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High in his attic bedroom, twelve-year-old David mourns the death of his mother, with only the books on his shelf for company. But those books have begun to whisper to him in the darkness. Angry and alone, he takes refuge in his imagination and soon finds that reality and fantasy have begun to meld. While his family falls apart around him, David is violently propelled into a world that is a strange reflection of his own -- populated by heroes and monsters and ruled by a faded king who keeps his secrets in a mysterious book, The Book of Lost Things. Taking readers on a vivid journey through the loss of innocence into adulthood and beyond, New York Times bestselling author John Connolly tells a dark and compelling tale that reminds us of the enduring power of stories in our lives.… (more)
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It is from this deep well that John Connolly’s The Book of Lost Things draws on as he tells the story of 12 year old David’s losing fight to keep his mother and family he knows a alive. His anger and grief causes him blackouts and a wish for revenge as his father deals with grief by marriage and work. David discovers the presence of the Crooked Man who can move between the world of living and story. Books start talking to him and boundaries blur so that when his anger and that of his struggling step-mother collide it sets into train his explosive entry into land of story.
Once there we meet traditional fairyland characters but from an adult and darker angle… Red riding Hood hunts out the wolf for sex and worse! It becomes clear that the adventures reflect David’s fears and the choices he must make as he struggles to deal with his grief and anger. To make the wrong choices will leave worlds destroyed but so will the right ones as he learns that happy endings are for fairy stories. But as heaven is what we make it, his death when it comes is not the end of the story.
This is not a children’s story but an adult story about when childhood ends and what life is made as we grow up. Its portrait of David trying to keep his mother alive and his feelings made me cry in the first 10 pages such was the lyrical nature of the writing. The stories within stories are not distractions as some reviewers suggest but insights into the characters that David meets and his own feelings and choices that he has to make. It has lots of comic moments as well as the Snow White and communist dwarfs’ episode shows. However, ultimately it’s a story about growing up and letting go of illusions, which makes it very sad and poignant. So if it gets to be a film think David Lynch or Tim Burton rather then Disney and you are on the right track about the tone of the book. Recommend for an easy enjoyable and moving read.
This is one of the most imaginative books I have ever read. Connolly beautifully re-masters many of the fairly tales that we have come to know and love, all be it with a darker and more grisly edge that would make the Brothers Grimm proud, that are seamlessly weaved into a compelling coming of age plot, forming a longer fantastical narrative. In essence a modern fairy tale. I thought it was fantastic how Connolly mixed elements from the real world and the other books on David's shelves with the fantasy world; blurring the line between fantasy and reality. Connolly creates a story where the moral dilemmas are challenging, and their resolutions are satisfyingly complex and realistic. And like all good fairy tales there a moral lesson to be learned about courage and facing one's fears head on, but unlike so many fairy tales it doesn't end in the same old unsatisfying prepackaged ever-after ending. Instead this book ends as it should end; a well lived life full of both tragedy and happiness.
This is a book of grief and loss. Of acceptance, of guilt, of experience, humility, growth, strength, bravery, and wisdom. I loved ever page of it.
While the story is ripe with fairy tales, it is not a children's book. Connolly strips fairy tales down to their essence, revealing their often cruel lessons of life. This is a coming of age story that follows the journey of a young boy as he deals with intense tragedy, initially escaping into a world of fantasy, but ultimately facing his worst fears in a brutal world. Throughout his journey David faces gruesome villains against which he learns to wield a sword to survive. Connolly has done a masterful job of giving new life to classic tales as he weaves them throughout his story.
The story concerns David, age twelve, who is unhappy with his new step-mother and his new home outside London where his parents
The adventure that follows pays tribute to many classic fairy tales and children's books. The woodsman inspired by Snow White, the human-wolves from Red-Riding Hood, the Seven Dwarfs appear as does Sleeping Beauty. The journey to see the king is right out of The Wizard of Oz as is the possibility that it all may be a dream meant to reveal David's confused emotional state. (This also references Alice's Adventures in Wonderland.) David is a reader with a library full of books just like these so the novel can naturally make his imagined world real. That the book's overall structure mimics The Lion, The Witch and the Wardrobe which had not been written yet as its characters are contemporaries of David is a nice touch.
