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Fiction. Literature. Romance. Historical Fiction. HTML:In January 1945, in the waning months of World War II, a small group of people begin the longest journey of their lives: an attempt to cross the remnants of the Third Reich, from Warsaw to the Rhine if necessary, to reach the British and American lines. Among the group is eighteen-year-old Anna Emmerich, the daughter of Prussian aristocrats. There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family�??s farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred�??who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz. As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna�??s and Callum�??s love, as well as their friendship with Manfred�??assuming any of them even survive. Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century�??s greatest tragedies�??while creating, perhaps, a masterpiece that will haunt rea… (more)
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In the depiction of Cecile and her fellow female prisoners, Bohjalian spared no details. It was downright graphic. So too were the scenes that depicted the bitterness of the Soviet army as they invaded Germany. These scenes were hard to read and not for the faint of heart. I often wonder how these things happened within recent history, and then I remember that genocide still goes on – just in a different place to different people. And that’s why I think it’s important to read books such as Skeletons at the Feast, even though it can be hard to do so.
Skeletons at the Feast had a pedestrian approach to a hard subject matter. There was no deep symbolism or foreshadowing in this book – just words and lines strung together to tell a story. However, I often found that Bohjalian employed the “tell, not show” type of narrative, and the different character viewpoints were, at first, unparalleled and hard to follow. Nonetheless, the book was a page turner – one I would recommended to readers who enjoy books set during World War II or the Holocaust.
I never though I would say this, but I wish Bohjalian was a horribly inept storyteller. I wish his characters were flat and unbelievable and were as developed as a James Bond
Through the eyes of the daughter of a Prussian aristocratic family fleeing the Russian advance, a Scottish POW, and a German Jew who is masquerading as a German soldier, Bohjalian explores the nature of revenge and collective guilt. Interspersed with the story of their trek west through Germany, is the story of a group of women being marched in the same direction from a Nazi labor camp, through which Bohjalian explores hope and survival.
This book is not a romance, no matter what the publisher may claim. But it is a compelling and well-told story about the relationships that can develop between people who initially think they're on opposite sides of a war.
Beginning in the autumn of 1944 at their farm home, Kaminheim, the Emmerich family brought in their harvest with the help of some prisoners of war that were made available to them for the task.The prisoners were German,
At this point things had not changed too much for the Emmerich family. One son Werner had gone to be a soldier and another was about to leave. Helmut who was twin to the daughter of the family, Anna. Their father had served before and was preparing to enter this war as well. The fact of war, and the horrors of what was happening around them had not really come home to Anna, Mutti or Theo the youngest brother.
This was about to change. By the approaching winter They, along with the one remaining prisoner of war that had been able to remain with the family were about to flee their home. The stories of the death camps, the reality of what was really happening to other Jews had intruded finally into their near idyllic existence on their farm. Their days of comfort were over for what soon looked to be forever.
While attempting to find safety and their way to a new life, they met up with many others making the same journey, all of whom affected their lives. Some of them passed through quicky, others lingered and changed them forever.
The characters captivate, the story enthralls, and be warned, this is a story that will stay with you for a very long time. It will touch your heart and mind in ways you never dreamed a book could.
This is a keeper, a gift book and a reread.
Bohjalian does not shrink from the details of all that was horrible about the war and the Holocaust. Yet, in the end this is a book about hope. After tearing us down, Bohjalian builds us back up with the romance of 18-year old Anna Emmerich and the Scottish airman Callum, the persistence of Cecille, the bravery of Uri and many small, kind acts. The one thing I wish the author had not done was to distance the Emmerich's so much from Nazism. It seems a cop-out that many authors/filmmakers fall on is the "good German" instead of trying to find humanity or promise of redemption in those who adhered to this evil ideology.
All in all a gripping and well-written novel.
Nonetheless, it did offer some interesting insights, reflecting on the futility and stupidity of nationalism and war, and the transcendence of individual human relationships.
Also, seeing WWII from a German or Polish perspective is relatively rare in popular American literature.
This is my first Bohjalian book, and I think I need to read more of his work, in different genres, before I make a judgment about whether I'll regularly visit the "B" section in my local library. This one was easy to keep "reading" - I had uploaded it from the 10 library CDs onto my iPod and I listened while I had my daily exercise.
Somewhat reminescent of Irène Némirovsky's "SUITE FRANÇAISE" as it examines the confusion and terror of the victims of war as they evacuate their beloved homes and the bewilderment of individuals who did not cause the war as they come to realize that they are hated for that which is beyond their control, and that an entire class of people should not be judged on the actions of the few. Bohjalian gets this point across without at all minimizing the tragedy of the Holocaust.
