Let the Great World Spin

by Colum McCann

Paper Book, 2009

Status

Available

Call number

FIC MCCA

Rating

½ (1727 ratings; 4)

Description

Fiction. Literature. HTML:NATIONAL BOOK AWARD WINNER � Colum McCann�s beloved novel inspired by Philippe Petit�s daring high-wire stunt, which is also depicted in the film The Walk starring Joseph Gordon-Levitt In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann�s stunningly intricate portrait of a city and its people. Let the Great World Spin is the critically acclaimed author�s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s. Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth. Elegantly weaving together these and other seemingly disparate lives, McCann�s powerful allegory comes alive in the unforgettable voices of the city�s people, unexpectedly drawn together by hope, beauty, and the �artistic crime of the century.� A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a �fiercely original talent� (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal. BONUS: This edition includes an excerpt from Colum McCann�s TransAtlantic. �This is a gorgeous book, multilayered and deeply felt, and it�s a damned lot of fun to read, too. Leave it to an Irishman to write one of the greatest-ever novels about New York. There�s so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you�ll find yourself giddy, dizzy, overwhelmed.��Dave Eggers �Stunning . . . [an] elegiac glimpse of hope . . . It�s a novel rooted firmly in time and place. It vividly captures New York at its worst and best. But it transcends all that. In the end, it�s a novel about families�the ones we�re born into and the ones we make for ourselves.��USA Today.… (more)

Original publication date

2009

Media reviews

This is an exceptional performance by a writer whose originality and profound humanity is evident throughout this highly original and wondrous novel.
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The lousy feeling that you’ve been duped into buying a bogus product increases as you read Let the Great World Spin, and like all chintzy things manufactured for tourists, the book can’t withstand the slightest amount of tensile pressure. Apply a little scrutiny to the artistic decisions being
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made, and worse and worse details appear, from the awful prose, which ceaselessly pitches and yaws between staccato bursts of words and breathless run-on sentences, to the gaudy, exhibitionist displays of grief. But tackiest of all is the way that McCann deals with his African-American characters, who come off as nothing more than anthropological specimens.
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It is a mark of the novel’s soaring and largely fulfilled ambition that McCann just keeps rolling out new people, deftly linking each to the next, as his story moves toward its surprising and deeply affecting conclusion.
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Here and elsewhere, “Let the Great World Spin” can feel like a
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precursor to another novel of colliding cultures: “The Bonfire of the Vanities,” Tom Wolfe’s classic portrait of New York in the 1980s. But McCann’s effort is less disciplined, more earnest, looser, rougher, more flawed but also more soulful — in other words, more like the city itself.
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Gritty yet hopeful... in terms of sheer lyricism, McCann pulls out all the stops. My review copy was an absolute mess of Post-its and marked passages by the time I was halfway through.
A book so humane in its understanding of original sin that it winds up bestowing what might be called original absolution... a pre-9/11 novel that delivers the sense that so many of the 9/11 novels have missed.
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