Shrike58
This is an intriguing synthesis of the legends of "biotechne" of ancient and classical and Hellenistic Greece, as despite not having the technology to actualize their most expansive concepts this did not prevent the Greeks from imagining what artificial life might look like and what the
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philosophical issues might be. Besides that though, Mayor notes that it should give one pause that a disproportionate number of these creations (Talos, Pandora, the Minotaur, etc.) came into being because of the tyrannical drive for power by inhumane overlords. Mayor wraps up her study with an examination of what actual Hellenistic technology looked like and some contemplation of our future.
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LibraryThing member Gwendydd
The premise looked interesting, but I'm just not all that interested in the details of Greco-Roman mythology, and the connections Mayor was making between ancient myths and modern stories of robots seemed pretty tenuous. I didn't get very far before I gave up.
LibraryThing member MarthaJeanne
I found the style of the German translation very hard to read, and gave up early.

Awards

Mythopoeic Awards (Finalist — Myth and Fantasy Studies — 2021)

Language

Original language

English

ISBN

3-8053-5226-3 / 9783805352260
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