Status
Available
Call number
Call number
ML
Publication
[San Francisco] : HarperSanFrancisco, 1991
Original publication date
1989
Physical description
xxiii, 388 p.; 24 cm
Local notes
The Goddess is the most potent and persistent feature in the archaeological records of the ancient world, a symbol of the unity of life in nature and the personification of all that was sacred and mysterious on earth.
In this pioneering and provocative volume, Marija Gimbutas resurrects the world of the Goddess-worshipping, earth-centered cultures, bringing ancient matriarchal society vividly to life. She interweaves comparative mythology, early historical sources, linguistics, ethnography, and folklore to demonstrate conclusively that Goddess-worship is at the root of Western civilization. Illustrated with nearly 2,000 symbolic artifacts, Gimbutas' magnum opus is at once a "pictorial script" of the prehistoric Goddess religion and an authoritative work that takes these ancient cultures from the realm of speculation into that of documented fact. Over 500 illustrations.
In this pioneering and provocative volume, Marija Gimbutas resurrects the world of the Goddess-worshipping, earth-centered cultures, bringing ancient matriarchal society vividly to life. She interweaves comparative mythology, early historical sources, linguistics, ethnography, and folklore to demonstrate conclusively that Goddess-worship is at the root of Western civilization. Illustrated with nearly 2,000 symbolic artifacts, Gimbutas' magnum opus is at once a "pictorial script" of the prehistoric Goddess religion and an authoritative work that takes these ancient cultures from the realm of speculation into that of documented fact. Over 500 illustrations.
Subjects
User reviews
LibraryThing member keylawk
As Joseph Campbell explains in the Foreword, this assembly of several thousand artifacts by Gimbutas from Neolithic village sites enables us to understand Neolithic Europe, is comparable to the "Rosetta Stone" in establishing a glossary of the hieroglyphs. With these keys, we are able to access the treasury of the past.
Having been r… (more)
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LibraryThing member hailelib
Beginning with a short Foreword by Joseph Campbell and an Introduction by the author, this book is illustrated on nearly every page by multiple photos and drawings of the artifacts being discussed. The author believes that the symbols craved or painted on cave walls, and tomb and temple walls, and pottery, as well as the forms of the pottery and sculptures are a language of the worship of the early European Goddess. She also shows how the worship of the various forms of the Goddess went underground, so to speak, with the arrival of the Indo-European gods, and traces its survival through the ages with traces still to be found in folk customs and legends of the present.
While the subject was interesting to me, this book would only be for those with a great curiosity in this area because of the overwhelming amount of material and the repetition as she attempts to convince the reader. I did eventually start skimming in places since the information in the captions was often exactly reproduced in the text.… (more)
While the subject was interesting to me, this book would only be for those with a great curiosity in this area because of the overwhelming amount of material and the repetition as she attempts to convince the reader. I did eventually start skimming in places since the information in the captions was often exactly reproduced in the text.… (more)
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The goddesses and gods of Old Europe, 6500-3500 BC, myths and cult images by Marija Alseikaitė Gimbutas