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Miryem is the daughter and granddaughter of moneylenders, but her father's inability to collect his debts has left his family on the edge of poverty--until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold. When an ill-advised boast draws the attention of the king of the Staryk--grim fey creatures who seem more ice than flesh--Miryem's fate, and that of two kingdoms, will be forever altered. Set an impossible challenge by the nameless king, Miryem unwittingly spins a web that draws in a peasant girl, Wanda, and the unhappy daughter of a local lord who plots to wed his child to the dashing young tsar. But Tsar Mirnatius is not what he seems. And the secret he hides threatens to consume the lands of humans and Staryk alike. Torn between deadly choices, Miryem and her two unlikely allies embark on a desperate quest that will take them to the limits of sacrifice, power, and love.… (more)
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One of its most noteworthy features is that it has multiple first person narrators. Surprisingly, it rotates narrators even withing chapters, and there are no obvious indicators of the switches; you have to pick up on who the "I" of each section is, though Novik is good about putting some kind of giveaway detail within the first couple sentences of each section. Even more surprisingly, it constantly adds on narrators, even hundreds of pages in, so you never know who you'll be hearing from next. Why do this, I wondered? One is, I think, that this is a book about spinning, about twisting fibers together to form yarn. The yarn is made up of individual strands-- just as stories are. The structure of the novel reminds us how there is no such thing as a standalone story, each person's story is made up of other stories in ways both small and big.
This is reinforced in a scene where one character's mother tells another character that the most one can do is help others, and do so cheerfully. Wanda was hired as a servant by Miryem, but Wanda's aid to Miryem's family went beyond what was required. The best people do good in the world where they can, and expect nothing in return, because you don't know how your story might affect someone else's. We see this quite literally in the novel in a scene where two groups of characters are staying in the same house, but in two different worlds, and each group of characters unwittingly helps the other group through their generosity. Like the best novels, Spinning Silver encourages an ethical orientation toward the world with its form and with its plot.
There are men who are wolves inside, and want to eat up other people to fill their bellies. That is what was in your house with you, all your life. But here you are with your brothers, and you are not eaten up, and there is not a wolf inside you. You have fed each other, and you kept the wolf away. That is all we can do for each other in the world, to keep the wolf away. (308)
Miryem is the moneylender's daughter. Her father is not a very good moneylender, having lent out all the family's money but unable to bring himself to collect on those debts. With the family on the edge of starvation, Miryem hardens her heart and takes it upon herself to get the money back, going from door to door demanding payment from those who owe her family debts. Finding herself up to the task it's not long before Miryem realizes she has quite a talent for commerce - she is a good moneylender. If a family cannot pay in coin, she takes the equivalent in goods which she then trades in the market. Miryem's skill of turning silver into gold is such that it catches the eye of the King of the Staryk, creatures of cold who desire gold above all else.
The story is very clever if on the complicated side. Miryem is both the monster and the princess. As the moneylender who turns silver into gold, Miryem acts as the stand in for Rumpelstiltskin and is also the princess in trouble when the Staryk King steals her away for his own purposes. It's a fascinating dichotomy that shouldn't work but does. Miryem's story isn't the only thread, though it is the main one. There are two additional "main" characters, Wanda, a farm girl in the employ of Miryem who is working to better herself and who's family ends up in trouble for reasons, and Irina, a Duke's daughter who marries the Tsar that is being controlled by a demon. Like I said, it gets complicated. Each lady is also the hero and the monster in their story threads, with the motivations to go with. All three plots weave together into one magical whole that ends in quite a satisfying conclusion.
The story is a slow burn. Novik takes her time building up the characters and the situation. I enjoyed the slow reveal, learning more about our characters and their world as the book wound on. The world building is rich and detailed. The magic system make sense for the setting and helps give the world that fairy tale feel.
On the downside, Novik chose one of my least favorite story telling styles for this book: multiple first person points of view. Yep, you read that right. When the story was alternating between just two POVs, I was OK with it. As the book progresses more POVs are added in, both main and side characters, until we end up with 6 different first person POVs. At times it can be hard to determine who's POV the story has been shifted to.
I listened to the audio book narrated by Lisa Flanagan. I love the sound of her voice. Flanagan does a pretty good job of keeping each character separate with different accents but it's not perfect and sometimes it took me a few to realize that the POV had switched characters.
There is just something about fairy tales. Even with the irritation of multiple first person points of view, this retelling hit all the right notes for me. I definitely need to read check out Uprooted.
