Status
On-site use
Call number
Collection
Local notes
Note that volumes with article links are not in our physical holdings and may lack page number indicators, but are available online.
Volume(s) include:
vol. 18, no. 3 (Nov. 1979) — Armstrong, Richard. "Mike Kelley."
vol. 20, no. 4 (Dec. 1981) — Singerman, Howard. "Reflections on a Can of Vernors." p. 81.
vol. 23, no. 8 (Apr. 1985) — Gordon, Kim. "American Prayers." pp. 73-77.
vol. 27, no. 5 (Jan. 1989) — Kelley, Mike. "Foul Perfection: Thoughts on Caricature." pp. 92-99.
vol. 29, no. 10 (Summer 1991) — [Advertisement for Merlin Carpenter, Georg Herold, Mike Kelley, Jon Kessler, Martin Kippenberger, Michael Krebber, Cady Noland at Luhring Augustine, New York, Jun. 14-Jul. 26, 1991.] p. 34; Lewis, James. "Beyond Redemption: Mike Kelley." pp. 71-75.
Artwork(s) illustrated:
Kelley, Mike. (1990). Double Figure (Hairy). p. 3, p. 71.
______. (1987). More Love Hours than Can Ever Be Repaid. p. 72 [detail view].
______. (1988). Pay for Your Pleasure. p. 73.
______. (1987). Trash Picker. p. 74.
______. (1990). Center and Peripheries #4 and works from the Empathy Displacement project. [installation view] p. 75.
vol. 32, no. 1 (Sept. 1993) — Avgikos, Jan. "Paul McCarthy’s and Mike Kelley’s Heidi."
Artwork(s) illustrated:
Kelley, Mike and Paul McCarthy. (1992). Video production still from Heidi.
vol. 32, no. 3 (Nov. 1993) — Cameron, Dan. "Sculpting the town: Sonsbeek 93." pp. 88-90, 131.
Artwork(s) illustrated:
Kelley, Mike. (1993-2012). The Harems. p. 90.
vol. 32, no. 7 (Mar. 1994) — Indiana, Gary. "Wiretap: A Walk Through the Whitney, or What We Really Say When We Talk About Art."
Artwork(s) illustrated:
Kelley, Mike. (1987). More Love Hours than Can Ever Be Repaid. [detail view].
______. (1987). Three Point Program / Four Eyes.
______. (1991). Ahh...Youth!.
______. (1985). Exploring.
______. (1990). Manipulating Mass-Produced Idealized Objects.
______. (1992). Colema Bench.
______. (1990). Arena #10 (Dogs).
______. (1990). Mooner.
______. (1989). Eviscerated Corpse.
vol. 34, no. 5 (Jan. 1996) — Van de Walle, Mark. "Mike Kelley." p. 81.
Artwork(s) illustrated:
Kelley, Mike. (1995). Educational Complex. p. 81
vol. 36, no. 1 (Sept. 1997) — Birnbaum, Daniel. "Little D Big X Documenta X: The Artforum Questionnaire."
vol. 36, no. 5 (Jan. 1998) — Diederichsen, Diedrich and Mayo Thompson. "Company Man."
vol. 36, no. 6 (Feb. 1998) — Koether, Jutta. "The Poetics."
vol. 36, no. 10 (Summer 1998) — [Advertisement for The Poetics Project 1977-1997 exhibition at Lehmann Maupin, New York (Barcelona version), and at Metro Pictures, New York (Documenta version)]. p. 15; [Advertisement for Sublevel: Dim Recollection Illuminated by Multicolored Swamp Gas exhibition at Jablonka Galerie, Koln (Germany), Jun.-Jul. 1999]. p. 27; Hultkrans, Andrew. "Surf and Turf." pp. 106-113, p. 146.
Artwork(s) illustrated:
Kelley, Mike. (1998). Ghostly Afterimage. p. 27.
vol. 37, no. 8 (Apr. 1999) —[Advertisement for Mike Kelley exhibition at Metro Pictures, New York, Apr. 3-May 1, 1999.] p. 59; Miles, Christopher. "Mike Kelley: Patrick Painter, Inc." p. 127.
Artwork(s) illustrated:
Kelley, Mike. (1998). ‘69 Action Heroes. p. 127.
vol. 39, no. 2 (Oct. 2000) — Kelley, Mike and Dennis Cooper. "Trauma Club." pp. 124-129.
Artwork(s) illustrated:
Kelley, Mike. (2000). Video production stills from Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene). p. 3, pp. 127-128.
______. (2000). Installation views of Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene). cover, pp. 124-125.
vol. 40, no. 4 (May 2002) — Nickas, Bob. "Bob Nickas."
vol. 40, no. 5 (Jan. 2002) — Birnbaum, Daniel. "Preview Barcelona: Sonic Process exhibition at Museu d’Art Contemporani de Barcelona." p. 64.
vol. 40, no. 7 (Mar. 2002) — Storr, Robert and Mike Kelley. "Obscured Visions: Artforum Talks to Mike Kelley." pp. 114-119.
Artwork(s) illustrated:
Kelley, Mike. (n.d.). Untitled. p. 115.
______. (1984). The Territorial Hound. p. 116.
______. (1985). Exploring. p. 119.
vol. 41, no. 2 (Oct. 2002) — Hainley, Bruce. "Bruce Hainley on Mike Kelley." p. 150.
Artwork(s) illustrated:
Kelley, Mike. (2001). Installation view of John Glenn Memorial Detroit River Reclamation Project (Including the Local Culture Pictorial Guide, 1968-1972, Wayne/Westland Eagle). p. 150.
______. (2001). Black Out (Detroit River) [number 5 of 8]. p. 150.
______. (2001). Butter-Colored Vision of the Land O’ Lakes Girl, Peche Island. p. 150.
______. (2001). Photo Show Portrays The Familiar [number 14 Zug Island, Detroit River]. p. 150.
______. (2002). Lingam and Yoni (Grassy Island). p. 150.
vol. 41, no. 4 (Dec. 2002) — Dzuverovic-Russell, Lina. "Sonic Process: A New Geography of Sounds, Museu d'Art Contemporani de Barcelona (MACBA)" pp. 134-135.
vol. 41, no. 5 (Jan. 2003) — Diedrichsen, Diedrich. "A Fan’s Notes: Diedrich Diedrichsen on Mike Kelley’s Writings." pp. 33-34.
vol. 41, no. 6 (Feb. 2003) — Frize, Bernard. "Work in Progress." pp. 118-123.
