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Erotic Literature. Fantasy. Fiction. Literature. HTML:Imriel de la Courcel's birth parents are history's most reviled traitors, but his adoptive parents, the Comtesse Phedre and the warrior-priest Joscelin, are Terre d'Ange's greatest champions. Stolen, tortured and enslaved as a young boy, Imriel is now a Prince of the Blood; third in line for the throne in a land that revels in art, beauty and desire. It is a court steeped in deeply laid conspiracies---and there are many who would see the young prince dead. Some despise him out of hatred for his mother, Melisande, who nearly destroyed the entire realm in her quest for power. Others because they fear he has inherited his mother's irresistible allure---and her dangerous gifts. As he comes of age, plagued by unwanted desires, Imriel shares their fears. When a simple act of friendship traps Imriel in a besieged city where the infamous Melisande is worshiped as a goddess and where a dead man leads an army, the Prince must face his greatest test: to find his true self..… (more)
User reviews
And also, on a shallow note: not nearly enough sex for me, thank you very much.
Characters: The point of view shifts from Phèdre to Imriel. There are few of the old characters present in this book, making room for an almost full cast of new ones. Characterization is well done for Imriel and some of the more important figures, but lacking in the side characters.
Style: Voluptuous and descriptive. The book exists mainly for the style. Symbolism is heavily used, as are little stylistic experiments. Not much background information is given anymore; the sex content has been toned down considerably.
Plus: A new point of view. Imriel brings much-needed freshness into the series.
Minus: The plot is at times nonexistent. Some of the scenes slow the story down and could have been cut without losing much. The sequel has been set up with a very heavy hand.
Summary: A slow-moving, relaxing read.
The Take-Away: It was good to see how the next generation of heros from Terre
My biggest complaint about the last title was the over-blown language that dominated Phedre's narration. Imriel is plain-spoken; it was much appreciated. While this is technically the fourth in the series, it the first of the second trilogy. You could start the story here as Carey does an excellent job handling the back story.
Recommendation: Pick it up.
Kushiel's Scion is at its heart a coming-of-age story, and as such, I can see how it may be a less-favorite for some. The focus here shifts starkly
Imriel's coming of age is not easy, and it's filled with a lot of angst. However, I found it to be a fascinating tale of overcoming your past and the demons and fears that live there. Imriel is a survivor of some pretty intense abuse, something that may sit uncomfortably with some in how frankly it's dealt with, but that's also what I found interesting. Most of this book is about Imriel learning who he is and who he can become, and how to integrate the things that happened to him with the person he wants to be.
Unfortunately, there are some side pieces shoved into this more interesting tale, and those side pieces are the center pieces of the remaining novels. His 'romance' with Sidonie is abrupt and appears to be related entirely to hormones. After Phedre and Joscelin, I expected an interesting and nuanced love story. Instead, we mostly get 'we decided we are in love and so we are'.
While it doesn't hurt this book much, it most certainly hurts the next - I never bought the foundations of their love, so it becomes almost impossible to buy it as epic.
Still, I liked Imriel's growing-up and Carey's Terre D'Ange so much that I can't much regret any time spent there.
Despite those reservations, there's a solid story, there's a fair bit of intriguing and there are some lovely new little bits of the world shown. There is also a nicely done sense of growing up and making friends and some nicely done battle scenes.
It's interesting enough that I will look for the next one to come along.
It's part of getting through adolescence, though, and just something we have to put up with as he flounders through, trying to be good and never quite sure whether he can, or how.
There are other things happening along the way, of course - not least the sudden and rather disturbing disappearance of Imriel's mother Melisande for reasons unknown but undoubtedly underhand, but on the whole there is more coming-of-age in here than either action or intrigue. The end result, though, is to carry Imri from being the extremely battered and shaken child of the finale of the first trilogy to become a young man whose future is certain to be eventful. I suspect this trilogy could never have worked without dealing with the issues addressed here, and dealing with them in the depth they deserve.
And on a side note, I did start Carey's other series, and was sincerely disappointed--don't decide whether to pick up this series based on her other, because this one is well worth the time (and addiction).
The first half of the book rehashes Imriel's past and Phedre's
When the plot finally picks up, Imriel is swept along, but he never seems to do much. The characters around him shine, while he continues to try to find himself. Imriel never comes into his own in this book. He's a weak reflection of the people who shaped his life- Phedre, Josceline, and Melisande.
There was not much happening besides growing up, but it didn't matter at all. I enjoyed every single page, and now I'm sad that
The narrator
Carey set the stage for things to happen in subsequent books, but didn't actually acheive anything in this one.
And on a side note, I did start Carey's other series, and was sincerely disappointed--don't decide whether to pick up this series based on her other, because this one is well worth the time (and addiction).
As soon as I
All the above being said this book could have almost been broken down into maybe two books and I think it would have been better. If the book would have ended when Imri set off on his voyage to the University, that would have been perfect. As it stands the last third of the book started to drag on for me. Once they started with the siege, I was bored and hard pressed to even finish the book. This usually isn't a problem for me as I love these books. The end of the book didn't really deal with Imri that much and I thought that most of the siege was unnecessary. I understand that the siege had both some plot development points and was supposed to drive home the fact that you don't have to be *the* hero to be important. Still, I found it boring and laborious to get through.
If it hadn't been for the slow last third of the book I would have given this book 6 stars if I could. But the last part really hurt my opinion of the book. I am still excited to read the next book, but I will need a break before I delve into that book.
This book begins a second trilogy built around Imri, who was introduced in the Kushiel's Avatar. I found
Number 4 in the Kushieline saga. I'm hooked, completely. Carey's a good writer, I buy the premise, and I care about the people and their Byzantine intrigues. Hell, after 4 books this size, I know these folks as well as I know some of my own family members. In this book, Carey changes