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You are being watched. Your every movement is being tracked, your every word recorded. Your spouse may be an informer, your children may be listening at your door, your best friend may be a member of the secret police. You are alone among thousands, among great crowds of the brainwashed, the well-behaved, the loyal. Productivity has never been higher, the media blares, and the army is ever triumphant. One wrong move, one slip-up, and you may find yourself disappeared -- swallowed up by a monstrous bureaucracy, vanished into a shadowy labyrinth of interrogation chambers, show trials, and secret prisons from which no one ever escapes. Welcome to the world of the dystopia, a world of government and society gone horribly, nightmarishly wrong. What happens when civilization invades and dictates every aspect of your life? From 1984 to The Handmaid's Tale, from Children of Men to Bioshock, the dystopian imagination has been a vital and gripping cautionary force. Brave New Worlds collects the best tales of totalitarian menace by some of today's most visionary writers, including Neil Gaiman, Paolo Bacigalupi, Orson Scott Card, Kim Stanley Robinson, and Ursula K. Le Guin. When the government wields its power against its own people, every citizen becomes an enemy of the state. Will you fight the system, or be ground to dust beneath the boot of tyranny? Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.… (more)
User reviews
So: What makes something a dys- or u-topia? This book sure made me think about that!
Add in that my utopia may be your dystopia, and... well. Interesting!
I strongly recommend this book; it's
Like any anthology, the quality varies. Some of the stories I couldn't put down, while others I had to force myself to finish. The good definitely outweighed the bad for me in this reading experience though and I found a bunch of new authors to watch for!
The dystopian societies are ranged around a number of themes:
-Getting to live an easy life in exchange for suffering (either of one or many)
-Babies not allowed
-Not enough babies
-Mining (yeah, I don't know either...These were not my favorite stories)
-Removing all the homosexuals
-Removing all the heterosexuals
-Advertising
-Growing old too slowly
-Growing old too quickly
-And more...
A quick word about a couple favorites and least favorites.
The Best: I absolutely adored the story "Just Do It" by Heather Lindsley. Unfortunately, Heather has not yet written a book, so I can't read any more of her stuff. In her dystopian world, advertising has gone crazy! Ad men actually create darts that are thrown at people on the street. If you get hit by a dart, you get a craving so strong for something (i.e. french fries or fish sandwiches) that you have to go get whatever it is immediately. Even worse, it might not stop there.
Also awesome was "Caught in the Organ Draft" by Robert Silverberg. Although his name didn't ring any bells with me, Silverberg has been writing sci fi since the fifties and has a ton of books. Written in 1972, this short story considers a world where war is waged by robots to spare lives...so that all the young people can be used as organ donors as part of a draft. They only take non-vital organs, like the 'spare' kidney or lung, so it's cool, right? And the important adults can now live for upwards of a hundred and fifty years! If you liked Neal Shusterman's Unwind, you definitely don't want to miss this story.
The Worst: I actually liked "Amaryllis" by Carrie Vaughn, but in the context of the anthology, it was awful. The problem: it's not a dystopia. At all. The main character is being treated poorly by an authority figure and the society certainly isn't ideal, but her problem is resolved when they go to a higher authority. The higher authority fixes everything and not in a brainwashing kind of way. The editor even mentions in the story's introduction that it's not a dystopia. So why is it here?
"Sacrament" by Matt Williamson has, in my mind, the problem of the former, as well as being a story I did not enjoy and which did not, to me, seem particularly well-crafted. The story is from the perspective of a torturer in a society where advertising is art. The torturer likes his job, not in a creepy way, so he says, but takes pride in it. His father was one of the great ad-men/artists. The story lacks a point that I could find, does not successfully entwine the father's story with the son's and the main character is not unhappy with the world around him.
So yeah, lots of great stories (way more than I mentioned above, like "Harrison Bergeron" by Kurt Vonnegut, Jr. and "Minority Report" by Philip K. Dick). Plus, there is awesome cover art and a fabulous bibliography of dystopian literature at the back! This is a must for dystopia fans.
This anthology is a great collection of different
It's a great set, and it's organized thematically, which is fantastic.
Anything that includes Le Guin's "The Ones That Walk Away from Omelas" is always a win. If that story doesn't punch you in the gut, you're dead inside.
I will say, though, that I think the "choose your own adventure" story was my favorite, just out of childhood glee.
Not only is this a great collection of dystopian short stories, it's a nice round-up of speculative fiction in general. It includes two of my all-time favorite stories: "The Lottery" by Shirley Jackson and
Read in 2015 for the SFFCat.