Status
Available
Call number
Series
Genres
Publication
WILLIAM MORROW AND COMPANY (1959)
Description
In an open cart, Elspeth Huxley set off with her parents to travel to Thika in Kenya. As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered--the hard way--the world of the African. This book recounts Huxley's childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and the author paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.
User reviews
LibraryThing member hemlokgang
"The Flame Trees of Thika: Memories of an African Childhood" by Elspeth Huxley, is an absolutely lovely recollection of childhood as it should be for every child. The daughter of two financially strapped, adventurous, and eternally optimistic parents, Elspeth recounts life in Thika in the bush of
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Kenya, where she spent her youth amongst the Kikuyu and Masai. She lived with nature, with superstitions, with death and love, and certainly writes about it all with great equanimity. She is able to capture the way a child hovers around the fringe of certain events, yet seems to understand events with a certain unique wisdom. It is a wonderful book. The writing is excellent, the story actually quite amazing, and the people are fascinating, one and all. Read it. Show Less
LibraryThing member streamsong
This is a fictionalized autobiography of Elspeth Huxley's childhood years in Kenya immediately prior to WWl. Her parents were British upper class. Her father was a bit of an adventurer, having traveled widely and prospected for gold before choosing this venture--namely carving a coffee plantation
Huxley is a beautiful writer leaving us with an intimate portrayal of the time and place. Yes, we do see the warts of British colonialism and paternalistic attitudes toward the Kikuyu and Maori tribes. But we also see love and respect and laughter and vivid portraits of the countryside and wildlife.
I would recommend this book to anyone, but especially to those who have enjoyed other stories of this period of African history, such as [[Beryl Markham]]'s [West With the Night]. In later years, Markham and Huxley knew each other and were in the same social group.
BBC made a seven part miniseries from this book and I would also recommend it highly. Except for the final installment, it followed the book quite closely. It was filmed on location in Kenya. The scenery, wildlife and depiction of the tribes were stunning.
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from virgin bush in a remote area of Kenya. Huxley is a beautiful writer leaving us with an intimate portrayal of the time and place. Yes, we do see the warts of British colonialism and paternalistic attitudes toward the Kikuyu and Maori tribes. But we also see love and respect and laughter and vivid portraits of the countryside and wildlife.
I would recommend this book to anyone, but especially to those who have enjoyed other stories of this period of African history, such as [[Beryl Markham]]'s [West With the Night]. In later years, Markham and Huxley knew each other and were in the same social group.
BBC made a seven part miniseries from this book and I would also recommend it highly. Except for the final installment, it followed the book quite closely. It was filmed on location in Kenya. The scenery, wildlife and depiction of the tribes were stunning.
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LibraryThing member wenestvedt
I read this girl's story of her family's emigration to Africa when I was a kid after I saw the television version on PBS. I re-read it as an adult, and it was still interesting and appealing.
LibraryThing member overthemoon
This seemed a little hard to get into, but maybe that was because of my mood rather than the writing, because when I picked it up again I found it beautifully lyrical: I kept wanting to copy sentences out but there were too many. Elspeth Huxley looks back at her childhood in Kenya, near Nairobi,
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when her parents left England to seek new fortunes on a plantation, in the early 20th century. The young Elspeth is observant, unprejudiced and headstrong, fearless or perhaps unaware of any dangers. She seems to be about 11, hovering between innocence and understanding of relationships that are hinted at but left unspoken. I was quite surprised to learn that the real Elspeth was only five or six when the family went to Kenya, so the memories must be cosmetically enhanced. It is a good book that made me laugh at times, and feel sad for many reasons; I just regret that I never found out the truth about that boomklops; I wonder if Elspeth did. I should mention that this is a very nicely produced hardback from Slightly Foxed, with a ribbon bookmark, creamy paper and just the right size for carrying around in my bag to read on the train. Show Less
LibraryThing member starbox
The author recalls her childhood in colonial Kenya, just prior to the outbreak of WW1. It's a beautiful read, taking in the scenery, the wildlife and the people - from the servants, the local Kikuyu and Masai peoples, to the fellow settlers- adventurers, wives struggling with a tough life, and a
"The green of the new grass was so intense and fierce that every hillside seemed afire with an emerald flame, rising to meet a sky of glutinous indigo."