Spinning Silver's fictional Eastern European setting includes poor farmsteads, rich towns, and royal courts. There are many realistic setting details,
Ultimately, the mixing of influences and tone weakens the themes of the book. One of the biggest themes is centered around the idea of repaying debts. This theme appears especially in the stories of Miryem, the Jewish moneylender who gets caught up with the Staryk after she boasts about her ability to "turn silver into gold", and Wanda, a poor farmer's daughter who starts working for Miryem and her family. There are different perspectives on repaying debts and kindness, as characters range from the overly altruistic to the merciless but honest. But this theme is inadequately explored as we follow Irina, a duke's daughter who gets trapped in a dangerous marriage. She is a chip used in others' negotiations but ultimately doesn't fully engage with the theme of debt repayment because she's too busy fighting a fire demon. This incomplete exploration is shared by the other themes, including heritage, the struggle of an individual to establish themself in a hostile society, and the (supernatural) perversion of domestic environments.
Although the settings are distinct, the characters begin to blur together after the book hits its halfway mark. The point-of-view switches are jarring when they jump forward or backward in time, and the characters' voices don't vary. I appreciated that following so many different characters allowed so many different settings to come into play, but the point-of-view sections of the more minor characters probably should have been edited out. Each of the three main characters discovers her strengths and her priorities as the story develops, but Wanda especially was neglected towards the end of the book because she was more tangentially related to the fantastical elements that drive the plot.
Finally, Spinning Silver contains not one but two incredibly creepy romances. After reading Uprooted, I am really perplexed about Novik's perspectives on love and companionship. Her romances are icy, full of control issues, and include oddly timed sexual tension. Perhaps these elements mesh well with the fantastical parts of her story, but they contrast wildly with the realistic character interactions between Miryem, her family, and the villagers. She needs to stop including romance at all if she insists on writing it this way.
Oh, so good. This book hit all the right notes with me. Intricate plot, great characters, delicious writing, with fairy-tale connections and an Eastern European flavor. Probably my favorite book so far this year. If you like fantasy, get this book and read it!
Also, that last line? Perfection.
That Novik weaves in more than one tale and more than one voice as the book progresses should surprise no one. Those voices, in fact, are one of the most impressive things about her writing. Starting with three POV characters -- young women, each of whom might be a fairy tale heroine in her own right -- the book teases out each story and perspective with slow care, adding in related voices unexpectedly but beautifully. By the time the book ends, we the readers have seen the story from at least six different viewpoints, not one of which feels unnecessary.
And there, in essence, is the power of this book; it is complex but not a bit of it feel difficult or overwrought. Every line of story weaves through the others with elegant connection, driving the reader from page to page but never making one feel rushed. Even so, I wanted to devour this book whole, the way a certain demon within it wants to devour... well, just about everybody, and had to hold myself back from tearing through it faster than the book itself wanted to go. The final paragraph made me weep, in all the best ways.
What else can I tell you? If you liked Novik's previous work, you're going to like this. If you haven't experienced her rich worldbuilding and magnificent character development yet, I encourage you to give this a try. To be quite frank, I could've simply written a two-word review of this book: READ IT. Because it is that wonderful.
The book switches POV constantly, with little warning and I was stuck
The plot itself was incredibly slow moving and predictable. The story basically follows two “kings” and the women who end up bound to them. One is the winter king of a fae-like race, the Staryk, who marries himself to a young woman who is a money lender. The other is the Tsar who harbors a fire demon and marries a young noblewoman who is part Staryk. The two brides endeavor to save the country from both Staryk and demon by playing the two off each other.
The story constantly takes long detours into areas that don’t have much impact on the plot. It makes for a long and wandering read that I really struggled to engage with. I kept hoping things would get better but they never did.
Overall. while this was an okay fantasy, I was expecting so much more. This book was a huge disappointment for me; partly because I loved “Uprooted” soooo much. I will be approaching Novik’s future books with a bit more caution.
It's also the best fantasy novel I have read in recent memory. The writing is marvelously assured, the characters are complex and strong and clever, the worldbuilding is subtle and excellent, and the plot utterly gripping. And every time I thought I knew where it was going, it surprised me, in ways that felt utterly right. I did find it a bit slow, but not remotely in a bad way, rather in the way that makes you want to stop and savor it and not let it be over too soon.
Wonderful, wonderful stuff.
A gripping story that seems to combine Rumpelstiltskin with overtones of several other traditional tales and comes up with something completely different.
The lands of Lithvasn are under perpetual winter, frozen in place by the Staryk, a deadly race that remind me of high elves, far
A young Jewish girl, Miryem, daughter of a moneylender, takes it upon herself to regain debts owed the family. Debts that have left the family close to starvation. In doing this she shows a solid business head and the family fortunes are turned around. She turns dross into gold. And this is exactly why she attracts the attention of the Staryk King, who seems to be a cross between an arrogant Elf Lord and the male equivalent of the wicked Ice Queen.