Artwork(s) illustrated:
Kelley, Mike. (1998). Free Gesture Frozen, Yet Refusing to Submit to Personification (Green Fingerpainting). p. 122.
______. (1998). Free Gesture Frozen, Yet Refusing to Submit to Personification (Orange Fingerpainting). p. 122.
______. (1998). Free Gesture Frozen, Yet Refusing to Submit to Personification (Red Fingerpainting). p. 122.
vol. 41, no. 7 (Mar. 2003) — Birnbaum, Daniel. "Ripening on the Rhine: The Cologne Art World of the ‘80s." pp. 216-221.
vol. 41, no. 8 (Apr. 2003) — Kelley, Mike and Dennis Cooper. "Mike Kelley talks to Dennis Cooper." pp. 224-225, 255.
Artwork(s) illustrated:
Kelley, Mike. (1981) Neoclassical Soap Box. p. 225.
______. (1989). Platonic Guts. p. 225.
______. (1989). Manly Craft #2. p. 225.
vol. 42, no. 6 (Feb. 2004) — Simpson, Bennett. "Bennett Simpson on Art and Pop Music.
vol. 42, no. 8 (Apr. 2004) — Janus, Elizabeth. "Mike Kelley: Galleria Emi Fontana." p. 167.
Artwork(s) illustrated:
Installation view of Mike Kelley at Galleria Emi Fontana, Milan (Italy), 2003. p. 167.
vol. 43, no. 2 (Oct. 2004) — Tumlir, Jan. "Destroy All Monsters." pp. 85-86, 276; Wilson, Michael. "Just Pathetic." pp. 117-118, 274; Singerman, Howard. "Helter Skelter." pp. 123-126, 286; Wall, Jeff and Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina. "A Roundtable." pp. 167-169, 172-175, 288; Rimanelli, David. "Pop Life." pp. 245-247, 298; Storr, Robert. "What’s Not to Like? Robert Storr on Mike Kelley." pp. 263-265, 306.
Artwork(s) illustrated:
Destroy All Monsters Collective. (2000). "The Heart of Detroit by Moonlight" from Strange Früt: Rock Apocrypha. p. 85.
Kelley, Mike. (1978). Oracle at Delphi. p. 86.
______. (1986). Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile (Performance). p. 86.
______. (1986). Trickle Down and Swaddling Clothes. p. 263.
______. (1998). Sad Sack Drawing #1. p. 264.
______. (1987). Three Point Program / Four Eyes. p. 264.
______. (1990). Nostalgic Depiction of the Innocence of Childhood. p. 264.
vol. 45, no. 2 (Oct. 2005) — Birnbaum, Daniel. "Secret Sharer." pp. 221-222; Welchman, John C. "1000 Words: Mike Kelley Talks About Day is Done (2005)." pp. 233-235.
Artwork(s) illustrated:
Kelley, Mike. (2004-2005). Extracurricular Activity Projective Reconstruction #20 (Lonely Vampire). Table of contents page, p. 234.
______. (1995). Educational Complex. p. 233.
______. (2004-2005). Extracurricular Activity Projective Reconstruction #9 (Farm Girl). p. 234.
______. (2004-2005). Extracurricular Activity Projective Reconstruction #28 (Nativity Play). p. 234.
______. (2000). Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene). p. 234.
vol. 45, no. 4 (Dec. 2006) — Kushner, Rachel. "On the Ground: Los Angeles." pp. 252-255; Rimanelli, David. "Best of 2006 [No. 2]." p. 276; Kelley, Mike. "Best of 2006." pp. 282-283; Gingeras, Alison. "Best of 2006 [No. 8]." p. 292.
Artwork(s) illustrated:
Kelley, Mike. (2004-2005). Extracurricular Activity Projective Reconstruction #17 (Heartthrob Split). p. 277.
______. (2004-2005). Extracurricular Activity Projective Reconstructions #25 (Devil’s Door). p. 293.
vol. 45, no. 10 (Summer 2007) — Lotringer, Sylvere. "Untimely Meditations: Sylvere Lotringer on Jean Beaudrillard." pp. 87-90; De Brugerolle, Marie and Mike Kelley, Connie Butler, Jay Sanders, Matthew Brannon, Larry Bell, Mary Ann Duganne Glicksman, William Leavitt, Jeff Perkins. "Who is Guy de Cointet?" pp. 409-421; Gilligan, Melanie. "The Beggar’s Pantomime: Melanie Gilligan on Performance and its Appropriations." pp. 426-433; Holte, Michael Ned. "Openings: Aaron Curry." pp. 481-483.
Artwork(s) illustrated:
Installation view of Mike Kelley: Day is Done at Gagosian Gallery, New York, Nov. 11-Dec. 17, 2005. pp. 426-427.
vol. 46, no. 1 (Sept. 2007) — Bush, Kate. "Provisional Authority: Kate Bush on Skulptur Projekte Münster 07." pp. 419-423.
Artwork(s) illustrated:
Kelley, Mike. (2007). Petting Zoo. p. 419.
vol. 46, no. 5 (Jan. 2008) — Rottmann, André. "Mike Kelley: Jablonka Galerie." p. 295.
Artwork(s) illustrated:
Installation view of Kandors exhibition at Jablonka Galerie, Berlin (Germany), Sept. 29-Nov. 3, 2007. p. 295.
vol. 46, no. 10 (Summer 2008) — Kelley, Mike and Tony Oursler. "In the Weave of Reason: Tony Oursler and Mike Kelley on David Askevold (1940-2008)." pp. 69-70.
vol. 47, no. 3 (Nov. 2008) — Fiduccia, Joanna. "Mike Kelley: Wiels." p. 365.
