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TV producer Mica Segal accompanies her grandmother, Regina, on the old lady's first return to Warsaw since she fled, pregnant by a gentile with Mica's late father, to Palestine in 1939. On the plane, the son of a friend of Regina's ebulliently accosts the women and thereafter seems to show up wherever they go, even separately. Mica shakes him by dodging into a caf', where she meets a charming Pole who leads Jewish history tours. Not by chance, Regina comes on her own to the same caf' to meet an old man who lives in the buildingyes, Mica's grandfather. While the purpose of the trip is to assert Regina's title to a building her parents had owned, what develops is an intrafamilial tiff, an ultimately fulfilling reunion, and the possible start of a romance.… (more)
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Distrust and cross purposes veil this story of bitter sweet memories and the possibilities of reconciliation. Some of the characters irritated me, proof of the strength of their characterisation and of Modan's story-telling skills, I think.
Deceptively simple and "flat", coloured graphics that manage still to display expression and characterisation. Flashback passages are distinguished by being rendered in sepia monochrome, providing a clear narrative for the story. I really did relish this graphic novel
This book is very well done. The characters are truly interesting...from Regina Segal, the determined grandmother, to Thomasz, the comic book artist who is a Jewish ghetto tour guide by day, to Avram Yagodnik, the heavyset "nudnik" who follows Micah in Warsaw for his girlfriend's gain.
I'll admit that I had to read this book twice to get what I wanted out of it. My first read-through was for its content. The story seemed a bit complicated, and I wanted to be able to follow it. The second read-through was purely for pleasure. In this second reading, I paid more attention to the drawings and discovered interesting background characters and setting...both of the present and of the past.
I loved that the book was done in colors rather than in black and white. They added much to the story...from the bright blue of the Vistula River to the muted rose tones of the wallpaper in "the property" to the grayish tones of Regina Segal's memories.
This is a terrific book and one that the reader should take the time in reading so that its special details are not missed.
-Michaela Modan, epigraph
Mica accompanies her grandmother to Warsaw from Israel, purportedly to recover a family apartment that was confiscated during the Holocaust. Once there, however, Mica begins to suspect that
The illustrations in this graphic novel are at times blocky and at times finely detailed, with wonderful expressiveness. The colors are muted with lots of maroon, black, and mustard. The text is translated into block letters for Hebrew, italics for Polish, and mixed case for English. When Mica doesn't understand what people are saying, the text is just squiggles. The artwork complements the story well.
While I really like Modan's art generally, I sometimes find her colours a little muddy, and in the night scenes a bit over-saturated. Maybe it's just me.
It's not a life-changing book, and on a grumpier day my 4.5* would get rounded down, not up. But the story is of a quality that is not as common in comics as it should be, and has has a general excellence of execution, that it deserves the benefit of the doubt.