Status
Call number
Collections
Publication
Description
Fiction. Literature. HTML: From the New York Times bestselling author of The Plot, Jean Hanff Korelitz's The Latecomer is a layered and immersive literary novel about three siblings, desperate to escape one another, and the upending of their family by the late arrival of a fourth. The Latecomer follows the story of the wealthy, New York City-based Oppenheimer family, from the first meeting of parents Salo and Johanna, under tragic circumstances, to their triplets born during the early days of IVF. As children, the three siblings �?? Harrison, Lewyn, and Sally �?? feel no strong familial bond and cannot wait to go their separate ways, even as their father becomes more distanced and their mother more desperate. When the triplets leave for college, Johanna, faced with being truly alone, makes the decision to have a fourth child. What role will the "latecomer" play in this fractured family? A complex novel that builds slowly and deliberately, The Latecomer touches on the topics of grief and guilt, generational trauma, privilege and race, traditions and religion, and family dynamics. It is a profound and witty family story from an accomplished author, known for the depth of her character studies, expertly woven storylines, and plot twists… (more)
User reviews
The Latecomer, Phoebe, is the fourth baby from the test tube. The triplets – Harrison, Lewyn, and Sally - don’t even take notice of her. She’s just some stupid, pathetic idea their mother had. They don’t want the siblings they have. Why would they want another one?
The family is enmeshed in deceit. By chance, Salo meets the other survivor of the accident and embarks on a long-term affair and fathers a child, eventually deciding to leave the marriage on the same night Sally has decided to untangle the web of lies between her, Lewyn and her roommate/his girlfriend Rochelle. It’s all ugly. And sad. Very, very sad. Tragedy occurs. These tragic events would break most families, but this family is already broken. Always has been.
Jean Hanff Korelitz’s books are not light, easy reading but the reward is excellent writing and a story full of literary and real-life references, clever wordplay, and complex, deep, well-developed, intriguing characters that make you cringe at their behavior and their seemingly inexhaustible capacity to hurt, to demean, to denigrate, to ignore.
The first two-thirds of the book give us a lot of background and information about the parents and the triplets and what happened to them, or more importantly what did not happen, how their lives didn’t evolve as they might have wished. But, unfortunately, while you might work up a little sympathy for one or another character now and then, overall they are unlikable and create as much of their own hardship as what fate heaps on them. The emotion I mostly felt to this point was frustration, frustration with their behavior and frustration with the overwhelming amount of information to absorb. I began to wonder if all that art, history, politics, and social information was crucial to the story or just interesting surrounding or background material.
However, “Part Three – The Latecomer” picks up the pace and makes this book too absorbing to put down and well worth sticking with the bit of detail overload. Secrets are discovered, interactions and relationships explored and there is more than one big, satisfying reveal. Everything is neatly and skillfully explained and tied together and the ending was perfect. Unexpected but perfect. Korelitz is a very talented author whose work I always enjoy. Thanks to Celadon Books for allowing me to be a Celadon Reader and providing an advance copy of The Latecomer via NetGalley for my reading pleasure and honest review. I thoroughly enjoyed this book, recommend it without hesitation and look forward to the next read by this author. All opinions are my own.
#TheLatecomerBook #CeladonReads
This is the story of a family, from the middle of the last century until just a few years ago. It's well-written, very well paced and a wonderful look at New York City at a specific time for a specific social caste. There's an old school feel to the character studies, even as they exist in very modern circumstances. Each character is fully explored, and the author takes time to let them spread their wings. And into this solid novel, that was so satisfying to read, there's a ton of art and while I'm generally happy with my life as it is, I'd love to be a wealthy dude in the early 1960s, just grabbing all the interesting paintings no one cared about and stashing it in the warehouse down in Red Hook, Brooklyn, that everyone is convinced will never be worth anything.
Beautiful and thoughtful this book was one I will not soon forget. It was complicated and messy and brilliant. It was one of those books that slowly seeps in and then you realized you have been changed
Recommended.
