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"A collection of essays and other non fiction from Terry Pratchett, spanning the whole of his writing career from his early years to the present day. Terry Pratchett has earned a place in the hearts of readers the world over with his bestselling Discworld series -- but in recent years he has become equally well-known and respected as an outspoken campaigner for causes including Alzheimer's research and animal rights. A Slip of the Keyboard brings together for the first time the finest examples of Pratchett's non fiction writing, both serious and surreal: from musings on mushrooms to what it means to be a writer (and why banana daiquiris are so important); from memories of Granny Pratchett to speculation about Gandalf's love life, and passionate defences of the causes dear to him. With all the humour and humanity that have made his novels so enduringly popular, this collection brings Pratchett out from behind the scenes of the Discworld to speak for himself -- man and boy, bibliophile and computer geek, champion of hats, orangutans and Dignity in Dying. Snuff was the bestselling adult hardcover novel of 2011. A Blink of the Screen, Terry's short fiction collection, was also one of the bestselling hardcovers of 2012"-- "A collection of essays and other nonfiction spanning Terry Pratchett's entire career, from his early years to the present day. A collection of essays and other nonfiction spanning Terry Pratchett's entire career, from his early years to the present day"--… (more)
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The second section is even more random, called ‘A Twit and a Dreamer’. The final section, ‘Days of Rage’ is heavier. Here the author writes about his diagnosis of Alzheimer’s Disease, and about his belief in ‘assisted dying’. I found this last part rather morbid, and - again - very repetitive. I skimmed quite a bit towards the end. It’s not surprising that there's repetition: the collection reflects entire pieces Pratchett wrote for different occasions, but it's still a bit annoying.
Still, I’m glad I’ve read it; it would be a good book to dip into, rather than to read in one go.
The work presented in A Slip of the Keyboard showcases a wide variety of work that can be both serious and humorous. This is a wonderful collection of nonfiction
After a Foreword by Neil Gaiman, the collection is divided into three parts:
A Scribbling Intruder (On bookshops, dragons, fan mail, sandwiches, tools of the trade, waxing wroth, and all the business of being a Professional Writer)
A Twit and a Dreamer (On school days, scabby knees, first jobs, frankincense, Christmas robots, beloved books, and other off-duty thoughts)
Days of Rage (On Alzheimer's, orangutans, campaigns, controversies, dignified endings, and trying to make a lot of things a little better)
Neil Gaiman writes in the foreword that: "There is a fury to Terry Pratchett’s writing. It’s the fury that was the engine that powered Discworld, and you will discover it here: it’s the anger at the headmaster who would decide that six-year-old Terry Pratchett would never be smart enough for the eleven-plus, anger at pompous critics, and at those who think that serious is the opposite of funny, anger at his early American publishers who could not bring his books out successfully. The anger is always there, an engine that drives. By the time this book enters its final act, and Terry learns he has a rare, early-onset form of Alzheimer’s, the targets of his fury change: now he is angry with his brain and his genetics and, more than these, furious at a country that will not permit him (or others in a similarly intolerable situation) to choose the manner and the time of their passing.
While there may be anger, especially in some of the later works included in the collection, this anger presented itself as passion for me. In many of the pieces, I found myself reading along, agreeing with him, and then he'd throw out a couple lines that had me snorting aloud or chortling guiltily. How could you not at something like the following concerning others that might be at a book signing, "If you have got a TV personality promoting something with a title like The Whoops-Where-Did-That-One-Go? Christmas Fun Book, don’t pass comment if they spend a lot of time reading their book while they’re in the shop. It may be the first time they’ve seen it. Do not offer to help them with the longer words."
There are, quite naturally, a lot of pieces that concern fantasy writing or what others perceive as fantasy. There is a lot of advice to be gleaned from this collection if you are an aspiring writer, like this gem from" Elves Were Bastards" (1992):"I get depressed with these fluffy dragons and noble elves. Elves were never noble. They were cruel bastards. And I dislike heroes. You can’t trust the buggers. They always let you down." Pratchet continues, discussing escapism "But the point about escaping is that you should escape to, as well as from. You should go somewhere worthwhile, and come back the better for the experience. Too much alleged “fantasy” is just empty sugar, life with the crusts cut off."
Disclosure: My Kindle edition was courtesy of Knopf Doubleday for review purposes.
