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"The Kappa is a creature from Japanese folklore known for dragging unwary toddlers to their deaths in rivers: a scaly, child-sized creature, looking some- thing like a frog, but with a sharp, pointed beak and an oval-shaped saucer on top of its head, which hardens with age. Akutagawa's Kappa is narrated by Patient No. 23, a madman in a lunatic asylum: he recounts how, while out hiking in Kamikochi, he spots a Kappa. He decides to chase it and, like Alice pursuing the White Rabbit, he tumbles down a hole, out of the human world and into the realm of the Kappas. There he is well looked after, in fact almost made a pet of: as a human, he is a novelty. He makes friends and spends his time learning about their world, exploring the seemingly ridiculous ways of the Kappa, but noting many - not always flattering - parallels to Japanese mores regarding morality, legal justice, economics, and sex. Alas, when the patient eventually returns to the human world, he becomes disgusted by humanity and, like Gulliver missing the Houyhnhnms, he begins to pine for his old friends the Kappas, rather as if he has been forced to take leave of Toad of Toad Hall.."--… (more)
User reviews
His story is about this one time when he was out by himself on a summer’s day. There he had a surprise encounter with an odd creature that had a tiger’s face and a sharp beak. Chasing after this creature (most probably out of curiosity), he managed to land himself into a hole, where he became unconscious.
When he finally came to his senses, he was surrounded by many Kappas, and thus began his story about his time in Kappaland.
The story is a very short one, a few pages shy of 100. But within the covers I found a tale that was both funny and sad at the same time. It has been described as a ‘brilliant satire’, and I don’t think I would disagree.
There were passages within Kappa that seemed so completely absurd, and yet evoked this feeling of gloom. I could smile and laugh while reading the book, but between the lines, I couldn’t help but wonder at the possible accusations he was making. In one hand, life can be crazy and impossible to comprehend, while on the other hand, the same life could be one of utter misery and completely worthless.
This edition has a helpful biography of Akutagawa Ryunosuke, whose numerous short stories are still in print today - Rashomon, in particular, is widely available as a modern classic of Japanese literature. The biography helps illuminate the importance of the notes of fear, the long shadow of heredity, suicide, and the burden of family; Akutagawa's mother was schizophrenic and his fears that he had inherited her madness were a large factor in his suicide at age 35.
There is an obvious poignancy about the suicide scene and the knowledge that Akutagawa took his own life a few months after writing this book.
As has been said by another reviewer, I found the introduction and its brief biography to be more interesting than the work it prefaced.
Kappa has left me wanting to delve deeper into Akutagawa's work. I'll have to read some more of his stuff and then come back to this again, I think.
I remember reading the long (40 pagish) introduction to this book which is quite impressive in giving us a short biography of the author (and his interactions with contemporaries) and how that life was reflected in the book. What I don't remember is reading the actual story. The author was clearly descending into drug abuse and madness from the information in the introduction and the book was written not long before his suicide at 35. The intro really improves ones' appreciation of the story which otherwise might come across as a Japanese fairytale but instead can be seen as that and something more. It is a satire on society. However, this would not be a fairytale for children. It is surreal in bizarre and sometimes graphic ways. I wonder how much the author's use of opium influenced this.
I can't rave about this story but I am very glad I read (or re-read) this.