It's a very good book. I enjoyed it. I recommend it. But I wouldn't recommend it to young adult ages 12-18. I think they are both too old and too young for it. The Book of Lost Things is a gentle story. There is some action, there are some dark elements to it, but it's a sweet tale about a little boy who has lost his mother in the end. I think readers in the 12-18 brackets will lose patience with it early on. I know this may seem crass to say, but The Book of Lost Things doesn't have the sex and violence this age group is used to. If you're looking for Twilight, or The Hunger Games, or even Harry Potter, you're not going to find it in The Book of Lost Things. The adventure aspects of the novel are more suited to an elementary age group say grades four to six, kids young enough to be excited when they recognize the seven dwarfs from Snow White and innocent enough to still enjoy being tucked into bed with happy ending. 12-18 is too old.
Paradoxically, 12-18-year-old readers are also too young for The Book of Lost Things. It's a very nostalgic book. The story is about a 12-year-old but the narrative voice is fully grown, adult, experienced and able to present an adult take on David's story. The narrator appears to be telling a children's story, but he's really telling a children's story to an adult audience, one with and adult perspective on the story's events and on the character of David. It's a children's story you have to be grown to fully appreciate.
I'm sure there are 12-18-year-old-readers out there who have read The Book of Lost Things and loved it. Recommending a book for a wide range of readers is a risky thing, something that can never be 100% accurate. There's always an exception, sometimes many. But my advice on reading The Book of Lost Things is to wait until you are older. Like me.
The only negative aspect of this book, for me, was the fact that I wanted more at the end and was only left with the back flap. Read this book. Give it as a gift to the dreamer you know. Sit down in a warm blanket, a winter storm brewing outside, making the world around you alien and uninviting. Snuggle up and let this book take you into David’s imagination and away from the reality of the world, just as it does for him.
One of the things that I especially liked was how dark much of the story was. I've never read Grimm's fairy tales, but from what I've heard, they're darker than you (or Disney) might think, and Connolly handled that very well. He proved that not every tale has a happy ending, and as a matter of fact, in this other world, sometimes "happily ever after" translates into "eaten quickly"! I also thought that his writing style was very conducive to the telling of David's story. Most fairy tales are written in relatively simple language, giving them the ability to be read aloud, and I felt like this was definitely a book that could be read aloud, although I wouldn't recommend this to children, for how dark and gruesome parts of it are.
I also enjoyed how this could be read in a number of ways. It is a tale of many adventures and can be read for a good romp, but on a moral level, it also details how David learns to confront his feelings of jealousy and betrayal and how he uses this knowledge to grow from a child into a young man.
This was also far less predictable than I thought it was going to be. I made many predictions throughout the book, and only a few were right, which was a pleasant surprise for me. And I was also particularly glad to see that the ending tied things up rather nicely, and didn't really leave too much up in the air.
Oh, and before I forget...there were some funny bits throughout the story, but I'd have to say that my favorite part of the story was when David's path crosses that of Snow White and the seven dwarfs. I haven't laughed out loud while reading a book for a long time, and if anything else, that part makes reading this worthwhile.
Connolly also has a knack for character development. If you enjoy books that give you favorite characters to miss long after the story ends, this is definitely a book for you. He even has an excellent villain, the Crooked Man--one of those villains who readers will love to hate.
Overall, I loved this book and could rave on about it forever. For me, it was impossible to put down and I found myself lost in this story for hours on end. I'd recommend this for those who love a good story, especially when books and stories themselves are involved, for those who love getting lost in a book, and for those who love fairy tales or fairy tale retellings.
David is a young boy whose mother has died, and he sadly had a front row seat for several months while she lay in agony. In addition to his agonizing personal situation, the story is set in England during the beginning of Germany's bombing campaign, while war raged all around the ravaged city. As if this wasn't enough for a young boy to handle, his father gets a girl pregnant not long after his mother passed away and they then uproot their life to go and live with her in the country. David gets placed in a room, filled with books, that was occupied by a long lost former relative who went missing when he was a child, never to be seen again.