Artwork(s) illustrated:
Kelley, Mike. (1995). Educational Complex. p. 365.
vol. 47, no. 4 (Dec. 2008) — Kuri, Gabriel. "Mike Kelley: Educational Complex Onwards: 1995-2008." p. 99.
Artwork(s) illustrated:
Kelley, Mike. (1995). Castrati Satan. p. 99.
vol. 47, no. 9 (May 2009) — Beasley, Mark. "Rock-Paper-Scissors: Pop Music as Subject of Visual Art." p. 167; Sholis, Brian. "Regift Swiss Institute." pp. 239-240.
vol. 48, no. 4 (Dec. 2009) — Licht, Alan. "Mike Kelley and Michael Smith: SculptureCenter New York." pp. 222-223.
Artwork(s) illustrated:
Kelley, Mike and Michael Smith. (2009-2010). A Voyage of Growth and Discovery (Installation). pp. 222-223.
______. (2009-2010). Video production stills from A Voyage of Growth and Discovery (Video). pp. 222-223.
vol. 49, no. 4 (Dec. 2010) — Bankowsky, Jack. "Best of 2010 [No. 2]"; Kelsey, John. "The Year in Television."
Artwork(s) illustrated:
Kelley, Mike. (2009). The Judson Church Horse Dance: Selections From Day Is Done.
vol. 49, no. 5 (Jan. 2011) — [Advertisement for Mike Kelley: Kandor 10/Extracurricular Activity Projective Reconstruction #34 and Kandor 12/Extracurricular Activity Projective Reconstruction #35 at Gagosian Gallery, Los Angeles, Jan. 11-Feb. 19, 2011]. p. 13; Licht, Alan. "Front Man: Alan Licht on Martin Kippenberger’s Musik 1979-1995." p. 51; Kelley, Mike and Gary Indiana, Carolee Schneemann, John Miller, Neil Jenney and Chris Kraus. "Body of Influence: Six Views on Paul Thek." pp. 161-167.
vol. 50, no. 6 (Feb. 2012) — Taft, Catherine. "Return of the Repressed: Destroy All Monsters, 1973-1977." p. 236.
Artwork(s) illustrated:
Kelley, Mike. (1975 ca.). Untitled. p. 236.
vol. 50, no. 8 (Apr. 2012) — Holert, Tom. "Test Subjects: Tom Holert on the Art of Josephine Pryde." pp. 166-175.
vol. 50, no. 9 (May 2012) — Goldstein, Ann, Michael Smith, Tony Oursler, Jim Shaw, and Kim Gordon. "Image of the People: Mike Kelley (1954-2012)." pp. 240-251; Rimanelli, David. "A Room of Their Own: Three Views on The Whitney Biennial." pp. 272-274.
Artwork(s) illustrated:
Kelley, Mike. (1995). Liberal Paganism. front cover.
______. (2005-2009). Kandors Full Set. p. 240.
______. (2004-2005). Detail of Extracurricular Activity Projective Reconstruction #23 (Joseph Supplicates). p. 241.
______. (1978). Catholic Birdhouse. p. 242.
______. (1982-83). Shock. p. 243.
______. (1982-83). The Bells. p. 243.
______. (1979). Handwritten pages from Mike Kelley to Michael Smith. p. 244, 245, 246-247.
Kelley, Mike and Michael Smith. (2009-2010). A Voyage of Growth and Discovery (Installation). p. 244.
Kelley Mike. (1976) Snapshot of Michael Smith on the Gong Show. p. 245.
Shaw, Jim. (1977). Photo of The Poetics band, Los Angeles. p. 248.
Kelley, Mike. (2004-2005). Extracurricular Activity Projective Reconstruction #8 (Singles’ Mixer). p. 248.
Installation view of Mike Kelley: Day is Done exhibition at Gagosian Gallery, New York, Nov. 11-Dec. 17, 2005. p. 249.
Kelley, Mike. (1986). Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile (Performance). p. 249.
Kelley, Mike and Paul McCarthy. (1992). Video still from HEIDI, Midlife Crisis Trauma Center and Negative Media Engram Abreaction Release Zone. p. 250.
Kelley, Mike. (1975). Untitled. p. 251.
______. (2005-2013). Mobile Homestead. p. 274.
vol. 51, no. 1 (Sept. 2012) — De Bruyn, Eric C.H. "Ghost Story: Kinetic Art and New Media."
vol. 51, no. 2 (Oct. 2012) — [Advertisement for Mike Kelley: Memory Ware Flats exhibition at Skarstedt Gallery, New York, Sept. 13-Oct. 20, 2012]. p.33; Miller, John. "Preview Amsterdam: Mike Kelley, Stedelijk Museum." p. 123.
Artwork(s) illustrated:
Kelley, Mike. (2001). Memory Ware Flat #26. p. 33 [detail view].
______. (2005). Mr and Mrs Hermaphrodite. p. 123.
vol. 51, no. 4 (Dec. 2012) — Taubin, Amy. "Best of 2012 [No. 4]"; Foster, Hal. "Hal Foster."
Artwork(s) illustrated:
Kelley, Mike. (2010-2011). Mobile Homestead documentary videos (Mobile Homestead Christening Ceremony and Launch, September 25th, 2010;
Going West on Michigan Avenue from Downtown Detroit to Westland;
Going East on Michigan Avenue from Westland to Downtown Detroit).
vol. 51, no. 7 (Mar. 2013) — Reisz, Todd. "Facing the City: Todd Reisz on Benthem Crowel’s Stedelijk Museum Expansion." pp. 119-120; Lehrer-Graiwer, Sarah. "Optical Drive." pp. 231-239.
vol. 51, no. 9 (May 2013) — Strau, Josef. "Mike Kelley: Stedelijk Museum Amsterdam." pp. 318-319.
Artwork(s) illustrated:
Kelley, Mike. (1989). Estral Star #3. p. 318.
Installation view of Mike Kelley (Retrospective) at Stedelijk Museum, Amsterdam (Netherlands) Dec. 15, 2012-Apr. 1, 2013. p. 318.
