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Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love. On the trail of a massive naga that threatens the rebellious mining city of Bataanar, Mokoya meets the mysterious and alluring Rider. But all is not as it seems: the beast they both hunt harbors a secret that could ignite war throughout the Protectorate. As she is drawn into a conspiracy of magic and betrayal, Mokoya must come to terms with her extraordinary and dangerous gifts, or risk losing the little she has left to hold dear.… (more)
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I loved this little novella. It’s got awesome things like giant raptors and flying nagas, but the real reason I love this story is the deep emotional heart of the protagonist overcoming her grief and choosing to live after the death of her daughter.
I know there’s another
After her young daughter died in a tragic accident, Sanao Mokoya abandoned her old life to go hunt wild nagas near the edges of the kingdom. For three years, she’s existed in a limbo, not really caring whether she lives or dies. Now, she and her pack of raptors are trailing a naga rumored to be bigger than any she’s hunted before. And she’s not the only one looking for the naga; she soon encounters someone else, a mysterious person named Rider, who has magical capabilities unlike any Mokoya has seen before. If she can trust Rider, they can work together to defend the city of Bataanar from the giant naga… and whomever is controlling it.
It’s amazing how much The Red Threads of Fortune packs into 160 pages. It’s an intricate, beautiful story of grief, loss, and healing and the relationships between mothers and daughters. And the prose is fantastic, which isn’t a huge surprise, since I’ve already known from their short stories that JY Yang is an amazing writer.
I adored Mokoya as a protagonist. The great thing about older characters is that they’ve got so much history. Mokoya is a woman in her forties with an estranged husband and a dead daughter. And a pack of raptors, of course. She’s scarred and world weary, and at certain points she contemplates suicide. She’s the sort of rough around the edges female character I adore.
Also, she’s queer, a word that could be applied to this novella in general. Part of the world building is that children are considered gender neutral and don’t chose their gender until they get older. There appears to be no prejudice against same-sex relationships, and one of the major characters, Rider, is non-binary and uses they/them pronouns. It’s so wonderful to read a queer friendly, non-Western fantasy with great female characters. Also dinosaurs. I seriously loved the dinosaurs, you guys.
Actually, I just loved this novella in general. It’s doubtlessly one of my favorite reads of 2017, and it’s made me eager to get to The Black Tides of Heaven.
Originally posted on The Illustrated Page.
that said, its well written enough, and enjoyable (otherwise, i think i will just dnf the whole series). besides, the series has very intriguing premises; the Tensorate world is weird but in an almost folklore-futuristic flavour (with flying light crafts and dinosaurs running around); and this second volume has a better mystery at its heart, and also a more satisfying ending, than the first.
plus, i adore the the cover art of all four books! that alone will always earn it a half-star ^_^
Yang has created an evocative Asian-inspired world in her Tensorate series. The setting is so immersive that I was slightly disoriented to start, but I soon found myself hooked. Mokoya is a former prophet, embittered by the loss of her
Red Threads is high on action, but the core is all about love and healing. Mokoya's pain feels profound and real, and her journey to begin the healing process is beautiful to witness. The book features a nonbinary romantic lead, which was a refreshing surprise.
Mokoya, no longer a prophet after the tragic death of her daughter, has gone into the desert hunting naga with her oversized raptor Phoenix, believing her daughter's soul pattern is
We explore grief in this novella, and definitely acceptance of who we are. There are definitely some moments of identity crisis and conflicting emotions for the characters. I really like how many aspects there are to these novellas. Mokoya definitely has courage, and resolve to keep going in the world after the events of the last novel, but you can definitely tell she is suffering and not dealing with it in the most healthy way. I liked how this was recognized and acknowledged. JY Yang did a great job exploring these themes and I am excited for more in this series.
ANYWAY, this second installment switches to the POV of Sanao Mokoya, who is now struggling with the grief of losing her young daughter. She keeps running around half-cocked, putting herself into dangerous situations, as those in her life struggle between giving her space and wanting her to be safe. As they investigate a massive Naga threatening the desert city Bataanar and Mokoya finds herself drawn to a mysterious stranger, secrets are discovered that could spark all-out war.
There is, again, an incredible amount of worldbuilding in this tiny novella, though I do have to say the lack of description on certain details drove me to distraction on the raptors. What are they? Bird of prey? Velociraptors? Something in between? Something else entirely? Just when I'd think I was starting to develop a good mental picture, some new remark would undermine it all.
Still definitely here for the ride, though.
Note that Tor markets this as a co-first book in the series, but I think it's much better to