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Dr. Phillip McDevitt, director of Terrace View Asylum, is intrigued by his newest patient, a troubled young man recently transferred from the state hospital for the criminally insane. Jamie Sommers suffers from depression, partial amnesia, and an unaccountable fear of the dark. Dr. McDevitt is determined to help Jamie conquer his demons, but the more he probes the young man's fractured memories, the stranger his case becomes.... An orphan and a bastard, Jamie grew up tough enough to handle almost anything. Taking to the sea, he found danger and adventure in exotic ports all over the world. He's survived foreign prisons, smugglers, pirates, gunrunners, and even a shark attack. But what he discovered in the quiet seaside town of Hawkes Harbor, Delaware, was enough to drive him almost insane--and change his life forever. Hawkes Harbor is a compelling and unpredictable new novel by one of America's most honored storytellers.… (more)
User reviews
Unfortunately, Hawkes Harbor just doesn't live up to The Outsiders, which is unfair to Hawkes Harbor. On its own, Hawkes Harbor actually ends up being a very nice story. However, it does suffer on a couple of points. There is a lot of jumping back and forth in time as the main character, Jamie, struggles to remember his past while in a mental institution. Whether or not the feeling is on purpose, the disjointedness of the piecemeal recall can be disorienting and disheartening.
Also, as with the expectation of Rumble Fish quality, the reader may be confounded by expectation of plot and/or genre. Due to some of the reviews and blurbs on the covers, some people will come in with the expectation of a supernatural thriller, but the book doesn't start out like one, instead choosing to set the stage through the flashback scenes. Once involved in the book, it doesn't read like a normal supernatural thriller or romance in the vein of an Anita Blake novel. What the novel truly ends up focused on are relationships between Jamie and other characters and how those relationships change. There are certainly some exciting and terrifying moments, but more importance is placed on how people change and the evolution of their interpersonal relationships. In this exploration of perception and misperception is where there is some common ground with Hinton's previous, more well known works.
In the final analysis, I found the book very rewarding. I was ready to put it down in the middle due to the disjointed recollection of past events, but wanted to stay with it due to the book's relatively short length. In staying the course, I found the exploration of different relationships ultimately very satisfying. The jumping back and forth will kill off some readers' enthusiasm as will false expectations of what the book is supposed to be about. In the end, the enjoyment each person will derive from Hawkes Harbor will ultimately be up to that individual's taste. Your reaction will be a very personal thing.
But what about…vampires?
After Susan (!) E. Hinton’s iconic books, The Outsiders (1967), That Was Then, This is Now (1971), and Rumble Fish (1975), she kept
I listened to this book on CD. After the first disc, I thought I’d be listening to the tale of a troubled young man, very similar to those titles I just mentioned. We get a glimpse of Jamie Sommers’ childhood, then his wild times as a sailor and smuggler. We know he has gotten into trouble because he’s telling all this to a psychiatrist in a mental institution.
However, on disc two, things get weird. The book becomes a classic tale of…boy meets vampire.
TL;DR ***SPOILER ALERT*** Boy meets vampire. Vampire enslaves boy. Boy goes crazy. Vampire commits boy to asylum. Both boy and vampire are cured. They become besties and live happily ever after.
WHAT the WHAT???
First of all, vampire gets cured? I had to make sure I hadn’t skipped a disc when this just casually came up. While Jamie is “away,” the vampire somehow meets AND IS CURED BY a doctor/historian named Louisa.
So the relationship of SLAVE to MASTER becomes just another friendly employer/employee, roommates in a big, haunted house kind of thing, with a casual mention of Stockholm syndrome. No big deal, right? The two men even go on a cruise together, where they both find romantic and sexual adventure.
My only way of processing this is to think that Ms. Hinton was somehow, consciously or unconsciously, writing an allegory about child abuse. Our vampire, Grenville Hawkes, is the abusive parent, and Jamie the child. Jamie is absolutely traumatized by Grenville’s abuse, is helpless to escape it, and therefore copes as best he can. However, when Grenville “reforms,” Jamie gradually comes to trust him, and they have a mutually respectful relationship. Is this possible in formerly abusive parent/child relationships? I don’t know if it’s common, but I’ve heard of it in my own extended family.
The attempt falls flat, though. Too much telling, not showing, especially about important relationships. For example, you can never tell if Louisa’s attitude toward Jamie on a given day will be bossy or fond. No real development happens for her, she just shifts personalities as needed for each scene.
So anyway, if you want to read a vampire tale that does not have sparkly skin or werewolves, but does have male bonding on a cruise ship, give it a try. It may be the weirdest book you’ve read all year.