Status
Available
Call number
Publication
Quality Paperback Book Club (1994), Edition: Book Club
Description
When John Rechy's explosive first novel appeared in 1963, it marked a radical departure in fiction, and gave voice to a subculture that had never before been revealed with such acuity. It earned comparisons to Genet and Kerouac, even as Rechy was personally attacked by scandalized reviewers. Nevertheless, the book became an international bestseller, and fifty years later, it has become a classic. Bold and inventive in style, Rechy is unflinching in his portrayal of one hustling "youngman" and his search for self-knowledge within the neon-lit world of hustlers, drag queens, and the denizens of their world, as he moves from El Paso to Times Square, from Pershing Square to the French Quarter. Rechy's portrait of the edges of America has lost none of its power to move and exhilarate.… (more)
User reviews
LibraryThing member thorold
This is American writing from the great era of the typewriter that never sleeps, when to use apostrophes in "don't" and "can't" would have been irredeemably square, and when writing "youngman" as a compound noun and arbitrarily capitalising random adjectives (adjectives are profuse, even
Rechy's unnamed narrator travels from city to city in fifties America, selling his body on the streets and in the gay bars, and telling us in fascinating and vivid detail about the characters he meets in what was still "the strange twilight world of the homosexual": the hustlers and drag queens, their clients, the fag-hags who hang around them, the vice cops, barkeepers, and all the rest. In the process, the narrator - who obviously sometimes is Rechy, with his typewriter stashed away in his room at the Y, and sometimes isn't - explores his attitude to his own sexuality, and unpicks what it is that drives him to live a life in which men have to demonstrate their desire for him by giving him money, but he doesn't allow himself to desire anything except sexual release.
Described like that, it sounds cold and anthropological, but Rechy obviously does have far more empathy for the people he describes than he allows his narrator to show, and he brings them to life very vividly on the page. And as a reader, you can't help getting involved with the fate of the Professor, Miss Destiny, Chuck, Chi-Chi and the rest of them. We even find ourselves engaging with the pathetic would-be-Nazi leather queen Neil for a few pages...
No surprise that this book was a big commercial success despite uniformly negative reviews in 1963, but a pleasant surprise to see that it's managed to retain at least some of its charm half a century later.
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superabundant, in this book) was a sure sign that you were someone who could swap authentic jive talk with the best of them. It would be unfair to blame Rechy for any of those things, any more than you can blame him for the bombastic images that angrily open each chapter with the impact of a panting animal. I did blame him for all of those things when I started reading the book, of course, but I got over it surprisingly quickly, because they turn out to be completely irrelevant to what makes this quaint survivor from the early days of LGBT writing such a wonderful treat.Rechy's unnamed narrator travels from city to city in fifties America, selling his body on the streets and in the gay bars, and telling us in fascinating and vivid detail about the characters he meets in what was still "the strange twilight world of the homosexual": the hustlers and drag queens, their clients, the fag-hags who hang around them, the vice cops, barkeepers, and all the rest. In the process, the narrator - who obviously sometimes is Rechy, with his typewriter stashed away in his room at the Y, and sometimes isn't - explores his attitude to his own sexuality, and unpicks what it is that drives him to live a life in which men have to demonstrate their desire for him by giving him money, but he doesn't allow himself to desire anything except sexual release.
Described like that, it sounds cold and anthropological, but Rechy obviously does have far more empathy for the people he describes than he allows his narrator to show, and he brings them to life very vividly on the page. And as a reader, you can't help getting involved with the fate of the Professor, Miss Destiny, Chuck, Chi-Chi and the rest of them. We even find ourselves engaging with the pathetic would-be-Nazi leather queen Neil for a few pages...
No surprise that this book was a big commercial success despite uniformly negative reviews in 1963, but a pleasant surprise to see that it's managed to retain at least some of its charm half a century later.
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LibraryThing member ritaer
This is the first novel John Rechy published, based on his life as a hustler. Not one city--adventures take place in New York, Los Angeles, Chicago, San Francisco and New Orleans--but the hustling scene of masculine hustlers, queens, scores and vice cops is similar in all these places. The
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protagonist is torn between the world of education, career and writing, which he has worked to gain admittance to, and the attractions of confirming his desirability in the simplest possible fashion: being paid for access to his body. Show Less
LibraryThing member AlexTheHunn
This is a classic in gay literature. Rechy reveals a seemy underside of life in the 1960s among hustlers and drag queens. This tale is not for the faint of heart. Although a mirror of some aspects of gay life of its time, it seems a bit quaint and dated these days.
LibraryThing member dbsovereign
I sometimes wonder how I ever managed to make it through the days when I lived in the City explored by Rechy's _Night_. How did any of us? It was captivating, but so elusive. Rechy captures the elusiveness perfectly. However, I have to say that the patrons in this book are mostly captured as
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pathetic and predatory grotesques...Is Rechy a self-hating invert? Show Less
LibraryThing member jwhenderson
This is the story of a young man who works as a hustler and travels across the nation (Rechy refers to hustlers as "youngmen"). The book is divided into chapters about the places the young man travels to and the people he meets there; these places include New York City, Los Angeles, San Francisco,
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and New Orleans. Show Less
Original publication date
1963
Physical description
6.8 inches