Status
Available
Call number
Publication
Harper (2021), 400 pages
Description
A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading with murderous attention, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.
Original publication date
2021
Media reviews
The Sentence covers a lot of ground, from ghosts to the joys and trials of bookselling to the lives of Native Americans and inmates doing hard time. And that’s just the first half of the story, before the pandemic, before George Floyd. The novel gets a little baggy after a while, as Erdrich
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struggles to juggle multiple plotlines. But the virtues here so outweigh the flaws that to complain seems almost like ingratitude ... The Sentence is rife with passages that stop you cold, particularly when Erdrich...articulates those stray, blindsiding moments that made 2020 not only tragic but also so downright weird and unsettling ... There is something wonderfully comforting in the precise recollection of such furtive memories, like someone quietly opening a door onto a little slice of clarity ... The Sentence testifies repeatedly to the power books possess to heal us and, yes, to change our lives ... There are books, like this one, that while they may not resolve the mysteries of the human heart, go a long way toward shedding light on our predicaments. In the case of The Sentence, that’s plenty. Show Less
The coronavirus pandemic is still raging away and God knows we’ll be reading novels about it for years, but Louise Erdrich’s The Sentence may be the best one we ever get. Neither a grim rehashing of the lockdown nor an apocalyptic exaggeration of the virus, her book offers the kind of fresh
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reflection only time can facilitate, and yet it’s so current the ink feels wet ... Such is the mystery of Erdrich’s work, and The Sentence is among her most magical novels, switching tones with the felicity of a mockingbird ... The great arc of [the] first 30 pages — zany body-snatching! harrowing prison ordeal! opposites-attract rom-com! — could have provided all the material needed for a whole novel, but Erdrich has something else in mind for The Sentence: This is a ghost story — though not like any I’ve read before. The novel’s ectoplasm hovers between the realms of historical horror and cultural comedy ... Moving at its own peculiar rhythm with a scope that feels somehow both cloistered and expansive, The Sentence captures a traumatic year in the history of a nation struggling to appreciate its own diversity. Show Less
The Sentence: It's such an unassuming title (and one that sounds like it belongs to a writing manual); but, Louise Erdrich's latest is a deceptively big novel, various in its storytelling styles; ambitious in its immediacy... All is tumultuous in The Sentence — the spirits, the country, Erdrich's
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own style. One of the few constants this novel affirms is the power of books. Tookie recalls that everyone at Birchbark is delighted when bookstores are deemed an "essential" business during the pandemic, making books as important as "food, fuel, heat, garbage collection, snow shoveling, and booze." No arguments here. And I'd add The Sentence to the growing list of fiction that seems pretty "essential" for a deeper take on the times we're living through. Show Less
Clearly having been written in the midst of the events that overtake its characters—the coronavirus and then the Twin Cities' eruption over the murder of George Floyd—the book has a sometimes disconcerting you-are-there quality, which can seem out of step with the story proper, though the
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events do amplify the novel's themes of social and personal connection and dissociation, and of the historic crimes and contemporary aggressions, micro and overt, perpetrated in the name of white supremacy. What does hold everything together here, fittingly enough in a novel so much of which takes place in a bookstore, is the connection made through reading; and one of the great charms of The Sentence for an avid reader is the running commentary on books—recommendations, judgments, citations, even, at the end, a Totally Biased List of Tookie's favorites. Show Less
Few novelists can fuse the comic and the tragic as beautifully as Louise Erdrich does, and she does it again in The Sentence ... No one escapes heartache in The Sentence, but mysteries old and new are solved, and some of the broken places made stronger. The Sentence, a book about the healing power
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of books, makes its own case splendidly. Show Less
It is a ghost story, a love letter to the written word, an exploration of Indigenous identity, an urgent response to a volatile and cataclysmic world. At once brutally realistic and weirdly metafictional, it burns with moral passion, brims with humor, and captivates with its striking and
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irresistible voice ... People’s capacity for change, their ability to transcend the limits of the sentences they receive, to exceed the sentences used to sum them up, to use the sentences they read and speak as portals onto a larger life and an avenue towards freedom, is one of Erdrich’s most moving ethical points here ... The Sentence, is a wonder, and Erdrich a writer of wonders. Show Less
Erdrich is the rare writer who can straddle the line between the real world and the spiritual seemingly effortlessly ... a love letter to the written word, to books, and to those who sell them. It’s also a chronicle of a tumultuous year. It’s a ghost story. It’s the story of how racism haunts
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America. It is all these things wrapped in a novel that is cluttered in the way a great bookstore is cluttered with treasures and little gems hidden behind every page. Show Less
A scintillating story about a motley group of Native American booksellers haunted by the spirit of a customer ... More than a gripping ghost story, this offers profound insights into the effects of the global pandemic and the collateral damage of systemic racism. It adds up to one of Erdrich’s
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most sprawling and illuminating works to date. Show Less
Erdrich turns her eye to various kinds of hauntings, all of which feel quite real to the affected characters ... The novel’s humor is mordant ... Erdrich’s love for bookselling is clear, as is her complicated affection for Minneapolis and the people who fight to overcome institutional hatred
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and racism. A novel that reckons with ghosts—of both specific people and also the shadows resulting from America’s violent, dark habits. Show Less