I met Pratchett once. I was in town and saw a massive queue. I'm not really patriotic but I will join a queue if I see a nice one (I'm English). As it advanced I saw it was going into Waterstone's and when I got to the front there was the man himself, under his hat. He asked if we'd met before. I said “No”, (there was some tittering from his entourage – they must see a lot of people starry eyed and with only a passing acquaintance with the ability to speak) and he signed my copy of Thief of Time with “Deja Fu!”
Pratchett's wit is certainly on display, and he always has something interesting to say. As there is some overlap in the pieces, there is a bit of repetition, but again, it's only something you'd notice reading it straight through.
Those who have enjoyed the humor and deep thinking of the author of Nation, the Discworld series, The Amazing Maurice and His Educated Rodents or (with Neil
The essays - sometimes talks, sometimes introductions to books, on a few occasions journalistic pieces - are grouped into three sections. The first deals mainly with books and reading, and got the most laughs from me. The second bunch covered diverse topics and was somewhat autobiographical, in which I learned that Sir Terry had a background in journalism and once worked as a nuclear press officer. The third - just like those Discworld books that have you laughing one moment and thinking about something serious the next - deals with his diagnosis of a rare form of Alzheimer's and his subsequent campaign to legalize assisted dying. Because they're organized topically and cover quite a few years, there are a few thoughts and phrases that repeat, but that's to be expected in a collection of pieces not originally written to be a part of a collection. Recommended reading for any fan of Terry Pratchett.
I enjoyed reading these. However, I wouldn't
I took off half a star only because the articles occasionally become
I met Pratchett once. I was in town and saw a massive queue. I'm not really patriotic but I will join a queue if I see a nice one (I'm English). As it advanced I saw it was going into Waterstone's and when I got to the front there was the man himself, under his hat. He asked if we'd met before. I said “No”, (there was some tittering from his entourage – they must see a lot of people starry eyed and with only a passing acquaintance with the ability to speak) and he signed my copy of Thief of Time with “Deja Fu!”
There really aren’t many surprises here – Pratchett’s worldview is familiar from his fiction and there’s much railing at the writing of modern fantasy. He remained an acute observer of the genre throughout his career, pointing out that all fantasy if either directly Tolkien influenced or reacting against him and that SF is essentially merely a twentieth century form of fantasy). And this being Pratchett there are, of course, many beautifully worked turns of phrases and good jokes. But the traces of the former journalist show, aside from the occasional longeur from printed speeches this is always concise, witty and readable.
The book’s at its best in the final section, which deals almost exclusively with the well-known circumstance of Pratchett’s ‘embuggerance’. It’s filled with a quiet, English rage at the failings of society in relation to people with incurable illnesses which will eventually incapacitate them. And it uses that quiet fury to raise issues and pose awkward questions (as the best of Pratchett’s fiction often does). And also to point out, correctly, that Nation is probably the best book he’s written. It’s only in this section that the book feels absolutely vital; providing a sense that a court jester who’s lived by pointing out the absurdities of everyone has found that jesting won’t quite cover the ultimate absurdity confronting him and therefore presents it naked, stripped of jokes. And there’s an awkward silence where no-one knows whether they should be laughing at him or not. For much of its length this is a companion piece for his fiction bibliography, complementing it rather than adding to it greatly, but the last seventy pages or so are vital. Maybe we did need the unfiltered Pratchett after all.
This is a collection of, it seems, pretty much everything that Pratchett's published that isn't fiction.
It's divided thematically into three sections. The first focuses on thoughts on writing and the
The first two sections are probably of specific interest to those familiar with Pratchett's work. The third definitely has a more general appeal, and gives an insight into the perspective of someone with an incurable disease who wants the legal right to be able to choose the time and manner of their passing, with dignity.
The main flaw I found in the book was not with any of the brief pieces included here individually, but rather with the effect of reading them all sequentially. Pratchett is clearly a man with 'pet' ideas and favorite quotes, who uses every given opportunity to air them. While there isn't a problem with this in practice, when all his speeches, introductions, and such are set end-to-end, it begins to feel a bit repetitive. The volume would probably be better enjoyed in small segments - reading an essay every now and again.
Favorite quote:
"You want fantasy? here's one... There's this species that lives on a planet a few miles above molten rock and a few miles below a vacuum that'd suck the air right out of them. They live in a brief geological period between ice ages, when giant asteroids have temporarily stopped smacking into the surface. As far as they can tell, there's nowhere else in the universe where they could stay alive for ten seconds.
And what do they call their fragile little slice of space and time? They call it real life. In a universe where it's known that whole galaxies can explode, they think there's things like "natural justice" and "destiny." Some of them even believe in democracy..."