Another young woman from the same village is hired by Mirym to work off her father's debts. This is a turning point for Wanda. Her father is physically abusive and this new position enables Wanda to not only secret away some money, but she learns the magic of reading and numbers. And has at least one meal a day.
Meanwhile at the nearby city of Vysnia where Miryem's grandparents live, the Duke's plain daughter, Irina, captures the interest of the Tsar. Staryk silver that Mireym has had made into jewelry plays no small part. The Tsar it seems is possessed by a demon. Of course all three women's lives become entangled, magic, devastating continual cold and the demon's insatiably loom large. Death by winter or demonic assault seem the only choices. Continual surprises kept me focused. Just as events look like being resolved, another pathway opens up, another layer is added.
I loved Novik's steady building of tension and creative turns in the story. I loved the way all three families intertwine. We are privy to their stories and the consequences of actions and choices in all three families. Just when I could see what was happening, an unpredictable turn would be taken.
At times I was left feeling sorry for the Staryk King, and then the Tsar who's possessed by a fire demon. The resolution had me glued to the final word.
A fascinating read!
A NetGalley ARC
I have to admit that I had a hard time getting into this book. I wasn't really connecting with the characters or the story itself at the beginning. I also found the switching of the povs to be very confusing. I would be almost done with a section before I fully realized who was talking.
I was more than half way through the book before I started to really enjoy it. The ending is so good. The strength of the these female characters is very empowering. In the end, I loved this book. I may have gotten through Uprooted and connected with those characters quicker but this story will be the one I will remember and will stick with me.
By
Naomi Novik
What it's all about...
Three young women who don’t seem to have a connection end up with a powerful connection that will unite them forever. This is not an ordinary retelling of Rumpelstiltskin but rather a story of cold chilling power, demons, and three young women who
Why I wanted to read it...
I love this author’s work...plain and simple. It’s incredible.
What made me truly enjoy this book...
I loved each girl’s story...I even loved the Staryk...the sort of ice creatures that ruled. I loved the adventure. I loved the world that everyone lived in and I loved the ending.
Why you should read it, too...
Readers who want a harsh yet beautiful fantasy...well...those readers will love this book!
I received an advance reader’s copy of this book from the publisher through NetGalley, Edelweiss and Amazon. It was my choice to read it and review it.
I do like the setting and the characters of Spinning Silver, and if each protagonist were given their own linear book in a three book series, the story would have woven together well. Attempting to cram a three book series into one book was a serious mistake that isn't Novik's fault. Spinning Silver's publisher wouldn't take the gamble on a three book series and she was forced to attempt to cram multiple disparate stories into one unwieldy book with an absent editor. It's very sad that readers are expected to put up with this new form of business-centered publishing. ANALYSIS REQUIRES SPOILERS WHICH FOLLOW!
The bulk of the story suffers from too many protagonists. There's something like six? It's hard to tell who is being treated as a protagonist and who's perspective we're being given simply to understand the character better (which is rarely necessary in a linear story, but this far from a linear story). The theme of the story also loses focus quickly. In the beginning it feels like a strong feminist text with the three protagonists (Wanda, Irina and Miryem) all fighting for control of their destiny and kicking ass and taking names. By half way through, the reader is asked to empathize with all the villains: Mirnatius didn't actually make a deal with a devil, he's just a victim and Irina's task is to save him? Rumple(?), the Staryk King, is revealed to be simply a hard-to-love prideful Fitzwilliam Darcy wannabe from a culture that's difficult to understand. If it was really necessary to have multiple protagonists, this guy should have been one of them... but he wasn't. Wanda's abusive father is killed off quite early and her story is turned into a kind of Hansel and Gretal with no obvious struggle apart from the fact that she and her brothers are never clued in to what's going on, but they manage to somehow save the day anyway? It's great that all the struggles have been resolved and the demon defeated (accomplished through some sort of underwritten hand-wave), etc... but through it all, the men never really show the girls tenderness or love, just pity and occasional kindness and the reader is supposed to get behind that Irina and Miryem fell in love with them somewhere during their shared struggle? Without being overly ethnocentric, it feels like a recognizable feminist theme is definitely lost along the way.
If Spinning Silver had been given full editing, it's doubtful it would have reached 450 pages. Many scenes are simply viewed over from multiple perspectives for no compelling reason (which again wouldn't have been as problematic if spread across three books). Generally when a young adult novel is this long, it's because the reader can be assumed to be absorbed in the plot, but that's hard to imagine with such a complicated diffuse story like this. If Spinning Silver's publisher had wanted to do it justice, it should have been billed as an adult fantasy where a higher word count can be allowed for world making and exposition. Again, the first 100 pages are well paced, but then Novik is given to go off on cul de sac tangents that a young adult readership is usually not expected to slog through but would've been fine if Spinning Silver were sold as an adult novel.
