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Fantasy. Fiction. Literature. HTML:NATIONAL BESTSELLER â?¢ In another feat of hypnotic storytelling, Anne Rice continues the extraordinary Vampire Chronicles that began with the now classic Interview with the Vampire and continued with The Vampire Lestat and The Queen of the Damned. Lestat speaks. Vampire-hero, enchanter, seducer of mortals. For centuries he has been a courted prince in the dark and flourishing universe of the living dead. Lestat is alone. And suddenly all his vampire rationaleâ??everything he has come to believe and feel safe withâ??is called into question. In his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the danger-haunted years of his long existence. The Tale of the Body Thief is told with the uniqueâ??and mesmerizingâ??passion, power, color, and invention that distinguish the novel… (more)
User reviews
After several tales set predominantly in the past, this new volume of the vampire chronicles is completely of the moment. Such a
In the Tale of the Body Thief, we once again join the continuing adventures
I won't go into too much detail, but I thought that this was a really fun new direction for Lestat's character. It takes him away from his normal lack of concern with the impact of his actions on things around him and forces him into some tough situations. Rice also introduces us to some new characters along the way that I was really fond of and would like to see more of.
All-in-all, I really enjoyed this entry into the Vampire Chronicles and found it refreshing compared to the relative heaviness of The Queen of the Damned.
What I could not deal with was him being constantly distracted by the stupidest things. I
I blame lack of editing.
I blame lack of editing for a lot of things in this book.
Because it is an intriguing story, the characters are great, it's something fresh and new and a great book to write after the first three in the Vampire Chronicles. The story is very urban fantasy, in a good way, I like the antagonist and I love everything with David in it. Lestat is not only whiny, but an immense a**hole at times, but since he never was a likeable protagonist, so that's fine with me. I love the fact that he wants to be human at all costs and then absolutely hates it, not out of glee, but because I find it a believable reaction from a being that is so absolutely removed from being human and enjoys it.
There are a lot of meaningful conversations in this book, as always with Anne Rice, but also a lot of back and forth and repetitions of the same thing over and over, so it could definitely have benefited from some editing. And it could have been a lot shorter.
All in all, in my "great and possible several years-long re-read of the Vampire Chronicles and maybe the Mayfair Witches completely out of order", this book ranks below "Pandora" (the first book I re-read, this being the second) because of lack of editing and focus.
Next up: Memnoch the Devil
As a writer, I have always had great respect for Anne Rice, not just for her writing, but for the way she promotes herself and her work; she is the classic example of the scribbler who came up with a new take on an old genre and then struck a chord with an audience. Back in the 1970’s, she had the notion to write a novel told from the vampire’s point of view, this coming at a time when vampire lovers mostly had to make do with paperback copies of DRACULA, or hybrids like Richard Matheson’s I AM LEGEND. Then came INTERVIEW WITH THE VAMPIRE in 1976, which introduced us to Lestat De Lioncourt, a young French nobleman from the late 18th Century, the first of a whole cast of Undead characters inhabiting a unique universe. INTERVIEW was followed by THE VAMPIRE LESTAT, and QUEEN OF THE DAMNED, and a literary juggernaut was launched. Rice’s books appealed not only to traditional horror fans, but also to readers of romantic fiction and the burgeoning Goth culture, while developing a large gay fan base, and a following among those who just wanted something different. It helped that New Orleans native Rice proved to be a hell of a salesman for own work, becoming a distinct personality in her own right after many appearances on TV talk shows which highlighted her long raven black hair, and equally dark attire; many fans thought she was a vampire herself; detractors said she was so deluded she actually thought she was creature of the night. Anyway, through good hard work, she made herself into a mini industry that has produced 35 books and sold nearly a 100 million copies. And her influence has been enormous, without Rice, there would never have been an Angel or Spike, nor Edward Cullen either for that matter.
THE TALE OF THE BODY THIEF came out in 1991, a couple of years after THE QUEEN OF THE DAMNED, and at the time, many fans thought it was something of a letdown after the epic arc of the first three novels, still, it was a huge bestseller. For me, diving back into the Vampire Chronicles after all this time, BODY THIEF was an easy entrance back into Rice’s world, as it does not force the reader to get back up to speed with the huge cast from the earlier books. Lestat is back front and center, and there is an appearance by Louis, a New Orleans bloodsucker made by Lestat two centuries before, along with the ghost of Claudia, the vampire child they created and then lost. It seems that after the near apocalyptic events of QUEEN, Lestat has fallen into despair and disillusionment with his vampire existence, cutting himself off from his fellow bloodsuckers; his only friend is the elderly mortal David Talbot, the leader of the Talemasca, a group that studies the supernatural. The lonely Lestat is approached by Raglan James, a young man who claims he has the ability to switch bodies, telling Lestat that he is really a 70 some year old man who has purloined the young body he now inhabits after hijacking it in a British mental institution, where it was in a fatal coma. James has a proposition for Lestat, they switch bodies for a few days, so that Lestat may regain his humanity, while James can enjoy being inside the immensely powerful body of a vampire for a short time. What could possibly go wrong? Though Lestat is warned by Louis and David that this is the worst of all possible ideas, and the reader can clearly see that James is bad news, the offer prompts an itch that Lestat just has to scratch.
The best part of the book is the middle part where Lestat, now in a human body, finds that being a mortal is not quite what he remembered it to be; not with a bout of pneumonia, and learning how to take a dump again, among other indignities. But he also finds love with a nun on leave from her order, and gets to enjoy some good hot sex. Of course James is a kleptomaniac with no intention of returning the vampire’s body; Lestat turns to his Undead compatriots for help and is spurned, only his mortal friend, David, will aide him, and together they set out to track James down and return Lestat to his rightful body. But no plan ever works out as anticipated, and the plot takes some twists and turns before it is all resolved. There is one ending, where the reader is warned that they may regret going any further, but it is in this final chapter where we are reminded why Lestat is one of modern fictions most renowned anti-heroes.
A lot of this book is Rice at her best, especially when Lestat and David have lengthy conversations about God and the Devil, and the nature of good and evil, this is something Rice is famous for, and it is clear Lestat is her alter ego, especially when he talks about what he has learned after observing the human condition for two centuries. Truly her vampires have a marvelous gift of gab; it is one of the hallmarks of her style. I may not always agree with what Rice is saying through her characters, but it is always worth hearing. The other secret to the success of her vampire books is that she surreptitiously makes the reader feel as though they are one of the beautiful immortals themselves, that when Lestat is talking to them in the first person, he is conversing with one of his own kind.
Reading it today, there are some things about BODY THIEF that badly date it, such as mentions of faxes and laser disks, and the absence of cell phones and the internet; there is a sexual encounter between Lestat and a waitress that might not pass muster today, and I doubt it would get past an editor in its present form.
But for me, reading THE TALE OF THE BODY THIEF was like getting reacquainted with members of a family you knew years ago, Lestat being a brother with many siblings to catch up with, while at the center is a matriarch, her hair a little grayer with the passage of time. Anne Rice’s writing has taken some interesting turns in the years since BODY THIEF came out, and now that I’m back in the coven, so to speak, I look forward to reading them all.