Kelley, Mike. (1988). Pay for Your Pleasure. p. 318.
______. (2004-2005). Switching Marys. p. 319.
______. (1989). Garbage Bag V. p. 319.
______. (2007). Kandor 15. p. 319.
vol. 51, no. 10 (Summer 2013) — [Advertisement for Mike Kelley: Eternity is a Long Time exhibition at Hangar Bicocca, Milan (Italy), May 24-Sept. 8, 2013]. p. 281.
vol. 52, no. 2 (Oct. 2013) — Hoberman, J. "I Remember Ralston." pp. 240-245; Camblin, Victoria. "Openings: Anne Imhof." pp. 280-283.
vol. 52, no. 4 (Dec. 2013) — Joseph, Branden. "Entree des mediums: Spiritisme et art de Hugo a Breton." pp. 210-213; Dressen, Anne. "Best of 2013 [No. 8]." p. 241.
vol. 52, no. 10 (Summer 2014) — Stroun, Fabrice. "Disreputable Sources: Fabrice Stroun on Art and Comics." pp. 296-303.
vol. 53, no. 2 (Oct. 2014) — Joseph, Branden. "Minor Threat: The Art of Cameron Jamie."
vol. 53, no. 4 (Dec. 2014) — Cooke, Lynne. "Best of 2014 [No. 3]." p. 248; Catala, Antoine. "The Best Exhibitions of 2014: Mike Kelley (MoMA PS1, New York)." p. 126.
Artwork(s) illustrated:
Installation view of Mike Kelley at MoMA PS1, Oct. 13, 2013-Feb. 2, 2014. p. 126.
Installation view of Mike Kelley (Retrospective) exhibition at the Geffen Contemporary at MOCA, Los Angeles, Mar. 31-Jul. 28, 2014. p. 248.
vol. 53, no. 9 (May 2015) — [Advertisement for Mike Kelley: Pansy Metal/ Clovered Hoof 1989 exhibition at Carolina Nitsch Contemporary Art, New York, Apr. 23-May 22, 2015].
vol. 53, no. 10 (Summer 2015) — Oursler, Tony. "Portfolio." pp. 300-301; Larmon, Annie Godfrey. "Openings: Alex Da Corte." p. 342-345.
vol. 54, no. 1 (Sept. 2015) — [Advertisement for Mike Kelley exhibition at Hauser & Wirth, New York, Sept. 10-Oct. 24, 2015]. p. .
Artwork(s) illustrated:
Kelley, Mike. (2011). Detail of Kandor 10B (Exploded Fortress of Solitude). unpaginated.
vol. 54, no. 2 (Oct. 2015) — Lehrer-Graiwer, Sarah and Helen Molesworth, Mike Essl, Jory Rabinovitz, Lee Relvas, Amanda Ross-Ho, Victoria Sobel, Frances Stark, A. L. Steiner, Charlie White. "Class Dismissed: A Roundtable on Art School, USC and Cooper Union." pp. 244-255, 346.
vol. 54, no. 4 (Dec. 2015) — Cooke, Lynne. "Best of 2015 [No. 6] [Exhibition: What Nerve! Alternative Figures in American Art from 1960 to the Present at Rhode Island School of Design Museum of Art, Providence, Sept. 19, 2014-Jan 4, 2015]." p. 207.
vol. 54, no. 9 (May 2016) — [Advertisement for Mike Kelley: Shaped Paintings exhibition at Skarstedt Gallery, New York, Apr. 21-Jun. 25, 2016]. p. 93.
Artwork(s) illustrated:
Kelley, Mike. (1994). The Thirteen Seasons (Heavy on the Winter) #6: Fall. p. 93.
vol. 55, no. 1 (Sept. 2016) — Miller, John. "Tony Conrad." p. 86.
Artwork(s) illustrated:
Bird, Colby. (2008). Photo of Mike Kelley and Tony Conrad performing with XXX Macarena. p. 86.
vol. 55, no. 3 (Nov. 2016) — Rudick, Nicole. "Mind Frames: Brian Chippendale’s Puke Force." p. 105.
vol. 55, no. 4 (Dec. 2016) — Foster, Hal. "Hal Foster."
vol. 55, no. 7 (Mar. 2017) — Kitnick, Alex. "The Conformists: The Art of General Idea."
vol. 55, no. 8 (Apr. 2017) — Foster, Hal. "Real Fictions: Alternatives to Alternative Facts."
vol. 56, no. 4 (Dec. 2017) — Higgs, Matthew. "Matthew Higgs [No 8]."
vol. 56, no. 10 (Summer 2018) — Hainley, Bruce. "The Snowball Effect."
vol. 57, no. 1 (Sept. 2018) — Bradley, Paige K. "Openings: Flannery Silva."
vol. 57, no. 2 (Oct. 2018) — McKinniss, Sam. "Garbage Man."
vol. 57, no. 4 (Dec. 2018) — Jafri, Maryam. "The Artists’ Artists." p. 79; Wood, Catherine. "Best of 2018 [No. 9]." pp. 164-165.
Artwork(s) illustrated:
Kelley, Mike. (1991). Proposal for the Decoration of an Island of Conference Rooms (With Copy Room) For an Advertising Agency Designed By Frank Gehry. p. 79.
______. (2005-2009). Kandors Full Set. p. 165.
vol. 57, no. 8 (Apr. 2019) — Dalton, Trinie. "Openings: Trulee Hall." pp. 176-179.
vol. 58, no. 5 (Jan. 2020) — Foster, Hal. "Smart Objects."
vol. 59, no. 1 (Sept. 2020) — Stroun, Fabrice. "Blasted Allegories."
vol. 59, no. 3 (Dec. 2020) — Griffin, Tim. "Tim Griffin’s Top Ten Highlights of 2020."
vol. 60, no. 3 (Nov. 2021) — Damman, Catherine Quan. "Happier Endings." pp. 158-163.
vol. 60, no. 4 (Dec. 2021) — Marshall, Piper. "Taking Stalk." p. 81; Busta, Caroline and Lil Internet. "Best Shows of 2021: Anne Imhof." pp. 158-160.