Does this sound like a lot to handle for a 12 year old boy? After a rather hard day with the stepmother, David wanders out to the garden late at night only to find himself whisked away to a magical land of bizarre creatures and warped agendas. As an example, Little Red Riding Hood actually hooks up with a wolf, they have babies and low and behold a hybrid being is born who is now threatening to take over the kingdom. Dude, I thought my imagination ran wild, but I am not sure I would have thought of mixing up the classics in quite that way.
David's initial quest is to find his mother, her voice was the one that led him to this land beyond time. After a while he begins to focus on staying alive long enough to return home, and the rumor has it the king is the only guy in the land who can help him out. His trek through the land confronts him with several trials which eventually find David maturing quickly beyond his years. I think if I met a wolf man who was the offspring of Little Red Riding Hood and the Big Bad Wolf, I might have to grow up quickly as well.
Dealing with these enormous issues hits home with me. I am divorced, I have three children and I am currently engaged to be married again. I felt for David on a personal level and John Connolly made it so easy, as he masterfully weaved a tale of life’s obstacles and how a child might view them from a four foot perspective. The book keeps you thinking about so many really life aspects, while engaging you in a land of Trolls and deer with human heads. Unlike most books surrounded in make believe, be warned that John does not hold back on the gruesome side of death and torture that can sometimes accompany a real world reality.
If you are going to read this to a younger child, I would suggest filtering out some of the more in your face passages. My eight year old could probably handle the book in its entirety, but I don't think I am quite ready for her to be exposed to a cold dead girl’s head rubbing blood up against a captive little boy.
I haven't read a book that I enjoyed this much in a long time. I can't recommend it enough for anyone, of any age but again, be warned before letting a child peruse the passages on their own. It really is a masterfully crafted work of art that should hold it’s allure for many years to come.
Set at the beginning of World War II, the story follows David, a 12 year old boy who lives in Europe, through a coming-of-age journey that keeps the reader interested from beginning til end. Within the pages
I loved the exploration and retelling of fairy
I liked how he took traditional fairy tales, characters, plots and turned them upside
Quite unlike anything I've read before, although if anything it reminded me of Pan's Labyrinth (the film).
"'I see you have been busy, Woodsman,' it said. 'You have been fortifying your lair.'
"'The woods are changing,' the Woodsman replied. 'There are strange creatures
David is a boy who seeks solace in books after the death of his mother. Soon his (our) world gets entangled with that of the stories he reads, and he finds himself trapped in a land where creatures out of fairy tales walk and talk -- and fight. Can he survive in this world, where evil is spreading and nothing is quite as he expects? And can he come to terms with his mother's death, and his father's ongoing life?
This is a rather charming book about a boy's coming of age. Connolly takes well-known fairy tales, gives their elements unusual twists, and entangles them carefully with the emotional issues facing his protagonist. The writing is clear and clever, and the pace seldom drags. While the arc of the story is fairly predictable, it's engaging enough to pull you along.
One caveat -- the novel ends after 350 pages of this 500-page edition. Infuriatingly, there's no table of contents to indicate this. The rest of the volume consists of various versions of traditional fairy tales that Connolly has used in the book, along with the author's comments. While reading the old tales again was interesting, I am not so convinced by the value of the commentary -- it seemed to me to remove some of the magic from the story.
Nevertheless, this remains a good idea, well executed, and worth a read.
There is a lot of talk about perception of story in this book and sometimes I worried that what was going to happen was that Daive would "learn" that truth was better than fiction, but thankfully this never happened.
I really enjoyed this book, the language in it engaged me from the very start and I liked some of the variations on fairy stories, sometimes it brought them closer to what may have been the truth, sometimes though it almost stripped them of their special, their magic, and the magic of these stories is what makes them linger in my mind. Altogether I found it a very satisfying read.