And, as a librarian, I am, from here on out, going to take Pratchett's suggestion, and call myself by the title of "Shining Acolyte of the Sacred Flame of Literacy in a Dark and Encroaching Universe."
Many thanks to NetGalley for providing me the opportunity to read this book. As always, my opinions are solely my own.
Some of them are average and some of them carry the full force of the Discworld anger that Neil Gaiman describes in the foreward as being such a key component of his life. The latter speeches about Alzeimhers, dignified dying and medical care are particularly poignant in light of his recent death. There is only one item about Orang-utans despite their frequent association with him. But it's another of the better entries where his passion clearly shins through.
One for the more dedicated fans and collectors of his work, and certainly not the place to introduce the casual reader, but it might be an ideal present for that slightly stuffy person who doens't see what all the fuss is about - many of the items do clearly showcase his personal style that comes through in the novels. The only slight criticism I'd have is that a few ideas are repeated and the same phrases re-used in different speeches which spoils their impact a bit.
So I picked up this, a collection of Pratchett’s non-fiction. It is a collection of various essays and articles and bits’n’bobs that Pratchett has written over the years. Some of his talks at events and cons, a wide variety of subject matter. There is some repetition of ideas, but that is only to be expected, especially with the speeches, but that didn’t lesson my enjoyment of this book.
The first section mainly covers writing and fans and the world of fantasy fiction. Pratchett’s thoughts on a wide range of fantasy-related subjects.
The last section, Days of Rage, cover his thoughts on Alzheimer’s and assisted dying and all that anger.
The introduction by Neil Gaiman is well worth a read if you haven’t already.
If you are a Pratchett fan then this is well worth reading, I think it is a book that you dip in and out of, read an essay here, an essay there. Some are quite short, you’d read them in a few minutes.
I think that it is time to begin a Discworld reread at some point very soon.
He also wrote quite a few non-fiction essays, speeches, newspaper articles, and pieces for the souvenir books of science fiction
Naturally, he had a good deal to say on the subject of writing, the life of a writer, and his development as a writer. I was particularly fascinated by the fact, not that he began as a journalist writing for a local paper, but the fact that he had an actual, formal apprenticeship as a writer for that newspaper, with apprenticeship papers his father needed to sign. It sounds so alien, to me, probably a combination of the fact that I'm nearly a decade younger, and that I'm an American.
The next section mainly concerns his life, his travels, his great range of interests. Many of those interests developed from his habit of finding refuge from the frustrations of school by hiding out in the library, and discovering all the good books and fascinating, exciting, and sometimes scandalous history that isn't taught in history class. Other interests developed almost by chance. In Discworld's Unseen University, he decided that the Librarian would be an orangutan. He describes it as almost a random choice; on another day, he might have chosen to make the Librarian an aardvark. Picking the orangutan, and then seeing one at zoo, became the first step in a growing interest in animal conservation, animal rights, and protection of animal habitats.
The last section collects his speeches, essays, and articles about his Alzheimer's diagnosis, his experiences, and the frustrations of getting the treatment he needed (to the extent that treatment is available), and the fact that Alzheimer's had replaced cancer as The Disease That Dare Not Speak Its Name. Terry Pratchett, of course, went public. He was not going to hide it, or retreat from writing or from public life before he had to. He made a donation of US$1,000,000 to the Alzheimer's Research Trust, expressing his shock that funding for Alzheimer's research was 3% of funding for cancer research. He became an advocate for both that research, and for what he preferred to call assisted death, rather than assisted suicide.
It's no surprise that this section contains a few rants.
It's a fascinating collection, published in 2014, about six months before his death in 2015, and I think it's a collection that no Pratchett fan should miss.
Highly recommended.
I bought this audiobook.
• Speeches from Science Fiction and Discworld conventions, magazine and newspaper articles about science fiction, fantasy and the Discworld
• Broadly
• Angry essays, mainly following his Alzheimer’s diagnosis, about the treatment of Alzheimer’s Disease and the legality of assisted dying, but also the preservation of Orang utans in the wild and school.
There is some repetition of anecdotes, but as you would expect from Pratchett’s fiction, there is much humour and humanity which more than compensates. In some ways I found it a sad read, especially when he comments on perhaps reaching fifty Discworld novels (he wrote forty), as you know that Pratchett died prematurely. But mostly, I enjoyed the humour and anecdotes about Discworld.