The Death of the Necromancer

by Martha Wells

Hardcover, 1998

Status

Available

Call number

PS3573 .E4932

Series

Genres

Publication

Avon Eos (New York, 1998). 1st edition, 1st printing. 359 pages. $23.00.

Description

A tale of sorcery in 19th century France featuring Nicholas Valiarde, an art dealer by day and a thief by night. He plots revenge against an evil count who practices necromancy and who caused the execution of an innocent man.

User reviews

LibraryThing member ninjapenguin
This was just... fantastic. It hit so many of my buttons for stuff I like to read. It's a gaslight fantasy mystery with crime capers and master criminals and rivals who become allies and society gossip and complex plots and action and hints of romance and chase scenes and daring escapes and really interesting magic. I thought the characters were fascinating and the city was darkly intriguing. Characters' motivations hang true throughout, and there are not one but three awesome female characters. If you've ever wondered what would happen if Professor Moriarity and Sherlock Holmes had to team up on a case, this is it. I recently read "The Lies of Locke Lamora" and this is similar but much better, in my opinion. I almost dread some movie producer coming across this, as I would hate to see this fun roller coaster of a read turned into some standard Hollywood action flick.… (more)
LibraryThing member T_K_Elliott
I first read this years ago - maybe when it first came out. It's one that's stuck with me, and when I saw the Kindle version on sale, I snapped it up.

I'm glad I did.

Some books, when you read them a second time, years later, have lost their lustre. This is not one of those books; I enjoyed it just as much as I did the first time round.

So, what did I enjoy?

The Characters
All the characters are just a bit larger than life - the gentleman-thief, the actress, the sorcerer, the great detective, and so on - but not so much so that it disturbed the enjoyment of the story. They felt real - they lost their tempers, sniped at each other, and made mistakes.

The Plot
There's an awful lot of running around, and a fair number of corpses. To be fair, I think the actual plot was the weakest point of the story, because there were a few holes in it, and things just got wrapped up a bit too neatly and too quickly at the end, but...

The Setting
I think this probably the main reason why Death of the Necromancer stayed with me for so many years. Wells writes the city of Ile-Rien vividly enough that I could see the dark, foggy streets in my head. It had weight and depth - it felt real.

Conclusion
Thinking on, this is the book by which I measure all other gaslight fantasy.
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LibraryThing member pyanfarrrr
This is a very enjoyable heist story, set in a Victorian not-Europe with sorcery and lots of colorful, memorable characters. For the last ten years, ever since his foster father's execution, Nicholas Valiarde has assumed a criminal alter ego and pulled off high-profile thefts with the help of his little gang. Now he's close to his ultimate goal: revenge on the man who framed his foster father for necromancy. But it seems someone is using his foster father's research for an evil purpose. Nicholas and his gang have to turn their considerable talents to finding and stopping this sinister new player.

The characters get much of their appeal from archetypes--e.g. quickwitted actress, eagle-eyed investigator, antihero revenge-obsessed criminal mastermind--but they have a lot of personality, act and speak believably, and don't feel like stock characters. All their backstories are full of plot hooks and I wanted to read those stories too. I especially wanted to see more of Madele!

The setting isn't gender egalitarian, since women have only recently been admitted into universities. The cast is mostly men. I think there are only three women with names, of which Madeline is the only female main character. On the plus side, Madeline does have a very active role. I also really like that gay relationships are present but unremarkable in this society.

The story is more plot- than character-focused, and the plot is tight and self-consistent. Everything that happens is the result of a previous event (isn't that a requirement for any good plot?). And the words on the page never get in the way of the scenes. I'm only mentioning this because I read the Fall of Ile-Rien trilogy first, and I had some problems with it; I felt the plot wandered and a lot of things were resolved by deus ex machina, and I also kept noticing several frequently repeated phrases. I didn't notice any of those things in The Death of the Necromancer.
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LibraryThing member surreality
Didn't get past the first fifty pages because the prose was so incredibly purple. This may, however, be the fault of the German translation. Wouldn't be the first time.
LibraryThing member dwhapax
Enjoyable. I liked the characters and appreciated that the woman never needed to be 'rescued', etc. Didn't make me think about things in a new way, though.
LibraryThing member bruce_krafft
I like the characters. Nicholas seeks to get back at the evil count who orchestrated the execution of his foster father. He brings a small group of people together in this common cause - the destruction of Count Montesq. They are turned away from this goal when events interrupt their mission, ghouls in basements, violent deaths and mysterious illness.… (more)
LibraryThing member wealhtheowwylfing
Disappointing. The characters were lame at best (I did like the opium-addict magician), and the main character’s angst-ridden past and romance were boring and stiffly written. Even the plot didn’t hold my interest. Read her other books instead. This is a precursor to a trilogy, set in the same world...we'll see.
LibraryThing member Herenya
Set a hundred years after The Element of Fire, this is a complicated and compelling mystery, with characters who try to conceal just how deeply they care.

Nicholas Valiarde wants revenge on the man responsible for orchestrating the wrongful arrest and execution of Nicholas’s foster-father on charges of necromancy. Nicholas has taken on the identity of a underworld figure and gathered a somewhat disreputable team around him, but, with the final goal in sight, they uncover disturbing evidence that someone in the gas-lit city is practicing necromancy.

I took a long time to feel properly emotionally invested, partly because these characters are more inclined to toss off lighthearted comments or tell each other not to “be so damned sentimental” than wallow in emotion. But as the story progresses, it becomes obvious how much they care about justice and about each other. I was a bit disappointed that there wasn’t more focus on emotions (especially in regards to Nicholas relationship with Madeline, and to having to work with someone they had both long considered an enemy -- so much potential!) But this still is an excellent story. Just one with slightly different narrative priorities to me.