I listened to the audio book so it took me longer to read than if I'd had a hard copy to pick up each night. The reader was great and I loved his
This is a beautifully written and compelling view of life at the end of the war as seen through several different perspectives. Despite the fact this that this is not typically my favorite genre', I was immediately drawn in and felt each horrible blow as if I were part of the story. I plan to read more of Mr. Bohjalian's work in the hopes it is all this good.
The horrible crimes done by the Nazis are woven into the story in an unlikely and realistic way. Those who like life stories in World War II historical fiction will enjoy this novel
We learn about Uri Singer, a 26 year old, German Jew, who has unbelievably escaped fairly unharmed, from a cattle car, by throwing himself out with the waste bucket. He is searching for his sister, Rebecca, but he has pretty much given up hope for her and his parents who had weakened already, before being “relocated”. He goes through many personas, often taking on the character and name of a soldier he has killed or a soldier who has brutalized Jews or attacked him or one he finds brutalizing others. Morphing in this way, from person to person, he has so far survived this war by being either a German or a Russian soldier, but certainly, not a Jew.
Then there is the 20 year old, red-headed Scottish Soldier who parachuted into a swamp and barely rescued himself before he was captured and became a German POW. In that capacity he was sent, with others, to work on a farm estate, in order to help the family with their sugar beet crop since their older sons were fighting in the war effort. When it came time to send the prisoners back, the respected owner of the estate, Rolf Emmerich, persuaded the German government to allow them to keep one, Callum, to continue to help them.
Anna Emmerich lives on the estate her family has owned for generations. Her mother is Prussian. She is enamored with Hitler and quite happy because when he invaded Poland, her farm, which was located on land that was given to Poland after WWI, was restored to its rightful place in Germany, once again. Her father, older brother and twin brother, are all engaged in Germany’s war. Anna is naïve and really doesn’t understand the reasons for, or the consequences of, this war. She is blind to the hardship, and living in the countryside, she is largely unaware of the atrocities being committed elsewhere, although there are rumors she has heard but does not believe. Theo, the youngest, at the age of ten, often has the clearest assumptions about the war, and in his simple innocence and understanding, draws conclusions some adults fail to see.
Cecile is part of a group of female Jewish prisoners who are transported like cattle from place to place or marched from factory to factory. The cruelty they witness and endure is unspeakable. She hopes to survive, but often, she despairs and life seems too hard to contemplate for herself and those around her. She, like other Jewish victims of the war, hopes to survive to bear witness against those who committed the atrocities, so that the world will know.
The story is carried forward by the way in which the lives of these characters intersect. The author has deftly woven the Aryan point of view with that of the Allies, the Jewish prisoners in the work camps and the POWs. Even the resistance movement is touched upon. Each experiences the brutality of this war in a different way, and how they interact with each other truly exposes the stupidity and futility of war.
I really thought that this book got under the skin of the Holocaust to expose its very core and to enlighten the world to the workings of the minds of madmen, and others, who are often simply ordinary men who are driven mad by circumstances, in order to survive another day. What are we humans capable of in different situations of real or perceived danger? How do we humans survive inhuman and brutal behavior in spite of its horror, so that we can continue to have a normal life afterwards. In the end, it offers hope. There are survivors in the least expected places. Is there guilt, shame? Is there forgiveness? Was it really possible that some people had no idea that anything so cruel was taking place, that they didn’t wonder where all the Jews and others had gone? Were they complicit or simply afraid to speak out? Inspired by a diary from World War II, this book will help to answer these questions.
The main characters: The Emmerich family, aristocratic Prussians. Anna Emmerich, 18 years old and in love with Callum Finella, a 20 year old Scottish prisoner of war, brought from the POW camp to her family farm as forced labor. 26 year old Uri Singer, a German Jew who escaped from an Auschwitz bound train and has been posing as a German soldier since. Uri searches for Rachel, his sister, who he fears died in the camps. He is a stealth fighter, killing as many Nazis along the way as he can. Cecelia, a Jewish woman trying to survive a forced march from one of the stalags.
All the components are here -- interesting, sympathetic and active characters, enormous conflict, even forbidden love. At times heart-breaking, at times inspiring, a gripping read from beginning to end.
I would have given it five stars but for some problems with the actual writing. Now, I read the book on my Kindle, and perhaps that version is not as well-edited as the print version. Is that possible? I don't know. But the book was, in my opinion, poorly edited. Bohjalian has a fixation, it seems, with the word 'that' as well as unnecessary linking words. Example:
"...he could smell the fires that were igniting in the woods." Why not simply, "he smelled the fires igniting in the woods.
That sort of phrasing, once, is one thing, but unfortunately it's on almost every page. It's jarring, and snaps me out of what is, otherwise, a wonderful story.