The triplets are born healthy, but unlike many multiples, they are not bonded and even dislike each other. About the only thing they agree on is that they hate Walden, the private progressive school where their parents have enrolled them. Harrison is the nasty-tempered intellectual who never misses an opportunity to belittle his brother Lewyn. Sally hates both of her brothers, so much so that when she and Lewyn both start their freshman year at Cornell, she informs him that she never wants to meet with or speak with him. Lewyn--well, he's just a nice, average, uninteresting guy with an inferiority complex.
While Johanna spends her time doting over her children and worrying about their dislike of one another, Salo distances himself even further from the family, delving into his art and pondering his guilt over the years-old accident--until a chance meeting with a documentary director who just happens to be the only other survivor of the accident.
So you can probably see why I was about to give up on the book at this point. I don't want to reveal exactly what changed and gave me the incentive to continue reading it, but much of it was due to the arrival of new characters and the convoluted connections between them and the members of the Oppenheimer family. And these connections led to a more positive conclusion and a more positive experience for me as a reader. Suffice it to say that a book I was ready to give up on halfway through ended up being a 4-star read.
A doctor performing in vitro fertilization chooses three of four embryos and triplets are born.
A man boards a plane that crashes into the World Trade Center.
Lives are changed because of chance meetings, or through unexpected
But chance is not the only thing that determines lives. Deliberate choices are made.
A young woman determines to save a man consumed by guilt and to build a close and loving family.
The triplet’s need to be rid of each other tears apart the family.
And nineteen years later, the fourth embryo is taken from the deep freeze, and is born, and grows up and endeavors to mend what has been broken.
The Latercomer arrives late in the story, after we read about Salo Oppenheimer’s accident and his marriage to Johanna; after we watch Harrison, Lewyn, and Sally grow up and make their mistakes and find what they love. It is Phoebe who unravels the family’s twisted history and she tells us the story.
These complex, amazing characters are deeply portrayed. Salo, unable to love anything but the abstract art he collects, only finding love late in his life. The delusional Johanna, whose determination to create the perfect family blinds her to the truth. The intellectual, sarcastic and driven Harrison, conned into radical politics. The gentle, ambivalent Lewyn, who finds a love of art and for Rochelle, who he can’t be honest with, and who is drawn to the certainties of a cultish religion. Sally, who early learns her father’s secret, and as Rochelle’s roommate, dissembles her truth, and who finds satisfaction rummaging through chaotic houses as an antiques ‘picker’.
From the first accident, this family is haunted by an inability to connect and love each other. To fill the gap, they turn to art or antiques or religion. Or affairs, or to family traditions that ape closeness.
The novel is rich in humor and psychological insight and political commentary. Harrison’s friend and political guide Eli Absalom Stone is a brilliant character.
It’s a slow burn of a book and I loved every page. These characters will be with me for a long while.
I received an ARC through BookishFirst in exchange for a fair and unbiased review.
From the opening chapters to the very last page, I was completely immersed in the family’s story: mother, father, and triplets. The narrative by the, at first, unnamed sibling was strong and confident, teasing me
The triplets initially put me off, each unpleasant in their way, but as I got their point of view and their stories came out, they won me over – even the obnoxious Harrison had his moments for me. The story is an absorbing family drama, but twists and turns in the plot floored me and kept me glued to the pages: definitely five-star surprises. However, the healing and forgiveness among family members ultimately made this such a satisfying reading experience for me. Won over to each character’s side, I was aching for their futures to work out.
With its smart and smooth writing and delivery and its fascinating plot, I recommend THE LATECOMER to readers of literary fiction, especially those who enjoy epic family dramas.
I voluntarily reviewed this after receiving an Advanced Review Copy from the publisher through NetGalley.
Even readers with
Trombly actually exists. Intriguing reward there.
The momentum of the three averse to each other even as babies soon becomes a tiresome and everlasting trope, as was the mother's consuming obsession with family
unity. If she had just moved to get a life of her own, it may have inspired the others. It was also hard to believe that babies and toddlers would not draw physically and emotionally closer when needing warmth or comfort.
