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Fiction. Literature. Historical Fiction. HTML: Named one of the best books of 2021 by NPR, The Washington Post, and Financial Times "No one states problems more correctly, more astutely, more amusingly and more uncomfortably than Francine Prose . . . The gift of her work to a reader is to create for us what she creates for her protagonist: the subtle unfolding, the moment-by-moment process of discovery as we read and change, from not knowing and even not wanting to know or care, to seeing what we had not seen and finding our way to the light of the ending."�??Amy Bloom, New York Times Book Review "Depending on the light, it's either a very funny serious story or a very serious funny story. But no matter how you turn it, The Vixen offers an illuminating reflection on the slippery nature of truth in America, then and now."�??Washington Post Critically acclaimed, bestselling author Francine Prose returns with a dazzling new novel set in the glamorous world of 1950s New York publishing, the story of a young man tasked with editing a steamy bodice-ripper based on the recent trial and execution of Ethel and Julius Rosenberg�??an assignment that will reveal the true cost of entering that seductive, dangerous new world. It's 1953, and Simon Putnam, a recent Harvard graduate newly hired by a distinguished New York publishing firm, has entered a glittering world of three-martini lunches, exclusive literary parties, and old-money aristocrats in exquisitely tailored suits, a far cry from his loving, middle-class Jewish family in Coney Island. But Simon's first assignment�??editing The Vixen, the Patriot and the Fanatic, a lurid bodice-ripper improbably based on the recent trial and execution of Ethel and Julius Rosenberg, a potboiler intended to shore up the firm's failing finances�??makes him question the cost of admission. Because Simon has a secret that, at the height of the Red Scare and the McCarthy hearings, he cannot reveal: his beloved mother was a childhood friend of Ethel Rosenberg's. His parents mourn Ethel's death. Simon's dilemma grows thornier when he meets The Vixen's author, the startlingly beautiful, reckless, seductive Anya Partridge, ensconced in her opium-scented boudoir in a luxury Hudson River mental asylum. As mysteries deepen, as the confluence of sex, money, politics and power spirals out of Simon's control, he must face what he's lost by exchanging the loving safety of his middle-class Jewish parents' Coney Island apartment for the witty, whiskey-soaked orbit of his charismatic boss, the legendary Warren Landry. Gradually Simon realizes that the people around him are not what they seem, that everyone is keeping secrets, that ordinary events may conceal a diabolical plot�??and that these crises may steer him toward a brighter future. At once domestic and political, contemporary and historic, funny and heartbreaking, enlivened by surprising plot turns and passages from Anya's hilariously bad novel, The Vixen illuminates a period of history with eerily striking similarities to the current moment. Meanwhile it asks timeless questions: How do we balance ambition and conscience? What do social mobility and cultural assimilation require us to sacrifice? How do we develop an authentic self, discover a vocation, and learn to live with the mysteries of love, family, art, l… (more)
User reviews
One doesn’t have to look any further than today to appreciate that paranoia and conspiracies intertwine themselves in American culture. But if one were to cast back to the 20th century, they’d discover two fine examples: the first (1917-1920) and second
Simon Putnam, a young Jewish man who recently graduated from Harvard, where he studied folklore, gets a job as an editorial assistant at Landry, Landry, and Bartlett, a house known for publishing prestigious tomes that sell in limited quantities. After working the slush pile for a while, Warren Landry assigns him to editing The Vixen, the Patriot, and the Fanatic, billed as the novel that, while out of character for the house, will make it solvent once again. This tawdry novel reimagines Ethel Rosenberg as a sultry vixen who seduces men left and right as a sort of super spy on behalf of the Soviets.
Immediately, Simon finds himself plunged into a moral quandary, as his parents, especially his mother, have a connection with Ethel, that being the proximity of growing up in the same neighborhood. He sets out to conference with the author, Anya Partridge, in the hopes of making changes that will transform the fictional Ethel into someone more like the real Ethel. Anya, judged by her author photo, appears as erotic as the character she supposedly created. His effort leads him into an even deeper, more perplexing quandary swirling around hot sex and the strong suspicion that Anya did not write the novel, leading to his search for its origin. As he creeps closer to the answer, readers are treated to one of the CIA foundational conspiracy theories, that media companies headed by Ivy League grads and old OSS operatives were conducting soft power campaigns on behalf of the agency.
