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"Three classic stories featuring Brother Cadfael . . . whose powers of deduction are practically miraculous" in the Silver Dagger-winning medieval mystery series (Booklist). "Brother Cadfael sprang to life suddenly and unexpectedly when he was already approaching sixty, mature, experienced, fully armed and seventeen years tonsured." So writes Ellis Peters in her introduction to A Rare Benedictine--three vintage tales of intrigue and treachery featuring the monastic sleuth who has become the best-loved ecclesiastical detective since Father Brown. Although Cadfael has appeared in twenty novel-length chronicles, the story of his entry into the monastery at Shrewsbury has been known hitherto only to a few readers. Now his myriad fans can discover the chain of events that led him into the Benedictine Order.… (more)
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I sought out and read this small volume when I'd completed fourteen of the twenty novels in the Brother Cadfael series. Having come to know the crime-solving medieval monk fairly well by this time, I was interested in the
Any time after the second or third chronicle, when I was already well entrenched as a series reader, I'd have welcomed this amplification of Cadfael's personal history.
However, I think the three short stories under this cover would have made for a poor introduction to the series; they were meant primarily to fill in background rather than to attract new readers. As such, they perform their function well. I don't think it's altogether fair to rate them independently. Rather, a newcomer to the series and the character would do best to start with the first or second of the novels, and come looking for Cadfael in his pre-Shrewsbury days only when moved by curiosity.
Road to Woodstock" which shows a little of
But we have
So no great historical depth, no murder, some crimes that Cadfael is on hand to solve. These stories might have served in a mystery magazine, and a couple more would have made a book. The use of the illustrations, and the writing itself, not as all encompassing as the novels gives a less than satisfying send off to our hero. Cadfael will be missed, but one has hopes that the genre has been greatly enriched by Peters/Pargeter and now there are many other mysteries set during this very period.
But we have no murder amongst them, though the attempt in one. We have seen that Pargeter/Peters can excell at telling the story in the context of an Historical Novel and indeed, there is some Introduction where she dwells on the development of Cadfael. The three short stories though give little historically for us, the first giving us some events of importance to the times, but when the chance is there for us to see deeper on what those events will mean, and did mean as they happened, we are denied. (When Henry I lost his son, the ensuing Civil War between Stephen and Maud was set up which serves as the background throughout the entire series.)
Cadfael is an excellent introduction to the genre.
Well written and interesting with clever plots.
I love the way Peters allows us to read people through Cadfael's eyes and thoughts. Even in that, we are shown their motivations, not told. There is much introspection, yet it isn't heavy or dreary.
There are two other stories: a story of missing candlesticks and a robbery of Abbey funds. And only one almost dead body. Brother Cadfael solves each mystery by his knowledge of human nature. This is a welcome addition to the Cadfael Chronicles.
I love this book! It's illustrated with beautiful color reproductions of medieval (or medieval-style) prints, and there's an introduction by Ellis Peters, explaining a few basic details behind the Cadfael series, like how it got started, how he got his name, and why she'd never written any stories about his crusading days. She's also very clear, in a manner that feels purposeful, that Cadfael never converted; his entrance to the abby was just the next step in his life; a life that was always one of faith and belief. It was a wonderful introduction, and I got a very real sense that Peters knew her character to his bones, understood him, and wanted to make sure his readers did too.
As for the stories themselves, the first one, A Light on the Road To Woodstock, does indeed take place before Cadfael's entrance into the abbey. In takes place as he returns to England for the first time after the wars, facing imminent unemployment, and looking to move on to a new phase in his life, though he doesn't know yet what it might be. His last assignment for the lord who employs him takes him to Richmond during a court dispute with the Shrewsbury Monastery. Here he meets the Prior of the Abbey and is confronted with a mystery concerning the Prior's disappearance.
This is not a fair play story; the mystery is solved by Cadfael's observance of the people he knows and the human nature he's familiar with, but he does not share those observances with the reader. Still, it's a lovely introduction to the man, and the story is a good one.
The second, my favorite of the three, is The Price of Light, the Christmas story. Here Cadfael has been a monk for 15 years. A man of means, whose life has been a waste, is beset by ill health and realises he must do something to 'earn' his redemption (read: buy it, as cheaply as possible). He gifts Shrewsbury Abbey with the rent from one of his holdings, and a pair of beautiful silver candlesticks, both for the betterment and maintenance of their Lady Chapel. The gifts are made on Christmas Eve, but on Christmas Day, the candlesticks have been stolen.
What follows is far more of a fair play mystery, with Cadfael poking about, observing, finding clues and sharing most of it with the reader. The plot is pretty good for a short form mystery, and the story itself is just really lovely. Ellis Peters understood the true grace that lies behind Christianity and faith, and she writes it beautifully - never, ever preaches it - but Cadfael and most of his brothers are written in a way that is consistent to both true Christianity and humanity, and the struggle between the two is a never-ceasing one.
The last story, Eye Witness, is a much more bog-standard short story mystery. It falls back on a few of the standard tropes. Man goes out to collect the rents, is bashed on the head and robbed, thrown into the river to drown, rescued, and cannot shed any light on who tried to kill him. His son is a suspect, of course, and Cadfael gleans the truth not only through observation, but by the time-worn tradition (in mysteries) of laying a trap!
The most pedestrian of the three, it's still a good story, and adds to the fuller picture of life at Shrewsbury.
My edition was done by Mysterious Press, and if you're a Cadfael fan who does not yet own this, I recommend it highly, both for the stories and the charm of the edition itself.
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Fic Mystery Peters |