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It is 4034 AD. Humanity has made it to the stars. Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers, will be fortunate if he makes it to the end of the year. The Nasqueron Dwellers inhabit a gas giant on the outskirts of the galaxy, in a system awaiting its wormhole connection to the rest of civilisation. In the meantime, they are dismissed as decadents living in a state of highly developed barbarism, hoarding data without order, hunting their own young and fighting pointless formal wars. Seconded to a military-religious order he's barely heard of - part of the baroque hierarchy of the Mercatoria, the latest galactic hegemony - Fassin Taak has to travel again amongst the Dwellers. He is in search of a secret hidden for half a billion years. But with each day that passes a war draws closer - a war that threatens to overwhelm everything and everyone he's ever known. As complex, turbulent, flamboyant and spectacular as the gas giant on which it is set, the new science fiction novel from Iain M. Banks is space opera on a truly epic scale.… (more)
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The story revolves around a species of aliens called Dwellers, who have been around for ten billion years. The protagonist, a young
The best thing about this book was definitely the Dwellers. Inhabiting most gas giants in the galaxy, they live for a billion or more years and are shaped like two tentacled wheels connected by a fat axle. They glibly deny having any military prowess or inter-gas giant infrastructure, but the Dwellers are much more than they seem, with hilarious personalities to boot. These personalities, indeed the characterization of the entire species, much resembles a very exaggerated version of English society - posh, condescending, but with a little bit of an alien twist - Dwellers don't feel pain, physical or emotional, as far as I could tell. This of course is exactly why the Dwellers are hilarious. They are similar, but not quite similar enough to English people to detract from the novel.
I was also impressed by the way the main plot and the subplot intertwine. The subplot mainly serves to enhance the main characters and explain the connexions between them. Although this book is most definitely science fiction, unlike a lot of sci-fi the characters in this one are pretty round. The interactions between the main characters give the book some drama and emotional appeal. I cared about the fates of these people, which was a huge factor in why I read the book so voraciously. Fassin, the protagonist, is a likeable fellow. Not without flaws, but he changes a great deal over the course of the book and I felt like I knew him.
I was a little bothered by the fact that Fassin's lover girl from the Beyond seemed to switch loyalties at the drop of a hat. First she's with Fassin, then with Fassin's very rich and famous (and annoying asshole) school friend Saluus. First she seems to be on Fassin's side, then on the side of the invaders, with minimal explanation and not very many emotional reactions to these varied situations to give the reader a clue what she's really thinking.
The other thing that bothered me was that, although truly great fun and wonderful to read about, the Dwellers were a little too consistent. It was fun to find out all these really cool Dweller secrets and hidden depths to their society, but I felt a little bereft of any Dweller character twists, or developments, or anything about the emotions of Dwellers.
On the whole, though, this book is excellent. It was so much fun to read and definitely rereadable. When I wasn't reading, I thought about the book, and when I was reading, it was mostly with a smile on my face.
The far future described here takes place long after the "Arteria Collapse" that broke up the wormhole-networked galactic community. The focus is on the particularly remote Urlubis system. This peripheral locale is still subject to the Mercatoria, which imposes its multiracial but highly authoritarian hierarchies across much of the galaxy, along with a crusade against autonomous AI.
Humans are both old and relatively new to galactic polity, since a-humans ("advanced" or abducted) had spread quite widely after being collected earlier by other starfaring races. R-humans ("remainder") did eventually join these "prepped" populations. The story's protagonist is a human "seer," part of a research institution dedicated to learning from a somewhat standoffish race of gas giant "Dwellers" who are among the oldest and most widespread of interstellar races.
This freestanding novel was my first read in the works of Iain Banks, whose science fiction is most identified with his series The Culture. I liked it a great deal, and I will certainly wade into The Culture on the strength of this book.
That the last are distressingly vulnerable is the hook on which this story hangs, as our protagonist Fassin Taak finds himself drafted into the hunt for a mythical stargate net alledgedly maintained by a standoffish elder race. Taak's changing understanding of this race (The Dwellers), and the coming home to roost of some touchy personal decisions, make up the core of this novel.
If I have to mark down this novel for anything, it's that I expected the plotlines of Taak, the assorted compatriots of his youth (military personage Tanice Yarabokin and industrialist Saluus Kehar), and the looming threat of this deranged conqueror (The Archimandrite Luseferous) to be better integrated together, rather then turning out to be parallel stories. But on the whole that's not a major failing, though it is the difference between 'must read' and a real good time.
The book follows the career of Seer Fassin Taak giving the reader glimpses of key moments in his life, from his antics as a youth, through his experimental “Hippy” days, to the quest thrust upon him by a powerful military-religious order to which he is seconded to help save not just the world, not just the system, but virtually the whole Galaxy which is coming under attack from the, and I quote, “Archimandrite Leseferous, warrior priest of the Starveling Cult of Leseum9 IV and effective ruler of one hundred and seventeen stellar systems, forty-plus inhabited planets, numerous significant artificial immobile habitats and many hundreds of thousands of civilian capital ships, who….”
