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From the very opening pages, we see many memorable characters as they move about the Ruttledges, who have come from London home to Ireland in search of a different life. There is John Quinn, who will stop at nothing to ensure a flow of women; Johnny, who left for England twenty years before in pursuit of love; and Jimmy Joe McKiernan, head of the IRA, both auctioneer and undertaker. The gentle Jamesie and his wife Mary embody the spirit of the place. They have never left the lake but know everything that ever stirred or moved there. The drama of a year in the lives of these and many other characters unfolds through the action, the rituals of work, religious observances and play. With deceptive simplicity, by the novel's close we feel that we have been introduced to a complete representation of existence. An enclosed world has been transformed into an Everywhere.… (more)
User reviews
Now, however, I get it.
McGahren's That They
If you're into language and characters over central plot and conflict, you should definitely read this book.
Now, however, I get it.
McGahren's That They
If you're into language and characters over central plot and conflict, you should definitely read this book.
The story itself is not strong on plot, but the characters are interesting and there's enough tension and happenings to keep the reader's interest. I found the people to be really depressing though. Their society was so limited and so dull that gossip was a significant past-time and hypocrisy rampant. I can't imagine having to tell and re-tell stories from 30 years ago because nothing had happened since then. The tolerance of really bad behaviors was also upsetting. In a small society I guess everyone has to figure out how to live together in peace, but some of the characters were tolerated too much. Depicting these oddities may well have been one of McGahern's goals, but it made it difficult to like the characters very much and limited my enjoyment of the book.
I found the dialect and terminology very amusing, but the dialogue was often hard to follow (who is speaking now?).
I would recommend this book to anyone who can handle low-plot stories and wants to read about a beautiful place and the people who live there.
I think the problem I'm having is a personal one: there is something in this book that is reminding me of a situation that clearly was unhealthy for me, and I disassociated myself from it. To be re-immersed, even in the pages of a novel, to something that was toxic in my life is not wise, so I am putting the book down, unfinished, until I have safely overcome injury. It may be that when the discussion for Stanford Book Salon starts up in a short bit, I'll be able to approach it more clinically and start reading again. Time, which heals all wounds, will tell.