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"The astonishing variety and richness of bird song is both an aesthetic and a scientific mystery. Biologists have never been able to understand why bird song displays are often so inventive and why so many species devote so many hours to singing. The standard explanations, which generally have to do with territoriality and sexual display, don't begin to account for the astonishing variety and energy that the commonest birds exhibit. Is it possible that birds sing because they like to? This seemingly naive explanation is starting to look more and more like the truth." "In the tradition of classic works by Bernd Heinrich, Edward Abbey, and Terry Tempest Williams, Why Birds Sing is a lyric exploration of bird song that blends the latest scientific research with a deep understanding of musical beauty and form. Based on conversations with neuroscientists, ecologists, and composers, it is the first book to investigate why birds sing and how, and what effect their music has on other animals - particularly humans. Whether playing the clarinet with the white-crested laughing thrush in Pittsburgh, or jamming in the Australian winter breeding grounds of the Albert's lyrebird, Rothenberg journeys to the heart and soul of bird song."--BOOK JACKET.… (more)
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Humans are not the only creators in this universe. I just read a good book called Why Birds Sing by David Rothenberg. Rothenberg is a musician with the inquiring mind of a scientist and the pen of a poet. He tries to answer the titular question and, in my opinion, forgivably fails. It is too big a question for one consistent answer (it is large, it contains multitudes). The point of reading this book is the journey, not the destination. Which brings me to one of the more interesting stars of Mr. Rothenberg's book, the marsh warbler.
I've never heard a marsh warbler. I'd like to, but I don't have the means to travel across the Atlantic just now. The warbler is a migratory passerine that summers in Europe and winters in southern Africa. It is a mimic and Rothenberg describes it's song thus: “One by one it repeats nearly all the sounds of all the other bird species that live in its habitats, one after another with little recognizable pattern or repetition, packing a few tiny fragments into every second like a bird song identification tape played at double speed.” European ornithologists had identified about half of the warbler's song as being mimicry of other birds. The other half, they assumed, was the warbler's own song. They assumed that until the late 1970s, when Françoise Dowsett-Lemaire followed the bird's migratory path to Africa, listened as she went, and then heard the warbler's song anew. The warbler's journey is a songline that fills the traveling bird's memory with the music of two continents. The songs are borrowed from other sources, but the final version is all the warbler's own. The bird that mimics is not simply a playback machine. It is a careful listener and a deliberate creator.
All art is like that, whether we are conscious of our influences or not. That which we call sui generis is not, in fact, completely new. It is a basic law of physics. Something cannot come from nothing. In striving to make art we take the somethings that we have in our minds, the bits and pieces of memory, and shape and combine them in new ways to create meaning and beauty. If you would be an artist of any kind you must be like the marsh warbler. Pay attention on your journeys. Read widely. Listen intently. Gather up all the culture and nature that you can. Then do something wonderful with it.