Volume(s) include:
vol. 18, no. 3 (Nov. 1979) — Armstrong, Richard. "Mike Kelley."
vol. 20, no. 4 (Dec. 1981) — Singerman, Howard. "Reflections on a Can of Vernors." p. 81.
vol. 23, no. 8 (Apr. 1985) — Gordon, Kim. "American Prayers." pp. 73-77.
vol. 27, no. 5 (Jan. 1989) — Kelley, Mike. "Foul Perfection: Thoughts on Caricature." pp. 92-99.
vol. 29, no. 10 (Summer 1991) — [Advertisement for Merlin Carpenter, Georg Herold, Mike Kelley, Jon Kessler, Martin Kippenberger, Michael Krebber, Cady Noland at Luhring Augustine, New York, Jun. 14-Jul. 26, 1991.] p. 34; Lewis, James. "Beyond Redemption: Mike Kelley." pp. 71-75.
Artwork(s) illustrated:
Kelley, Mike. (1990). Double Figure (Hairy). p. 3, p. 71.
______. (1987). More Love Hours than Can Ever Be Repaid. p. 72 [detail view].
______. (1988). Pay for Your Pleasure. p. 73.
______. (1987). Trash Picker. p. 74.
______. (1990). Center and Peripheries #4 and works from the Empathy Displacement project. [installation view] p. 75.
vol. 32, no. 1 (Sept. 1993) — Avgikos, Jan. "Paul McCarthy’s and Mike Kelley’s Heidi."
Artwork(s) illustrated:
Kelley, Mike and Paul McCarthy. (1992). Video production still from Heidi.
vol. 32, no. 3 (Nov. 1993) — Cameron, Dan. "Sculpting the town: Sonsbeek 93." pp. 88-90, 131.
Artwork(s) illustrated:
Kelley, Mike. (1993-2012). The Harems. p. 90.
vol. 32, no. 7 (Mar. 1994) — Indiana, Gary. "Wiretap: A Walk Through the Whitney, or What We Really Say When We Talk About Art."
Artwork(s) illustrated:
Kelley, Mike. (1987). More Love Hours than Can Ever Be Repaid. [detail view].
______. (1987). Three Point Program / Four Eyes.
______. (1991). Ahh...Youth!.
______. (1985). Exploring.
______. (1990). Manipulating Mass-Produced Idealized Objects.
______. (1992). Colema Bench.
______. (1990). Arena #10 (Dogs).
______. (1990). Mooner.
______. (1989). Eviscerated Corpse.
vol. 34, no. 5 (Jan. 1996) — Van de Walle, Mark. "Mike Kelley." p. 81.
Artwork(s) illustrated:
Kelley, Mike. (1995). Educational Complex. p. 81
vol. 36, no. 1 (Sept. 1997) — Birnbaum, Daniel. "Little D Big X Documenta X: The Artforum Questionnaire."
vol. 36, no. 5 (Jan. 1998) — Diederichsen, Diedrich and Mayo Thompson. "Company Man."
vol. 36, no. 6 (Feb. 1998) — Koether, Jutta. "The Poetics."
vol. 36, no. 10 (Summer 1998) — [Advertisement for The Poetics Project 1977-1997 exhibition at Lehmann Maupin, New York (Barcelona version), and at Metro Pictures, New York (Documenta version)]. p. 15; [Advertisement for Sublevel: Dim Recollection Illuminated by Multicolored Swamp Gas exhibition at Jablonka Galerie, Koln (Germany), Jun.-Jul. 1999]. p. 27; Hultkrans, Andrew. "Surf and Turf." pp. 106-113, p. 146.
Artwork(s) illustrated:
Kelley, Mike. (1998). Ghostly Afterimage. p. 27.
vol. 37, no. 8 (Apr. 1999) —[Advertisement for Mike Kelley exhibition at Metro Pictures, New York, Apr. 3-May 1, 1999.] p. 59; Miles, Christopher. "Mike Kelley: Patrick Painter, Inc." p. 127.
Artwork(s) illustrated:
Kelley, Mike. (1998). ‘69 Action Heroes. p. 127.
vol. 39, no. 2 (Oct. 2000) — Kelley, Mike and Dennis Cooper. "Trauma Club." pp. 124-129.
Artwork(s) illustrated:
Kelley, Mike. (2000). Video production stills from Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene). p. 3, pp. 127-128.
______. (2000). Installation views of Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene). cover, pp. 124-125.
vol. 40, no. 4 (May 2002) — Nickas, Bob. "Bob Nickas."
vol. 40, no. 5 (Jan. 2002) — Birnbaum, Daniel. "Preview Barcelona: Sonic Process exhibition at Museu d’Art Contemporani de Barcelona." p. 64.
vol. 40, no. 7 (Mar. 2002) — Storr, Robert and Mike Kelley. "Obscured Visions: Artforum Talks to Mike Kelley." pp. 114-119.
Artwork(s) illustrated:
Kelley, Mike. (n.d.). Untitled. p. 115.
______. (1984). The Territorial Hound. p. 116.
______. (1985). Exploring. p. 119.
vol. 41, no. 2 (Oct. 2002) — Hainley, Bruce. "Bruce Hainley on Mike Kelley." p. 150.
Artwork(s) illustrated:
Kelley, Mike. (2001). Installation view of John Glenn Memorial Detroit River Reclamation Project (Including the Local Culture Pictorial Guide, 1968-1972, Wayne/Westland Eagle). p. 150.
______. (2001). Black Out (Detroit River) [number 5 of 8]. p. 150.
______. (2001). Butter-Colored Vision of the Land O’ Lakes Girl, Peche Island. p. 150.
______. (2001). Photo Show Portrays The Familiar [number 14 Zug Island, Detroit River]. p. 150.
______. (2002). Lingam and Yoni (Grassy Island). p. 150.
vol. 41, no. 4 (Dec. 2002) — Dzuverovic-Russell, Lina. "Sonic Process: A New Geography of Sounds, Museu d'Art Contemporani de Barcelona (MACBA)" pp. 134-135.
vol. 41, no. 5 (Jan. 2003) — Diedrichsen, Diedrich. "A Fan’s Notes: Diedrich Diedrichsen on Mike Kelley’s Writings." pp. 33-34.
vol. 41, no. 6 (Feb. 2003) — Frize, Bernard. "Work in Progress." pp. 118-123.
