Michigan stories : Mike Kelley and Jim Shaw

Catalog of an exhibition held at the Broad Art Museum at Michigan State University, East Lansing, Nov. 18, 2017-Feb. 25, 2018.

Kelley, Mike. "What Destroy All Monsters Means to Me." p. 33.

Artwork(s) illustrated:
Kelley, Mike and Jim Shaw. (1973). Video production stills from The Futurist Ballet. pp. 16-17.
Destroy All Monsters Collective (Jim Shaw, Cary Loren) (2000). Strange Früt: Rock Apocrypha. pp. 20-27.
Kelley, Mike, Cary Loren, Niagara and Jim Shaw. (1998). Video stills from Strange Früt: Rock Apocrypha. pp. 28-29.
Kelley, Mike. (1974). Untitled (Student Drawing). p. 44.
______. (1974). Shoppers Fair (Student Drawing). p. 45.
______. (1974). Untitled (Student Drawing). p. 46.
______. (1974-2011). Untitled (Collages 1974-2011). p. 49.
______. (1974-2011). Untitled (Collages 1974-2011). pp. 50-51.
______. (1974-2011). Untitled (Collages 1974-2011). pp. 52-53.
______. (1974-2011). Untitled (Collages 1974-2011). pp. 54-55.
______. (1976). Jim Shaw - Shark Bait. p. 56.
______. (1975). Stump. p. 57.
______. (1976). William Burroughs in Mexico. p. 58.
______. (1976/2011). Detail from Untitled (Allegorical Drawings). pp. 60-65.
______. (1981). The Logo on a Can of Vernors Drawn from Memory. p. 67.
______. (1991). Ahh...Youth!. pp. 68-69.
______. (2002). Missing Time Color Exercise (Reversed) #2. pp. 70-71.
______. (2002). Drawing for Repressed Spatial Relationships Rendered as Fluid # 1: Martian School (Work Site). p. 72.
______. (2002). Drawing for Repressed Spatial Relationships Rendered as Fluid # 5: John Glenn High School with White Panther Satellite. p. 73.
______. (2002). Repressed Spatial Relationships Rendered as Fluid # 5: John Glenn High School with White Panther Satellite. p. 74.
______. (2002). Repressed Spatial Relationships Rendered as Fluid # 1: Martian School (Work Site). p. 75.
______. (1993). Untitled (Christian Drama / Thursday Night). pp. 76-77.
______. (1990). Untitled (Pasolini). p. 78.
______. (1995). Timeless/Authorless #1. p. 80.
______. (1995). Timeless/Authorless #2. p. 81.
______. (1995). Timeless/Authorless #3. p. 82.
______. (1995). Timeless/Authorless #4. p. 83.
______. (1995). Timeless/Authorless #5. p. 84.
______. (1995). Timeless/Authorless #6. p. 85.
______. (1995). Timeless/Authorless #7. p. 86.
______. (1995). Timeless/Authorless #8. p. 87.
______. (1995). Timeless/Authorless #9. p. 88.
______. (1995). Timeless/Authorless #10. p. 89.
______. (1995). Timeless/Authorless #11. p. 90.
______. (1995). Timeless/Authorless #12. p. 91.
______. (1995). Timeless/Authorless #13. p. 92.
______. (1995). Timeless/Authorless #14. p. 93.
______. (1995). Timeless/Authorless #15. p. 94.
______. (1976). Shrimp, Head, Pot. unpaginated zine.
______. (1974/1994). Cottage Cheese. unpaginated zine.
______. (1995). The Prenatal Mutual Recognition of Betty and Barney Hill. unpaginated zine.
______. (1974-2011). Untitled (Collages 1974-2011). unpaginated zine.
______. (1974-2011). Untitled (Collages 1974-2011). unpaginated zine.
______. (1974-2011). Untitled (Collages 1974-2011). unpaginated zine.
______. (2005-2013). Mobile Homestead. unpaginated zine.
______. (1993-present). Video production stills from Harem #2. pp. 96-105.
______. (1993-present). Video production stills from Harem #13. pp. 106-113.
______. (1993-present). Video production stills from Harem #14. pp. 114-121.
______. (1993-present). Harem #12. pp. 122-129.
______. (1991-2012). Mechanical Toy Guts. pp. 130-131.
Installation views of Michigan Stories: Mike Kelley and Jim Shaw exhibition at the Broad Art Museum at Michigan State University, East Lansing, Nov. 18, 2017-Feb. 25, 2018. pp. 262-366.