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"The Garretts take their first and last family vacation in the summer of 1959. They hardly ever venture beyond Baltimore, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common. Their youngest, David, is already intent on escaping his family's orbit, for reasons none of them understands. Yet as these lives advance across decades, the Garretts' influence on one another ripples unmistakably through each generation, much like French-braided hair keeps its waves even after it is undone. Full of heartbreak and hilarity, French Braid is classic Anne Tyler: a stirring, uncannily insightful novel of tremendous warmth and humor that illuminates the kindnesses and cruelties of our daily lives, the impossibility of breaking free from those who love us, and how close--yet how unknowable--every family is to itself"--… (more)
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I had such a bittersweet feeling as I read this. Could identify with some incidents, and while others didn't apply to my life, I could see the truth in them. Terrific book about a family that could be ours.
ARC by Edelweiss.
Anne Tyler has been writing books for almost six decades, but I have only come to detect her work a couple of years ago. What I liked from the start was her relaxed tone which takes life just as it is, acknowledging the ups and downs, knowing that the show has to go on. Her latest novel, too, “French Braid” is wonderfully narrated capturing the small but decisive moments. It is the portrait of a family, not the totally average one but nevertheless one that could just live next door to you. Again, Tyler finds the interesting points in those at the first glance totally average lives.
“What’s the name of that braid that starts high up on little girls’ heads?” David asked Greta one night (...) “Oh a French braid,” Greta said. “That’s it. And then when she undid them, her hair would still be in ripples, little leftover squiggles, for hours and hours afterwards. “ “Yes...” “Well,” David said, “That’s how families work, too. You think you’re free of them, but you’re never really free; the ripples are crimped in forever.”
None of the Garretts have ever been close, not even the married couples, but nevertheless, they are family and therefore gather from time to time. They may not even like each other, but they like to stay informed. Some of them try to break out, especially the women, but just like the French braid, they cannot really free themselves, some things just stick.
Anne Tyler surely is a most accomplished writer, how else would it be possible to totally enjoy a novel and at the same time feel a little bit uncomfortable due to the extent you can recognise yourself in her writing. She does not focus on the exceptional, the outstanding, but finds the aspects worth mentioning in the ordinary, in the well-known and hardly ever actually noticed. It is with her soft voice and quite narration that she hints at what you should look at and think about. Another though-provoking, simply marvellous novel.
Author: Anne Tyler
Publisher: Knopf Doubleday Publishing Group, Knopf
Reviewed By: Arlena Dean
Rating: 4
Review:
"French Braid" by Anne Tyler
My Assessment:
"French Braid" was just a read about the Garrett family for three generations starting in 1959 and goes through the ending of the
The author gives the reader quite a read as the story goes through years in the lives of this family from marriage, weddings, births, successes with lots of changes coming from and bringing on disagreements, and misconceptions, spoken and unspoken. But still showing there was a love of the family that did bind them somehow. So be ready as the reader will be shown definite details and peculiarities of some of these characters.
The story will leave one being able to resonate quite a bite from this story of what went on in this Garrett family and just how close they were. But, I still had a feeling whether the Garrett family were truly happy or not?
Thank you very much to Knopf Doubleday and NetGalley for the opportunity to read this ARC in exchange for an honest opinion.
Thanks to Edelweiss and Knopf for the opportunity to read this book in exchange for an honest review
No other author that I know can tell a story in quite the same way as Anne Tyler. Her novels come alive as they reveal the reality of our own lives. She can take a mundane moment and make it magical, meaningful and prescient. Although at
French Braid follows the lives of three generations of the Garrett family, simple people living ordinary lives. Each character has its own unique personality, and eventually, they all blend together to highlight all of the personalities we might ever encounter. The reader actually watches each of them flourish or fail, in their own way, and in their own time, but each soon finds the happiness they search for and deserve. All of the warts and foibles of life are portrayed as birth, death, aging, freedom, independence, individual rights, love, relationships, jealousies, lifestyles, loyalty and more are probed by the author, so quietly, that the reader is not aware of it until suddenly, there is a moment of revelation. Life happens to them, as it does to us, often without us noticing, and often without our input. We have to deal with unplanned moments and moments that are planned that do not go as expected. These characters are immersed in that cauldron with their own individual experiences. Each character’s behavior will make the reader pause and think, would I have done that? Was that appropriate? Is that acceptable? Ordinary questions become profound and through each succeeding generation the same questions are often explored, so delicately, that we are hardly aware of all the character traits the author exposes. There is no fanfare at all. The ideas simply come to life. It is a subtle exploration and exposure of family and relationships in all their incarnations. As the characters age, they have different needs and the moments of grief and joy that come into their lives, are the same as those that come into ours.
