Novels

by Edith Wharton

Paper Book, 1985

Status

Available

Call number

813/.52

Publication

New York, N.Y. : Library of America : Distributed in the U.S. and Canada by Viking, c1985.

Description

The four novels in this Library of America volume show Wharton at the height of her powers as a social observer and critic, examining American and European lives with a vision rich in detail, satire, and tragedy. In all of them her strong and autobiographical impulse is disciplined by her writer's craft and her unfailing regard for her audience. The House of Mirth (1905), Wharton's tenth book and her first novel of contemporary life, was an immediate runaway bestseller, with 140,000 copies in print within three months of publication. The story of young Lily Bart and her tragic sojourn among the upper class of turn-of-the-century New York, it touches on the insidious effects of social convention and upon the sexual and financial aggression to which women of independent spirit were exposed. The Reef (1912) is the story of two couples whose marriage plans are upset by the revelation of a past affair between George Darrow (a mature bachelor) and Sophy Vener, who happens to be the fiancée of his future wife's stepson. Henry James called the novel "a triumph of method," and it shares the rich nuance of his own The Golden Bowl. The Custom of the Country (1913) is the amatory saga of Undine Spragg of Apex City--beautiful, spoiled, and ambitious--whose charms conquer New York and European society. Vulgar and voracious, she presides over a series of men, representing the old and new aristocracies of both continents, in a comedy drawn unmistakably from life. The Age of Innocence (1920) is set in the New York of Wharton's youth, when the rules and taboos of her social "tribe" held as-yet unchallenged sway. A quasi-anthropological study of a remembered culture and its curious conventions, it tells the story of the Countess Olenska (formerly Ellen Mingott), refugee from a disastrous European marriage, and Newland Archer, heir to a tradition of respectability and family honor, as they struggle uneasily against their sexual attraction. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.… (more)

User reviews

LibraryThing member VeritysVeranda
There is something about the way Wharton describes the very rich of late 1800s America, in The House of Mirth, that can only really be captured with the very delicate paper of this edition. Of the story, it is the imperfect natures of the characters that draws me in and the fact that, whilst they
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resolve some issues, they are still flawed in the end. It may not be as gritty as some novelists with the setting, but it feels as though the emotions are...it helps to remind me that the glittering world of money isn't an Austen-esque world.
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LibraryThing member laytonwoman3rd
This review is of the novel, The Custom of the Country, which appears in this volume of the Library of America.

Undine Spragg was born to be admired. Her beauty and style turned heads in her mid-Western hometown of Apex, and later in the salons of New York and Paris. Undine Spragg was born to be
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indulged. Her father could always “find” the money to satisfy her whims and caprices (or, as she would have said, her needs) and settled on her an allowance he could sometimes ill afford, throughout several marriages; her husbands paid for her gowns, furs, jewels and parties as long as they could, or cared to, and when they stopped indulging Undine, Undine stopped caring for them. Undine Spragg was born to be dissatisfied. The more she had, the more she wanted, and the less she wanted what she had. She failed repeatedly to be the right sort of companion to the men who wanted her because she failed always to grasp the significance of anything that wasn’t relevant to her current desires. The less said about her mothering “skills”, the better. Unlike Scarlett O’Hara, another pampered heroine who I thought of often while reading The Custom of the Country, Undine Spragg had very little steel in her; when things got tough she didn’t face them and call upon inner reserves of strength to get her through; she just looked for another “friend” to bale her out. Not for Undine the unquenchable optimism of “Tomorrow is another day!” or the formidable resolve of “As God is my witness, I will never be hungry again!” Rather, by the end of Edith Wharton’s brilliant novel, Undine Spragg Moffatt Marvell desChelles Moffat has finally come to realize that, through her own ever-upward striving, she has sealed her fate, and disqualified herself from ever attaining that which, just now, she feels is the one thing she most wants in the world.
Wharton’s writing is witty, breathtakingly beautiful at times, compelling…how else could one read and enjoy 400 pages of the pointless carryings-on of anyone as unlikeable and useless as Undine Spragg? The novel is full of delicious irony, and one or two laugh-out-loud moments; the final chapter, in which we really meet Undine’s 9-year-old son and see things from his perspective, is as fine as anything I’ve ever read. I just wanted to scoop up this forlorn little being, whisk him back to his “French father”, and find him a woman with a heart to love him like a mother.
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LibraryThing member JoePhelan
This is a very satisfying, beautiful edition, and The Age of Innocence is a supreme American novel.
And just want to add The House of Mirth to the 5-star review. Amazing, beautiful, perfect prose marred only by some lazy bigotry that Wharton shared with so many other writers.

Language

Original publication date

1986-05-12

Physical description

1328 p.; 21 cm

ISBN

9780940450318
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