Artwork(s) illustrated:
Kelley, Mike. (1998). Free Gesture Frozen, Yet Refusing to Submit to Personification (Green Fingerpainting). p. 122.
______. (1998). Free Gesture Frozen, Yet Refusing to Submit to Personification (Orange Fingerpainting). p. 122.
______. (1998). Free Gesture Frozen, Yet Refusing to Submit to Personification (Red Fingerpainting). p. 122.
vol. 41, no. 7 (Mar. 2003) — Birnbaum, Daniel. "Ripening on the Rhine: The Cologne Art World of the ‘80s." pp. 216-221.
vol. 41, no. 8 (Apr. 2003) — Kelley, Mike and Dennis Cooper. "Mike Kelley talks to Dennis Cooper." pp. 224-225, 255.
Artwork(s) illustrated:
Kelley, Mike. (1981) Neoclassical Soap Box. p. 225.
______. (1989). Platonic Guts. p. 225.
______. (1989). Manly Craft #2. p. 225.
vol. 42, no. 6 (Feb. 2004) — Simpson, Bennett. "Bennett Simpson on Art and Pop Music.
vol. 42, no. 8 (Apr. 2004) — Janus, Elizabeth. "Mike Kelley: Galleria Emi Fontana." p. 167.
Artwork(s) illustrated:
Installation view of Mike Kelley at Galleria Emi Fontana, Milan (Italy), 2003. p. 167.
vol. 43, no. 2 (Oct. 2004) — Tumlir, Jan. "Destroy All Monsters." pp. 85-86, 276; Wilson, Michael. "Just Pathetic." pp. 117-118, 274; Singerman, Howard. "Helter Skelter." pp. 123-126, 286; Wall, Jeff and Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina. "A Roundtable." pp. 167-169, 172-175, 288; Rimanelli, David. "Pop Life." pp. 245-247, 298; Storr, Robert. "What’s Not to Like? Robert Storr on Mike Kelley." pp. 263-265, 306.
Artwork(s) illustrated:
Destroy All Monsters Collective. (2000). "The Heart of Detroit by Moonlight" from Strange Früt: Rock Apocrypha. p. 85.
Kelley, Mike. (1978). Oracle at Delphi. p. 86.
______. (1986). Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile (Performance). p. 86.
______. (1986). Trickle Down and Swaddling Clothes. p. 263.
______. (1998). Sad Sack Drawing #1. p. 264.
______. (1987). Three Point Program / Four Eyes. p. 264.
______. (1990). Nostalgic Depiction of the Innocence of Childhood. p. 264.
vol. 45, no. 2 (Oct. 2005) — Birnbaum, Daniel. "Secret Sharer." pp. 221-222; Welchman, John C. "1000 Words: Mike Kelley Talks About Day is Done (2005)." pp. 233-235.
Artwork(s) illustrated:
Kelley, Mike. (2004-2005). Extracurricular Activity Projective Reconstruction #20 (Lonely Vampire). Table of contents page, p. 234.
______. (1995). Educational Complex. p. 233.
______. (2004-2005). Extracurricular Activity Projective Reconstruction #9 (Farm Girl). p. 234.
______. (2004-2005). Extracurricular Activity Projective Reconstruction #28 (Nativity Play). p. 234.
______. (2000). Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene). p. 234.
vol. 45, no. 4 (Dec. 2006) — Kushner, Rachel. "On the Ground: Los Angeles." pp. 252-255; Rimanelli, David. "Best of 2006 [No. 2]." p. 276; Kelley, Mike. "Best of 2006." pp. 282-283; Gingeras, Alison. "Best of 2006 [No. 8]." p. 292.
Artwork(s) illustrated:
Kelley, Mike. (2004-2005). Extracurricular Activity Projective Reconstruction #17 (Heartthrob Split). p. 277.
______. (2004-2005). Extracurricular Activity Projective Reconstructions #25 (Devil’s Door). p. 293.
vol. 45, no. 10 (Summer 2007) — Lotringer, Sylvere. "Untimely Meditations: Sylvere Lotringer on Jean Beaudrillard." pp. 87-90; De Brugerolle, Marie and Mike Kelley, Connie Butler, Jay Sanders, Matthew Brannon, Larry Bell, Mary Ann Duganne Glicksman, William Leavitt, Jeff Perkins. "Who is Guy de Cointet?" pp. 409-421; Gilligan, Melanie. "The Beggar’s Pantomime: Melanie Gilligan on Performance and its Appropriations." pp. 426-433; Holte, Michael Ned. "Openings: Aaron Curry." pp. 481-483.
Artwork(s) illustrated:
Installation view of Mike Kelley: Day is Done at Gagosian Gallery, New York, Nov. 11-Dec. 17, 2005. pp. 426-427.
vol. 46, no. 1 (Sept. 2007) — Bush, Kate. "Provisional Authority: Kate Bush on Skulptur Projekte Münster 07." pp. 419-423.
Artwork(s) illustrated:
Kelley, Mike. (2007). Petting Zoo. p. 419.
vol. 46, no. 5 (Jan. 2008) — Rottmann, André. "Mike Kelley: Jablonka Galerie." p. 295.
Artwork(s) illustrated:
Installation view of Kandors exhibition at Jablonka Galerie, Berlin (Germany), Sept. 29-Nov. 3, 2007. p. 295.
vol. 46, no. 10 (Summer 2008) — Kelley, Mike and Tony Oursler. "In the Weave of Reason: Tony Oursler and Mike Kelley on David Askevold (1940-2008)." pp. 69-70.
vol. 47, no. 3 (Nov. 2008) — Fiduccia, Joanna. "Mike Kelley: Wiels." p. 365.
Artwork(s) illustrated:
Kelley, Mike. (1995). Educational Complex. p. 365.
vol. 47, no. 4 (Dec. 2008) — Kuri, Gabriel. "Mike Kelley: Educational Complex Onwards: 1995-2008." p. 99.