From about 1940, with the marriage of Mercy and Robin, a time when women were really only housewives, to 2020, when women are so much more independent and free to move around to reach their potential, the reader witnesses this family emerge and grow in many different directions. As we follow their progression, their different kinds of love and their trials, as they try to accept each other as spaces grow between them, as they naturally distance themselves from each other, and yet return to each other as time demands, we witness, through them, our own lives and the passage of time. We watch values and mores change as the years go by, and we, as they, alter our own relationships and needs to adjust to the new demands placed on us. Still, we may sometimes stop and wonder if the changes are all as positive as the author seems to imply.
The author is so perceptive. Is the Garret family like your own? Do you have siblings that have moved away and gone in different directions? Have you had the courage to make changes in your life that make you happier or are you stuck in the same humdrum state because you are afraid to move forward? Do you have relationships with people based on responsibility, habit, or true need and desire? Does every spouse hunger for more and experience disappointment that cannot be discussed? How many spouses plot secretly to make changes in their lives? Is every sibling jealous? Is there always a favorite child, even unknowingly?
The one question I was left with was this: Could Mercy have really gotten away with the changes she made in her own life, without making a ripple in the stream, or would there have been rifts in the family with each member taking sides? Are we really that understanding of each other’s needs to forgive such transgressions, or if not transgressions, deviations from the norm, because Anne Tyler “does normal” expertly! Even the subtle use of Robin as both a girl’s and boy’s name, the interjection of Eddie and Claude’s relationship, so casually at the very end, simply happens and ushers in the present as opposed to the past. She even often injects a quiet kind of humor into the pages. The wit will make your lips curl up, but will not make you laugh out loud. Instead, as it is in your own life, you will just enjoy the moment.
As Mercy searches for the soul of the house in her paintings, the author has the characters search for their own souls as they go through the growing pains of each day of their ordinary lives. Tyler has softly led us through decades to witness the changes that have taken place in our world, and it is a journey that is really enjoyable. Even the title is significant, for she has taken the hair style of the child, Emily, the daughter of an immigrant from Scandinavia, an older woman, a scandalous divorcee, who married son David, and has placed her in a position of importance, making them all more significant, simply with the title.
There is no foul language, no erotic sex to titillate the reader; there are no unnecessary words at all. It is simply a wonderful story, as most of her stories are, because she tells her stories as if they are occurring right in front of us, before our very eyes, or right in our very own lives.
There are some fine observations of individuals and of families here. But there isn’t substantial drama. Some things happen offstage. And sometimes it takes a bit of thinking to realize how the protagonist of one section of the whole connects to the others. Which is to say that we don’t, as readers, get too close to any of these characters. And that too might be a very deliberate choice on Tyler’s part, since, she is suggesting, we don’t get that close to our own family members either.
In any case, the writing is always comforting and there is just enough challenge to make it interesting.
Very lightly recommended.
Families. They expand, and evolve but not always in good ways.
The Rest of It:
The Garretts take a family vacation. Their first and last one in the summer of ’59. Mercy and Robin’s marriage is strained by Mercy’s desire to paint again. Paint again, in another house, away from
This was a strange little read. The family dynamic was interesting but I didn’t find myself pulling for anyone in this story, really. It seemed to span too many years, decades actually and as the story unfolds it meanders along until it wraps up, in what I felt, was a very abrupt way. I think I would have liked it better if the story centered around Mercy and Robin’s marriage alone.
Anne Tyler is a great storyteller. I’ve enjoyed many of her novels but this one left something to be desired.
For more reviews, visit my blog: Book Chatter.
Just had to add that I now have looked at what others have
This is beautifully written and characterized, although I'm not sure what it is about exactly. It covers the story of a family from 1959 to the beginning of the pandemic, although the opening chapter (for reasons I do not understand)
We are formed–or
Then, Tyler takes us back to 1959 and the one and only Garrett family vacation to a cabin at lake, introducing us to parents Robin and Mercy and their three children, teenagers Alice and Lily, and the youngest, David. It isn’t really a family vacation, the kind where everyone enjoys time together. Lily finds a boy and disappears all day. David is afraid of the water and feels judged by his father. Mercy paints, unconcerned that Lily is hanging with an older boy. Robin is unconcerned by Lily’s broken heart. And we understand the basic disconnection of these people.
These people never talk about their problems with each other. They just drift apart into their own lives. When Mercy moves out, little by little, into an art studio apartment, her separation from her husband is never recognized. Her own children don’t even think of it as a separation.
Tyler’s understated style is not for everyone. There are no horrendous events or compulsive story arcs. Just life, like yours and mine, and a shared recognition. And perhaps, some healing knowing all families leave their indelible marks.
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813.54 |