There There: A novel

by Tommy Orange

Hardcover, 2018

Status

Available

Call number

813.6

Collection

Publication

Knopf (2018), Edition: First Edition, 304 pages

Description

Twelve Native Americans came to the Big Oakland Powwow for different reasons. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life together after his uncle's death and has come to work the powwow and to honor his uncle's memory. Edwin Frank has come to find his true father. Bobby Big Medicine has come to drum the Grand Entry. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather. Orvil has taught himself Indian dance through YouTube videos, and he has come to the powwow to dance in public for the very first time. Tony Loneman is a young Native American boy whose future seems destined to be as bleak as his past, and he has come to the Powwow with darker intentions -- intentions that will destroy the lives of everyone in his path… (more)

Media reviews

Characters here do not notice connections that might offer meaning even though they tell endless details. For those of us who may want literature to confirm human journeys, (or even reject them), this is boring stuff.
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There There signals an exciting new era for Native American fiction. Orange lends a critical voice that at once denudes the reality of cultural genocide while evoking a glimmer of encouragement.
The network of characters in There There proves dizzying, but the multivocal nature of the book is a purposeful, intelligent strategy. It offers a glimpse of an interconnected life, a world in which small stones don’t just sink to the bottom of the sea but change tides.
This is a trim and powerful book, a careful exploration of identity and meaning in a world that makes it hard to define either.
The idea of unsettlement and ambiguity, of being caught between two worlds, of living a life that is disfigured by loss and the memory of loss, but also by confusion, distraction and unease, impels some of the characters, and allows the sound of the brain on fire to become dense with dissonance.
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Orange’s characters are, however, also nourished by the ordinary possibilities of the present, by common desires and feelings. This mixture gives their experience, when it is put under pressure, depth and a sort of richness.
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Here's the thing about There There, the debut novel by Native American author Tommy Orange: Even if the rest of its story were just so-so — and it's much more than that — the novel's prologue would make this book worth reading.
If There There is at times an angry and demanding book (keeping track of the characters’ relation to one another is a challenge in itself), it is also a humane one.
If anything, there’s too much intrigue here to truly do justice to them all, but what remains is the fierce drive “to be recognized as a present-tense people, modern and relevant, alive.”
True, “There There” is also a sad book — devastating, actually. It’s also entirely unsentimental about it, and that exquisite mix of unflinching anger and sadness and humor is the source of its power.
As a reader whose family gatherings revolve around my community’s local pow-wow every year, it was particularly difficult to see this setting used as the backdrop for such violence, especially considering young Indigenous men are the ones who ultimately enact it. Will non-Indigenous readers see
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this scene as evidence that we’re dysfunctional? That our men are inherently violent? That our peoples’ problems are all our faults?
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Everything about “There There” acknowledges a brutal legacy of subjugation — and shatters it. Even the book’s challenging structure is a performance of determined resistance. This is a work of fiction, but Orange opens with a white-hot essay. With the glide of a masterful stand-up comic and
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the depth of a seasoned historian, Orange rifles through our national storehouse of atrocities and slurs, alluding to figures from Col. John Chivington to John Wayne. References that initially seem disjointed soon twine into a rope on which the beads of American hatred are strung. (Whoever is editing this year’s collection of “The Best American Essays,” please don’t pass over this prologue just because it’s in a novel.)
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The propulsion of both the overall narrative and its players are breathtaking as Orange unpacks how decisions of the past mold the present, resulting in a haunting and gripping story.
The plot of the book is almost impossible to encapsulate, but that’s part of its power. At the same time, the narrative moves forward with propulsive force.
Tommy Orange's first novel is a wondrous and shattering portrait of an America few of us have ever seen. There There is a multi-generational, relentlessly paced story about violence and recovery, hope and loss, identity and power, dislocation and communion, and the beauty and despair woven into the
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history of a nation and its people. A glorious, unforgettable debut.
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Awards

National Book Award (Longlist — Fiction — 2018)
Dublin Literary Award (Shortlist — 2020)
Pulitzer Prize (Finalist — Fiction — 2019)
Audie Award (Finalist — 2019)
LA Times Book Prize (Finalist — 2018)
The Morning News Tournament of Books (Quarterfinalist — 2019)
Indies Choice Book Award (Winner — 2019)
Aspen Words Literary Prize (Longlist — 2019)
Dayton Literary Peace Prize (Shortlist — Fiction — 2019)
PEN/Hemingway Award (Winner — 2019)
Anisfield-Wolf Book Award (Fiction — 2019)
NCSLMA Battle of the Books (High School — 2021)
Golden Poppy Book Award (Winner — Fiction — 2018)
BookTube Prize (Finalist — Fiction — 2019)
Writers' Prize (Shortlist — 2019)
Boston Globe Best Book (Fiction — 2018)
Kirkus Reviews Best Book of the Year (Debut Fiction — 2018)
Readers Retreat (Featured — 2024)
Notable Books List (Fiction — 2019)
LibraryReads (Monthly Pick — June 2018)

Language

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