This is a book of long sentences, galactic distances, and epochal timescales and is a tremendous, allegorical read sprinkled with serious messages for today. It contains shrewd analyses of the philosophies and tactics of the ruthless and successful, and is sprinkled liberally with wit and humour that appears in the most unexpected of places.
Iain has created civilisations, environments and technologies that appear real and he has populated them with a myriad of species and characters that enter the story naturally and create a real emotional response in the reader.
For those of you familiar with Iain’s Science Fiction work, this is not a “Culture” story. Everything in it has been created from scratch and I must say the author has worked wonders. I have always said his Science Fiction books were consistently good, but now I have to say there is one that destroys this consistency by rising above the rest. The Algebraist is a must read for all Iain M. Banks fans, and anyone else who enjoys a solid story with real (as far as they can be real) characters who inhabit environments that come across as complete and feasible.
If you haven’t already guessed, I liked this book.
The story itself concerns the hunt for a McGuffin, except that the main character finds out that he's chasing said McGuffin and the truth of its McGuffin-ness about two-thirds of the way through the book - by which time he's in far too deep to extract himself easily. If I say that this takes over 530 pages, that might sound as though there's padding in here. Far from it. With the range of characters and the universe Banks has created, it seems barely enough.
(UK 1st edition hardback note: at times, Orbit's proofreader seemed conspicuous by their absence.)
Unfortunately, that's all
Must try harder.
Well, The Algebraist certainly has the concepts; but I feel it does very little with them. The book is more of a techno-thriller than a science fiction work and if, like me you figure out the great mystery (or get it figured out for you ;-) halfway through, there really is nothing else there to keep the reader's brain working.
I would love to see the impact the newly discovered worm holes would have on society, how the Mercatorial structures will change, whether the impact is powerful enough to encourage a reconciliation between Mercatoria and Beyonders, how the Dwellers will cope with the Quick knowing their secret and WTF happens to the AIs! There is so much potential in the universe, and by far the greater part of it is wasted.
The other problem with the book is characterisation. While Iain Banks does make and effort with this, it feels rather forced. Fassin's traumatic past (both sets) is really a bit naff and feels somewhat disconnected from the Fassin we see in the "present" - they are almost three or even four separate character. And to be honest, none of the available Fassins are characters I particularly care about.
It was an enjoyable read (would have been more so had my other half not made me think about where the worm holes were and therefore figure it out halfway through) and it did provoke a lot of dicussion and some thought, but I feel it could have been much better.
"It was generally held that seven billion years' lack of practice probably accounted for the sheer awfulness of Dweller spaceship design and building
"As military fuck-ups went it was a many-faceted gem, a work of genius, a grapeshot, multi-stage, cluster-warhead, fractal-munition regenerative-weapon-system of a fuck-up."
...and what a universe to work in. Humanity is spread throughout the stars desperately trying to maintain an autocratic and oppressive empire called the Mercatoria while hunting down the last of the AI after a terrible war. A multitude of alien species are going about their business ranging from the impossibly long-lived Dwellers who live in gas giants to the macabre Ythyn who live to catalogue the dead.
Fassin Taak is a 'Slow Seer' and was anticipating a very long life working with the Dwellers and delving through their massive archives. He is conscripted by the Mercatoria to seek ancient and vital information and is swept into a race against time as two massive fleets bear down on his system to claim it for themselves.
I *love* the Dwellers.
Not bad at all, but I had expected better.
Although The Algebraist does not reach the heady heights of some of his other work, it is entertaining, well-written and gripping. With the usual imaginative fare of bizarre races,
One problem is the characters. I found Fassin to be a largely uninteresting character
Another is the pace, which at first is tediously slow. The first time I read this, I got bogged down at about a third in and left the book aside for six months before picking it up again. Things get better, but I have to agree with the reviewer who said that he really needed a tougher editor on this one.
If you're a Banks reader, there's plenty here to delight, but I can see many not being able to get past the flaws.
"Space opera" and hard science fiction really don't blend together all too well, considering that life isn't the heroes kind of
What Banks manages with this book, that is taking your bad hard SciFi universe where battles in space are flybys at relativistic speeds and most of the fighting is guessing where the enemy will be, add some interesting characters and concepts in the mix, and then just let everything happen at a single place. It sounds bloody simple, but the author manages to perfectly blend the aspects together to a book you don't really want to put away until you're starting to read the ads at the end.
I'm only bothered by the fact that the outcome of the whole story is a bit fairytalish, thus only almost top score.