Artwork(s) illustrated:
Kelley, Mike. (1995). Castrati Satan. p. 99.
vol. 47, no. 9 (May 2009) — Beasley, Mark. "Rock-Paper-Scissors: Pop Music as Subject of Visual Art." p. 167; Sholis, Brian. "Regift Swiss Institute." pp. 239-240.
vol. 48, no. 4 (Dec. 2009) — Licht, Alan. "Mike Kelley and Michael Smith: SculptureCenter New York." pp. 222-223.
Artwork(s) illustrated:
Kelley, Mike and Michael Smith. (2009-2010). A Voyage of Growth and Discovery (Installation). pp. 222-223.
______. (2009-2010). Video production stills from A Voyage of Growth and Discovery (Video). pp. 222-223.
vol. 49, no. 4 (Dec. 2010) — Bankowsky, Jack. "Best of 2010 [No. 2]"; Kelsey, John. "The Year in Television."
Artwork(s) illustrated:
Kelley, Mike. (2009). The Judson Church Horse Dance: Selections From Day Is Done.
vol. 49, no. 5 (Jan. 2011) — [Advertisement for Mike Kelley: Kandor 10/Extracurricular Activity Projective Reconstruction #34 and Kandor 12/Extracurricular Activity Projective Reconstruction #35 at Gagosian Gallery, Los Angeles, Jan. 11-Feb. 19, 2011]. p. 13; Licht, Alan. "Front Man: Alan Licht on Martin Kippenberger’s Musik 1979-1995." p. 51; Kelley, Mike and Gary Indiana, Carolee Schneemann, John Miller, Neil Jenney and Chris Kraus. "Body of Influence: Six Views on Paul Thek." pp. 161-167.
vol. 50, no. 6 (Feb. 2012) — Taft, Catherine. "Return of the Repressed: Destroy All Monsters, 1973-1977." p. 236.
Artwork(s) illustrated:
Kelley, Mike. (1975 ca.). Untitled. p. 236.
vol. 50, no. 8 (Apr. 2012) — Holert, Tom. "Test Subjects: Tom Holert on the Art of Josephine Pryde." pp. 166-175.
vol. 50, no. 9 (May 2012) — Goldstein, Ann, Michael Smith, Tony Oursler, Jim Shaw, and Kim Gordon. "Image of the People: Mike Kelley (1954-2012)." pp. 240-251; Rimanelli, David. "A Room of Their Own: Three Views on The Whitney Biennial." pp. 272-274.
Artwork(s) illustrated:
Kelley, Mike. (1995). Liberal Paganism. front cover.
______. (2005-2009). Kandors Full Set. p. 240.
______. (2004-2005). Detail of Extracurricular Activity Projective Reconstruction #23 (Joseph Supplicates). p. 241.
______. (1978). Catholic Birdhouse. p. 242.
______. (1982-83). Shock. p. 243.
______. (1982-83). The Bells. p. 243.
______. (1979). Handwritten pages from Mike Kelley to Michael Smith. p. 244, 245, 246-247.
Kelley, Mike and Michael Smith. (2009-2010). A Voyage of Growth and Discovery (Installation). p. 244.
Kelley Mike. (1976) Snapshot of Michael Smith on the Gong Show. p. 245.
Shaw, Jim. (1977). Photo of The Poetics band, Los Angeles. p. 248.
Kelley, Mike. (2004-2005). Extracurricular Activity Projective Reconstruction #8 (Singles’ Mixer). p. 248.
Installation view of Mike Kelley: Day is Done exhibition at Gagosian Gallery, New York, Nov. 11-Dec. 17, 2005. p. 249.
Kelley, Mike. (1986). Plato’s Cave, Rothko’s Chapel, Lincoln’s Profile (Performance). p. 249.
Kelley, Mike and Paul McCarthy. (1992). Video still from HEIDI, Midlife Crisis Trauma Center and Negative Media Engram Abreaction Release Zone. p. 250.
Kelley, Mike. (1975). Untitled. p. 251.
______. (2005-2013). Mobile Homestead. p. 274.
vol. 51, no. 1 (Sept. 2012) — De Bruyn, Eric C.H. "Ghost Story: Kinetic Art and New Media."
vol. 51, no. 2 (Oct. 2012) — [Advertisement for Mike Kelley: Memory Ware Flats exhibition at Skarstedt Gallery, New York, Sept. 13-Oct. 20, 2012]. p.33; Miller, John. "Preview Amsterdam: Mike Kelley, Stedelijk Museum." p. 123.
Artwork(s) illustrated:
Kelley, Mike. (2001). Memory Ware Flat #26. p. 33 [detail view].
______. (2005). Mr and Mrs Hermaphrodite. p. 123.
vol. 51, no. 4 (Dec. 2012) — Taubin, Amy. "Best of 2012 [No. 4]"; Foster, Hal. "Hal Foster."
Artwork(s) illustrated:
Kelley, Mike. (2010-2011). Mobile Homestead documentary videos (Mobile Homestead Christening Ceremony and Launch, September 25th, 2010;
Going West on Michigan Avenue from Downtown Detroit to Westland;
Going East on Michigan Avenue from Westland to Downtown Detroit).
vol. 51, no. 7 (Mar. 2013) — Reisz, Todd. "Facing the City: Todd Reisz on Benthem Crowel’s Stedelijk Museum Expansion." pp. 119-120; Lehrer-Graiwer, Sarah. "Optical Drive." pp. 231-239.
vol. 51, no. 9 (May 2013) — Strau, Josef. "Mike Kelley: Stedelijk Museum Amsterdam." pp. 318-319.
Artwork(s) illustrated:
Kelley, Mike. (1989). Estral Star #3. p. 318.
Installation view of Mike Kelley (Retrospective) at Stedelijk Museum, Amsterdam (Netherlands) Dec. 15, 2012-Apr. 1, 2013. p. 318.
Kelley, Mike. (1988). Pay for Your Pleasure. p. 318.