Stella of course merits attention, yet she never reveals why she, as a feminist documentary artist, would move to wreck a man's family.
Fortunately for the plot, her son brings redemption, if not a real explanation.
Strange too is how the brilliant Harrison came to totally reject his Walden roots.
The story picks up with Lewyn's Passover Seder!
Slowed again by Sally's improbable revenge...
The LATECOMER is definitely a page turner that, despite its length,
may keep readers going on and wanting more, even wishing that crazy old dad
had survived to join the folks on the Vineyard beach.
I really enjoyed The Latecomer. I could relate to the mother wanting her children to stay close to each other and to her. I have four kids and I hope they stay close. And my youngest is nine years younger than his closest sibling so he’s kind of a latecomer as well!
Jean Hanff Korelitz is on her way to becoming one of my favorite authors. Highly recommended.
Quote: "It was not precisely that she made him wish to be a better man; it was more that she made him WISH he wished to be a better man."
This literary novel was about the wealthy Oppenheimer family. Johanna and Salo struggled to get pregnant. Actually, it was only Johanna as Salo was never ready to have children but he didn't argue when the doctor suggested IVF as an option. The triplets started to grow apart from the beginning. There was no connection between siblings and nor between their parents. Then one day Johanna found out about her husband having another child with different woman. That was the day she decided to use the last remaining egg that was stored for many years.
What a complicated family that was. Mother who devoted her life to her husband and their children. Father who was avoiding his family. Triplets who were desperate to escape one another. And the Latecomer, who thought she lost everything because she was not born together with the rest of her siblings.
It's a character driven and slow-pacing novel about a disconnected family and their lives. I liked how each chapter focused on a different family member. I didn't actually bond with the triplets, and neither with the parents, until I met Phoebe, the Latecomer. The last chapter was told through the perspective of the youngest Oppenheimer daughter, my favorite one. Because she is the one who will make a difference.
Thank you CeladonBooks and Goodreads Giveaway for sending this ARC.
After much excellent exposition setting up the family dynamic, the crux of the matter becomes apparent. The details would spoil the experience, but suffice it to say that Pheobe must overcome her siblings' old resentments and her mother's hang-ups, all formed long before she was born. Naturally, she'll uncover old secrets and learn a few things about herself along the way. But Phoebe is quite determined and not about to let her family members hide behind their usual evasive tricks.
Phoebe's narrative voice makes this book worth reading, even if, for most of the book. A strong and surprising young woman, you may find yourself wishing that she would bring her considerable talents and persistence to solve the problems in your life.
FTC Disclaimer: I received this book from the publisher in exchange for this review.
This story is quite sad in parts and focuses a lot on
Reading this can be a bit hard or triggering in parts in regards to infertility or challenging family relationships, situations, and such. There is some wording and language used when discussing intimacy, infertility, and such that is a bit blunt or maybe a bit weird/off-putting for some as well.
Thanks to Celadon Books and NetGalley for letting me read and review this story. All thoughts and opinions are my own. #TheLatecomerBook #CeladonReads
The youngest Oppenheimer, Phoebe, was born after the triplets were basically adults. She becomes the peacemaker in the family, as she takes on the job of "reweaving the shredded fabric of our family, the figuring out what was owed whom by whom and how we were all supposed to become unstuck with one another." There is also a separate family from a long term relationship the father Salo has with another woman.
The most interesting part of the book for me was the entwining of the story of modern art into the family saga. Salo was an art collector, and had an infallible instinct for purchasing works by an artist just before they became famous. Over the years he amassed a unparalleled collection of artists such as Cy Twombly, Richard Diebenkorn, Brice Marsden, Francis Bacon, Hans Hoffman, Ed Ruscha, Agnes Martin, Alma Thomas, Ellsworth Kelly, Achilles Rizzoli and more. I had such a good time googling the (actual) works described in the book.
A good read.
3 stars
First line: "The Oppenheimer triplets--who were thought of by not a single person who knew them as the 'Oppenheimer triplets'--had been in full flight from one another as far back as their ancestral petri dish."