“That’s true.” The Queen slumped back in her chair suddenly, frowning. “I’d forgotten.”
Thank you, Doctor Uberque, for a thorough grounding in the history of court law, Nicholas thought, though he didn’t believe for a moment the Queen had forgotten that obscure fact. It was like watching Madeline play a role, only underneath it all Madeline was basically harmless and the Queen was anything but. The woman uses candor like a loaded pistol. He still thought her courtiers probably mocked her, but if they did it within her hearing, they probably didn’t do it twice.
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LibraryThing member iayork
One of the best, most entertaining book I've read!!!: This book is brilliant. There is almost nothing in it that I didn't like or that I skipped over. In fact, this may well just be one of my favorite books ever. Yes, it was that good.

First of all is the plot. It never got boring and it never stalled. From chapter one the ride takes off and it doesn't stop until the very end. As the book opens we find ourselves in one of the most lavished mansions where a ball is taking place. Unbeknownst to the attendants, not one but two robberies are occurring simultaneously in that very house. As luck would have it, Nicholas and his friends have a rather nasty run in with a ghoul sent by a powerful necromancer and they barely manage to escape.

From that moment on their lives are complicated beyond belief as they try to put their well thought out plan to bring down the ruthless man who is responsible for Nicholas father's execution as well as trying to escape the clutches of the mad wizard who is after them.

The other thing I loved about this book were the characters. Nicholas is one of the most genuine heroes I've come across in a very long time. Ever since his father was executed he has spent his life building a double persona. One is of a respectable nobleman whom everyone knows as Nicholas Valiarde, son of the late scientist Edouard Viller. The other is Ile-Rien's infamous underworld crime-lord Donatien. He is very adept at keeping the two personalities separated to everyone but his closest friends and allies: Madeleine and Reynard. Only they can see how his vendetta is slowly consuming him and the lines between his two personalities are beginning to blur.

Nicholas comes across effectively as a tortured hero without going over the top. His is a quiet manner yet you never have a doubt that he is anything but a doomed man because of his obsession with revenge. I loved the way that Wells portrays him. Not once does the author trying to convince you the man is tortured or that he is the very best at what he does overwhelm you. It's there in the way he acts or thinks or the way others see him.

Another treat was Madeleine who quickly became one of my favorite heroines. The woman doesn't have one TSTL moment. Ever. Not once does she make a rash and stupid decision. Not once does she falter and wait for everyone to come to her rescue because she got into trouble. She actually thinks before she acts, she is good under pressure and she doesn not doubt the Nicholas' abilities. At the same time you feel the love and the bond she shares with him even without having to read pages of the two declaring their love for one another. I thought this was one of the best things about the novel.

The secondary characters are all brilliant as well. From Nicholas opium addicted wizard friend to his seemingly debauched allied Reynard to even his bodyguards. They all fit their roles perfectly without fading in the background.

The villains are amazing as well. Wells doesn't shy away from showing you just how evil these people really are and that's what makes the danger to our heroes all the more believable.

The one thing I found somewhat lacking is the way in which one of the two villains meets his end. We are lead on a wild chase and the suspense builds up only to be over and done with in the blink of an eye. I would have liked to see exactly what happened but I was satisfied with the way the other, and more important villain, met his demise.

One last thing to note is the setting in which the story takes place. I am a sucker for steampunk type stories where the settings are reminiscence of Victorian, Edwardian or turn of the century Europe. Ile-Rien reminds you of an 18th century alternate France where wizards and magic are a common sight. I absolutely loved it and Wells does a helluva job painting each scene so vividly you feel you are practically there.


This is damn near perfect and I dare say anyone that enjoys a good story will be glued to the book until the very end. A wonderful, wonderful ride.

I give it a solid 5 out of 5!
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LibraryThing member Mintypink
With prose as rich in detail as the surroundings she describes, Martha Well’s fictional Ile-Rien that is the setting for The Death of the Necromancer, seems the perfect backdrop to a very elaborate plot. It seems French in origin but the reader would get lost if he/she attempted to assign modern day countries to their fantasy counterparts in this novel. Indeed, it would be easy to become overwhelmed in such a novel but Wells is an expert at introducing her characters and scenery. When the scenes are set in places with great architecture, however, the vocabulary becomes slightly esoteric.
Wells engages all senses of the body as she takes you through this mystery. It may not be a self-categorized genre, but because the reader must follow the characters, we don’t know anything that hasn’t already been revealed to our protagonists. Madeline Denare is introduced to us first and while she is an incredibly interesting and potentially complex character, she plays a supporting role to Nicholas Valiarde. Captain Reynard Morane, a military man to complete our trio, is another supporting character. Their interactions are so believable that it would be hard not to connect with them.
Nothing is what it seems in this novel. Enemies exist at every level, and throughout the pages the struggles between good and evil, political enemies, and friends that seems like opponents, play out in extraordinary detail. Ghouls and other revenants decorate the plot for our enjoyment.
The Death of the Necromancer could be considered an adventure, but that wouldn’t do it justice. It is a shrouded in mystery as our protagonist Nicholas is. It is full of magic, political intrigue, and the ever elusive je ne sais pas that compels readers to devour each page and hungrily flip to the next.
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Language

Original language

English

Original publication date

1998

Physical description

359 p.; 6.75 inches

ISBN

0380973340 / 9780380973347
Page: 0.2564 seconds