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From the master storyteller, a suspenseful, lyrical account of one man's search for the truth behind an inexplicable death. For more than a century, the small town of Haddan, Massachusetts, has been divided, as if by a line drawn down the center of Main Street, separating those born and bred in the village from those who attend the prestigious Haddan School. But one October night the two worlds are thrust together due to an inexplicable death, and the town's divided history is revealed in all its complexity. The lives of everyone involved are unraveled: from Carlin Leander, the fifteen-year-old girl who is as loyal as she is proud, to Betsy Chase, a woman running from her own destiny; from August Pierce, a boy who unexpectedly finds courage in his darkest hour, to Abel Grey, the police officer who refuses to let unspeakable actions--both past and present--slide by without notice.… (more)
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Gus carries an air of sorrow around with him, obvious to everyone who meets him. Gus is also on his way to Haddan school having been suspended from another school. Gus smokes, he has questionable personal hygiene, he is scruffy, funny and immediately clicks with Carlin. Carlin's first observation is that Gus stinks. Gus knows he is the person who always steps into a puddle.
Although both Carlin and Gus are outsiders when they arrive at the tumbledown, damp, riverside Haddan School, they deal with school life in different ways. Carlin in her distant, indifferent way attracts the attention of the senior handsome villain of the novel, Harry McKenna, who, perhaps tired of having every girl in the school throw themselves at his feet, sees getting Carlin as a challenge. Harry briefly woos Carlin, they have a brief fling which causes a rift between Carlin and Gus.
As one of the new boarders of the all boys Chalk House, Gus is hounded by his seniors including Harry McKenna. Gus knows he has courage and thinks he is immune to their cruelty.
One day, Gus is found dead in the river and local policeman, Abe takes it upon himself to find out the truth of his death, not believing that Gus committed suicide.
This is a haunting story about just how cruel people can be. I enjoyed the descriptions of small town life in Hadden, the mysteriousness and magic of the river, and the side stories of relationships between Abe and photographer Betsy, the black cat, and between Carlin and the cranky old maths teacher, Helen Davies, and the deteriorating friendship between Abe and Joey.
The book is full of beautiful lines mostly describing the seasons and the river. For example,
"In the pearly skies of March, there were countless sorrows in New England. The world had closed down for so long it seemed the ice would never melt. The very lack of colour could leave a person despondent. After a while the black bark of trees in a rainstorm brought on waves of melancholy. A flock of geese soaring across the pale sky could cause a person to weep...."
Most of all I liked the character of Carlin, deciding to come back to Haddan to pursue her education despite all that happened over the first school term.
Four stars.
Like all of Hoffman's books, this one is filled with lyrical magic and several divergent plotlines, but the story unfolds layer by layer, and the wisps of the tale, past intermingling with present, reality blending with magic, come together in a way only possible by a master storyteller. A terrific story lyrically told.
Why does Carin now wear his coat and find stones and tiny living fish in the pockets. Why is it always wet around her;. Do the detective Gus and photog. Betsy get together?
The language was beautiful, rich, and flowing. The
Great book! May 20, 2010
In Massachusetts, in the town of Hadden, there is a private high-school for the intelligent and the wealthy. Students and townspeople don’t mix, don’t mingle, and each side minds their own business. But when a young boy from the school is found drowned in the river, barriers are crossed and the lines dividing Hadden start to blur.
Among the characters are Abel Grey, burdened by his brother’s suicide when he was young; and Betsy Chase, chained to an impending marriage she no longer desires. There is Carlin Leander, smart and beautiful, but an outsider; and Gus Pierce, head over heels in love with Carlin and an outsider himself. A host of supporting characters lend weight to the plot, drawing everyone together. A deep, decades old suicide of one of the school’s first residents also plays a background, as does the magical history of roses and water that Hoffman skillfully blends into the storyline. Her hints of the mysterious are gentle and persuasive; so realistic you almost wonder if they’re magic at all.
Much of the novel is told in asides, mentioning one character’s story in reference to another. It takes a supreme talent to be able to start the reader headed in one direction, bend them toward another, but have them end up at the correct final destination. It’s just one reason Hoffman’s novels are so successful.
The River King is dark and mysterious, it chills the reader page-by-page. If you’re interested in reading Alice Hoffman’s novels, I would definitely recommend The River King if you’re in the mood for a mystery. If you’re in the mood for one of her more contemporary novels, I point you toward The Third Angel.
I left this book in Gainesville with Kate, and I'm sure she'd lend it to anyone who wants to read it.
Central to this book is the Haddan School, which is viewed by many of the townspeople with a resentful and envious eye. The school's troubled students are all from somewhere else and have very privileged lives when compared to the general blue-collar tone of the area. Abel Grey is a lifelong resident of the area, as well as a simple town cop who is trying to get to the bottom of the drowning death of one of the students. Where the rather odd boy and late student fits into (or didn't fit into) the social sphere of the school seems all-important to the investigation. Teenage themes of acceptance, love and tenderness, extreme school hazing, growth, and trust are all involved when Abel searches for the answers. But, then again, most of these things are central to our cop's life as well. If you were to sum up this special novel, it might fall into the "coming of age" mode. But the question upon reading it would be—who is it of all the characters, young and old, alive and dead, who most comes of age? Who grows the most? This finely written book has made me a Hoffman fan once again.
(5/01)
One opening scene gives hope of some kind of plot, where Carlin & Gus, 2 incoming students who feel alienated from their peers, meet on a train. Carlin's theme is stated "Try as she might, there would always be those it was possible to rescue and those whose destiny it was to sink like a stone. (p.148)" But it isn't until the latter half of the book that we start to get some meaningful character growth & interaction. I actually ended up liking Betsey, Abe, & Helen Davis.
The closing revelation about Abe's parents was pretty irrelevant. The swans probably have some deep meaning, but they didn't resonate with me. This is the 2nd book of Hoffman's where I've noticed her playing loose with her botany. She does like to inlcude lists of plants in her books, and altho she was pretty accurate with her water plant list in this one (wild celery, pickerelweed), there is a glaring error on p. 13 where she describes "a huge meadow, all blue with everlasting and tansy"--flowers which are white and deep yellow-- and then emphasizes "each and every one the exact color of the sky (p.14)." Better choices would have been Chicory (tho that tends to stay on road edges, not covering fields), Lupine, Jacob's Ladder (Polemonium), or Dayflower. Even the field of Asters she mentions later (p.23) tend more toward purple/violet that sky blue.