Status
Available
Call number
Series
Publication
Viking (2010), 1008 pages
Description
Follows the fates of five interrelated families--American, German, Russian, English, and Welsh--as they move through the dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.
Original publication date
2010
Media reviews
Trotz peinlicher Sexszenen auf Groschenromanniveau und wie Untertassen dahinfliegender Dialoge: Ken Folletts neuer Roman ist gut recherchiert und freundlich-sozialdemokratisch - einer Verfilmung im Öffentlich-Rechtlichen steht nichts im Weg.
Die Aufteilung von erfundenen Schicksalen und weltgeschichtlich verbürgten Ereignissen löst Follett perfekt.
Overall, Follett is masterly in conveying so much drama and historical information so vividly. He puts to good use the professional skills he has honed over the years — giving his characters a conversational style neither pseudo-quaint nor jarringly contemporary. That works well. And for all
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his belief in the redemptive quality of liberal humanism, he makes sure not to endow his characters with excessively modern sensibilities. As for the occasional cliché — well, unless you’re Tolstoy, you’re not going to have the time or the ability to be original throughout your 1,000-page blockbuster. Ken Follett is no Tolstoy, but he is a tireless storyteller, and although his tale has flaws, it’s grippingly told, and readable to the end. Show Less
Despite all this, "Fall of Giants" offers pleasures that more than compensate for its lack of literary finesse. Follett may not be Tolstoy, but he knows how to tell a compelling, well-constructed story. Once its basic elements are in place, the narrative acquires a cumulative, deceptively
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effortless momentum. Show Less
Lecturalia
La caída de los gigantes sumerge al lector en una historia cargada de épica. Ésta primera novela, que forma parte de una trilogía, sigue los destinos de cinco familias diferentes a lo largo y ancho del mundo. Desde América a Alemania, Rusia, Inglaterra y Gales, Follet sigue la evolución de
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sus personajes a través de la Primera Guerra Mundial, la Revolución Rusa y las primeras luchas por los derechos de la mujer.
Como siempre, Follet pone un especial interés por su tierra natal, Gales, al comenzar con la historia de Billy Williams, un sencillo minero; en América encontramos a Gus Dewar, un estudiante de derecho con el corazón partido por un desengaño amoroso. En Rusia, dos hermanos huérfanos, Grigori y Lev se ven en medio de una revolución que trastoca sus vidas y acaba por separar sus caminos. Como nudo entre las historias encontramos a la hermana de Williams, quien trabaja en Inglaterra como ama de llaves de Lady Fitzherbert, enamorada de un espía alemán, Walter von Ulrich.
Poco a poco estos personajes irán encontrándose a medida que la inmensa maquinaria creada por Follet avance, tan deprisa y violenta como el principio del siglo XX en el que se ven inmersos. Show Less
A lot happens on the first page of Ken Follett’s “Fall of Giants.” King George V is crowned at Westminster Abbey. A Welsh boy named Billy Williams turns 13 and begins his wretched life as a coal miner. And Mr. Follett, who was once a Welsh boy himself but grew up to become his generation’s
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most vaunted writer of colorless historical epics, kicks off a whopping new trilogy. His apparent ambition: to span the whole 20th century in blandly adequate novels so fat that they’re hard to hoist. Show Less