Readers will find plenty of humor here, mostly as Prose sets up a dichotomy that contrasts Simon’s working class origins with Warren’s clearly patrician ones. Simon has to constantly wrap his mind around the ways of a world he glimpsed at Harvard but now maneuvers through at the publishing house. Then there’s the fact that his supposed author not only has a voracious appetite for lots of things, sex at the head of the list, but that he meets her in a sanatarium.
All in all, readers will go on a very enjoyable romp through Red Scare America and spy craft as practiced among the high born of American society.
One doesn’t have to look any further than today to appreciate that paranoia and conspiracies intertwine themselves in American culture. But if one were to cast back to the 20th century, they’d discover two fine examples: the first (1917-1920) and second
Simon Putnam, a young Jewish man who recently graduated from Harvard, where he studied folklore, gets a job as an editorial assistant at Landry, Landry, and Bartlett, a house known for publishing prestigious tomes that sell in limited quantities. After working the slush pile for a while, Warren Landry assigns him to editing The Vixen, the Patriot, and the Fanatic, billed as the novel that, while out of character for the house, will make it solvent once again. This tawdry novel reimagines Ethel Rosenberg as a sultry vixen who seduces men left and right as a sort of super spy on behalf of the Soviets.
Immediately, Simon finds himself plunged into a moral quandary, as his parents, especially his mother, have a connection with Ethel, that being the proximity of growing up in the same neighborhood. He sets out to conference with the author, Anya Partridge, in the hopes of making changes that will transform the fictional Ethel into someone more like the real Ethel. Anya, judged by her author photo, appears as erotic as the character she supposedly created. His effort leads him into an even deeper, more perplexing quandary swirling around hot sex and the strong suspicion that Anya did not write the novel, leading to his search for its origin. As he creeps closer to the answer, readers are treated to one of the CIA foundational conspiracy theories, that media companies headed by Ivy League grads and old OSS operatives were conducting soft power campaigns on behalf of the agency.
Readers will find plenty of humor here, mostly as Prose sets up a dichotomy that contrasts Simon’s working class origins with Warren’s clearly patrician ones. Simon has to constantly wrap his mind around the ways of a world he glimpsed at Harvard but now maneuvers through at the publishing house. Then there’s the fact that his supposed author not only has a voracious appetite for lots of things, sex at the head of the list, but that he meets her in a sanatarium.
All in all, readers will go on a very enjoyable romp through Red Scare America and spy craft as practiced among the high born of American society.
Told from the point of view of Simon
Set in the 1950's during the McCarthy hearings, young Simon, through his father, is able to secure a job at a publishing house. His job is to read the rejected manuscripts and respond kindly to the authors. Of course he longs for something better and finally receives a manuscript on his desk about the Rosenberg case, re-written to make "Ester" a seductive housewife with no conscience or morals, and her husband a dupe.
How do you edit a book that is a re-write of your beloved mother's girlhood friend? And how do you navigate the world of publishing, with the multi-martini lunches and fragile authors? And what do you do when this manuscript is supposed to save the struggling publishing house?
A fine look at conscience and coming of age and gaining knowledge and the perils of the adult world. I could have done with less of questioning and angst that occupies a good portion of the book, hence the half star for the rating. But when the enormity of the plot was finally presented it took my breath away.
Mysteries abound and I found it hard to put the book down, but I was relieved when it came to the end. For one thing, the main character is a hopelessly self-centred neurotic. The whining about everything and self-pity may have been supposed to be funny, but much as in Woody Allen's neurotic male characters, it simply became irritating. And hey, it's another take on how men want to have sex with anything that's female, no matter how inappropriate it might be, or how ridiculous it all seems.
Just once I'd like to see a story where the male and female characters can be colleagues without feeling the need to leap into a nearby bush. Simon Putnam, in particular, seems like such a flaccid character all the lust seems impossible. Who would want to have sex with him, anyway? He's a total drip.
This aside, the plot spins out of control, even in Francine Prose's expert hands. She writes beautifully, and that's why I picked up the book in the first place, bonded endlessly as I am to her other book about "Reading like a Writer", and her columns for the NYRB. Unfortunately, the last few chapters feel tacked on, as if in response to an editor saying, "But what happened to...?" I'm all for a good epilogue but these several short chapters added nothing, really, and just took away from the actual end of the story.
So, sadly disappointed.