I really feel sorry for Naomi Novik. Her ideas are wonderful and her Near East mythology and legend are always compelling and interesting... but her publisher obviously hates her.
Miryem's father loans money to people of their town, but he is so kind that
Wanda is the young girl Miryem hires to help in their household. She has a horrible home life, and she doesn't want her father to know that she is making money or he'll take it to buy drinks. She worries about her brothers. They all talk to mom who is buried beneath the tree. Miryem begins to teach Wanda how to collect and record payments in the record book. Only Wanda and Miryem realizez the Staryk are visiting. Even if people see them, they quickly forget and have no recollection. Wanda replaces Miryem when she's with the Staryk.
This novel has a lot of perspectives. I'm just mentioning two. The lives of the king and his wife intersect with Miryem as the Staryk must fight the dark evil. For fear of giving too much away, I'm stopping there. This novel is very vivid in my mind. I wrote a review when I finished the novel eons ago, but I can't find it!!! I'm doing everything from memory, so names are hazy but the images the novel paints in my mind are clear. Images of cold, fire, journeys, opulence, a simple village, and a magical forest permeate my mind. The ending was powerful, as the characters and various stories all come together. The novel is complex and interesting. I honestly didn't like is as well as Uprooted, but I still really enjoyed this novel.
Three young girls of different backgrounds independently fight against a species of beings called Staryk who live in a frozen world. They dash
Girl power is definitely a theme of this book as these three young women do what they have to for their families and their country.
I loved the multiple points-of-view that caught me by surprise the first time it happened, and then just made me happy all the times after that. Miryem is the main narrator, but about 70 pages in, with no warning other than a little “next scene” spindle symbol, another character’s perspective is introduced. And like clockwork, every 50-70 pages or so, another new perspective jumps in. They’re never perspectives from characters we haven’t already met, but because these switches aren’t labeled, it takes the reader a minute to figure out, “Hey wait a second! That’s so-and-so!” I personally loved that.
The other part about this book I loved was the Russian storytelling aspect. It felt like The Bear and the Nightingale (Katherine Arden) but so much better. I enjoyed The Bear and the Nightingale but this book made it seem so much less good than what I had remembered. So, I’m glad I read the other one first, otherwise I think I would’ve been disappointed that it didn’t match up to the expectations Spinning Silver has now set.
This book has been described as a loose retelling of Rumplestiltskin, but I am here to say it is a very loose retelling. Of the things that are similar, there’s a name issue (the Staryk will never tell his name), someone can turn something that is not gold (in this case, silver) into gold, and that someone is demanded to change large qualities of that something into gold in an impossible amount of time. That’s it as far as I can tell, though there might be more subtle similarities that I didn’t catch on to. For me, the bulk of the story was very original.
Miryem is a moneylender’s
One day a dangerous elven lord leaves her Staryk silver, expecting her to change into gold.
Wanda is a farmer’s daughter. Her alcoholic father can’t repay what he owes, so it is arranged that Wanda will work for Miryem’s family in payment of his debt.
Irina is a duke’s daughter. Her father buys the jewellery made from Staryk silver and insists Irina that wears it when the tsar visits.
This is compelling and beautifully written. I liked the way the girls’ stories fit together and echo each other, and how the girls themselves have to work together (and would have liked the story even more if there had been more of that). They come from different classes and different family situations, but they each have to navigate limited choices, unwelcome offers of marriage and taking on unexpected responsibilities.
Their most important and most positive relationships are familial ones, and are a source of warmth in this wintry story; I particularly liked how affectionate Miryem’s family is, and the way Wanda learns to care about, and work together with, her younger brothers.
I also liked the way Miryem being Jewish was woven into the story, and how that is centrally important not just in terms of her family’s culture and the place they occupy within society, but in terms of her own identity. Even when she finds herself in a fairy-land.
In the end, all things considered, I didn’t love how romance was handled in this story, but neither was I disappointed by it -- just no strong feelings either way.
Instead I watched Irina’s face in the mirror, pale and thin and transported as she looked at herself in her crown, and I wondered if she would be glad to marry the tsar, to leave her quiet small rooms for a distant palace and a throne. As she dropped her hand and turned back into the room, our eyes met: we didn’t speak, but for a moment I felt her a sister, our lives in the hands of others. She wasn’t likely to have any more choice in the matter than I did.