______. (2004-2005). Switching Marys. p. 319.
______. (1989). Garbage Bag V. p. 319.
______. (2007). Kandor 15. p. 319.
vol. 51, no. 10 (Summer 2013) — [Advertisement for Mike Kelley: Eternity is a Long Time exhibition at Hangar Bicocca, Milan (Italy), May 24-Sept. 8, 2013]. p. 281.
vol. 52, no. 2 (Oct. 2013) — Hoberman, J. "I Remember Ralston." pp. 240-245; Camblin, Victoria. "Openings: Anne Imhof." pp. 280-283.
vol. 52, no. 4 (Dec. 2013) — Joseph, Branden. "Entree des mediums: Spiritisme et art de Hugo a Breton." pp. 210-213; Dressen, Anne. "Best of 2013 [No. 8]." p. 241.
vol. 52, no. 10 (Summer 2014) — Stroun, Fabrice. "Disreputable Sources: Fabrice Stroun on Art and Comics." pp. 296-303.
vol. 53, no. 2 (Oct. 2014) — Joseph, Branden. "Minor Threat: The Art of Cameron Jamie."
vol. 53, no. 4 (Dec. 2014) — Cooke, Lynne. "Best of 2014 [No. 3]." p. 248; Catala, Antoine. "The Best Exhibitions of 2014: Mike Kelley (MoMA PS1, New York)." p. 126.
Artwork(s) illustrated:
Installation view of Mike Kelley at MoMA PS1, Oct. 13, 2013-Feb. 2, 2014. p. 126.
Installation view of Mike Kelley (Retrospective) exhibition at the Geffen Contemporary at MOCA, Los Angeles, Mar. 31-Jul. 28, 2014. p. 248.
vol. 53, no. 9 (May 2015) — [Advertisement for Mike Kelley: Pansy Metal/ Clovered Hoof 1989 exhibition at Carolina Nitsch Contemporary Art, New York, Apr. 23-May 22, 2015].
vol. 53, no. 10 (Summer 2015) — Oursler, Tony. "Portfolio." pp. 300-301; Larmon, Annie Godfrey. "Openings: Alex Da Corte." p. 342-345.
vol. 54, no. 1 (Sept. 2015) — [Advertisement for Mike Kelley exhibition at Hauser & Wirth, New York, Sept. 10-Oct. 24, 2015]. p. .
Artwork(s) illustrated:
Kelley, Mike. (2011). Detail of Kandor 10B (Exploded Fortress of Solitude). unpaginated.
vol. 54, no. 2 (Oct. 2015) — Lehrer-Graiwer, Sarah and Helen Molesworth, Mike Essl, Jory Rabinovitz, Lee Relvas, Amanda Ross-Ho, Victoria Sobel, Frances Stark, A. L. Steiner, Charlie White. "Class Dismissed: A Roundtable on Art School, USC and Cooper Union." pp. 244-255, 346.
vol. 54, no. 4 (Dec. 2015) — Cooke, Lynne. "Best of 2015 [No. 6] [Exhibition: What Nerve! Alternative Figures in American Art from 1960 to the Present at Rhode Island School of Design Museum of Art, Providence, Sept. 19, 2014-Jan 4, 2015]." p. 207.
vol. 54, no. 9 (May 2016) — [Advertisement for Mike Kelley: Shaped Paintings exhibition at Skarstedt Gallery, New York, Apr. 21-Jun. 25, 2016]. p. 93.
Artwork(s) illustrated:
Kelley, Mike. (1994). The Thirteen Seasons (Heavy on the Winter) #6: Fall. p. 93.
vol. 55, no. 1 (Sept. 2016) — Miller, John. "Tony Conrad." p. 86.
Artwork(s) illustrated:
Bird, Colby. (2008). Photo of Mike Kelley and Tony Conrad performing with XXX Macarena. p. 86.
vol. 55, no. 3 (Nov. 2016) — Rudick, Nicole. "Mind Frames: Brian Chippendale’s Puke Force." p. 105.
vol. 55, no. 4 (Dec. 2016) — Foster, Hal. "Hal Foster."
vol. 55, no. 7 (Mar. 2017) — Kitnick, Alex. "The Conformists: The Art of General Idea."
vol. 55, no. 8 (Apr. 2017) — Foster, Hal. "Real Fictions: Alternatives to Alternative Facts."
vol. 56, no. 4 (Dec. 2017) — Higgs, Matthew. "Matthew Higgs [No 8]."
vol. 56, no. 10 (Summer 2018) — Hainley, Bruce. "The Snowball Effect."
vol. 57, no. 1 (Sept. 2018) — Bradley, Paige K. "Openings: Flannery Silva."
vol. 57, no. 2 (Oct. 2018) — McKinniss, Sam. "Garbage Man."
vol. 57, no. 4 (Dec. 2018) — Jafri, Maryam. "The Artists’ Artists." p. 79; Wood, Catherine. "Best of 2018 [No. 9]." pp. 164-165.
Artwork(s) illustrated:
Kelley, Mike. (1991). Proposal for the Decoration of an Island of Conference Rooms (With Copy Room) For an Advertising Agency Designed By Frank Gehry. p. 79.
______. (2005-2009). Kandors Full Set. p. 165.
vol. 57, no. 8 (Apr. 2019) — Dalton, Trinie. "Openings: Trulee Hall." pp. 176-179.
vol. 58, no. 5 (Jan. 2020) — Foster, Hal. "Smart Objects."
vol. 59, no. 1 (Sept. 2020) — Stroun, Fabrice. "Blasted Allegories."
vol. 59, no. 3 (Dec. 2020) — Griffin, Tim. "Tim Griffin’s Top Ten Highlights of 2020."
vol. 60, no. 3 (Nov. 2021) — Damman, Catherine Quan. "Happier Endings." pp. 158-163.
vol. 60, no. 4 (Dec. 2021) — Marshall, Piper. "Taking Stalk." p. 81; Busta, Caroline and Lil Internet. "Best Shows of 2021: Anne Imhof." pp. 158-160.
Publication
New York, N.Y. : Artforum International Magazine, 1982-
Physical description
26 cm