The vivid descriptions bring the narrative to life.
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love story..."The green of the new grass was so intense and fierce that every hillside seemed afire with an emerald flame, rising to meet a sky of glutinous indigo."
The vivid descriptions bring the narrative to life.
Show Less
LibraryThing member burritapal
4 stars, despite the unsavory subject: Europeans taking over Africans' lands, oppressing them to use as cheap labor, replacing/denigrating their culture.
The story is told through the voice of a young girl brought from England to outside of a small village in Kenya, in the years before the first
Curiously, there was a link between the last book I read, "Our Mutual Friend," and the next book I'm reading, "Possessing the Secret of Joy." Ian is a character who is in love with Lettice, the wife of another man. Ian's dream is to be a lock warden on the Thames; in "Our Mutual Friend," a character is a lock warden. In "Possessing the Secret of Joy," Thikka, Kenya is the main setting of the books.
The Kukuru and Masai that the Whites live among wear very little clothes:
P.118
" 'nakedness doesn't seem to matter when people are black or brown, ' Lettice remarked. 'White bodies look like clay waiting to go into a kiln. Natives look as if they've been fired and finished; perhaps that's why they don't strike one as indecent.' "
Natives live close to the land, and only the passing seasons mark time for them:
P.187
" 'perhaps it's as bad to feel one isn't getting old fast enough, as to know that one is getting old too fast,' Lettice agreed. 'We are always trying to make time go at a different pace, as if it were an obstinate pony. Perhaps we should do better to let it amble along as it wishes, without taking much notice of it.' 'That is what the natives do,' Tilley said. 'And perhaps that is why they seem happier. Perhaps it is all a mistake, our trying to change them, and introduce new worries, like time's wingéd Chariot hurrying near...'
A nod is thrown out to those who care about the cruelty to animals, as many parts of this book describe scenes of cruelty to animals:
P.242
" 'The Dorobo will finish it off and gobble it up,' Kate Crawfurd said. 'How very carnivorous they are! But I suppose we are just as bad, only we cook it first, which makes everything a little more restrained, but doesn't affect the principle, that we all live on dead animals, like hyenas and lions. I used to think that vegetarians were cranks, but now I wonder; perhaps they have climbed a rung higher on the ladder of civilization. Perhaps it is more spiritual to live on beans and spinach, with possibly an egg now and then. Do you think we ought to try it, Humphrey, and give up being carnivores?' "
Humphrey does not.
The story is told through the voice of a young girl brought from England to outside of a small village in Kenya, in the years before the first
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World war. This young girl tries to make sense of the world of the adults that surround her: their racism towards the natives, the disregard for their culture, and the dynamics going on between them. The beauty of the land and the natives and the Flora and fauna of the area are what makes this book remarkable and thoroughly lovely.Curiously, there was a link between the last book I read, "Our Mutual Friend," and the next book I'm reading, "Possessing the Secret of Joy." Ian is a character who is in love with Lettice, the wife of another man. Ian's dream is to be a lock warden on the Thames; in "Our Mutual Friend," a character is a lock warden. In "Possessing the Secret of Joy," Thikka, Kenya is the main setting of the books.
The Kukuru and Masai that the Whites live among wear very little clothes:
P.118
" 'nakedness doesn't seem to matter when people are black or brown, ' Lettice remarked. 'White bodies look like clay waiting to go into a kiln. Natives look as if they've been fired and finished; perhaps that's why they don't strike one as indecent.' "
Natives live close to the land, and only the passing seasons mark time for them:
P.187
" 'perhaps it's as bad to feel one isn't getting old fast enough, as to know that one is getting old too fast,' Lettice agreed. 'We are always trying to make time go at a different pace, as if it were an obstinate pony. Perhaps we should do better to let it amble along as it wishes, without taking much notice of it.' 'That is what the natives do,' Tilley said. 'And perhaps that is why they seem happier. Perhaps it is all a mistake, our trying to change them, and introduce new worries, like time's wingéd Chariot hurrying near...'
A nod is thrown out to those who care about the cruelty to animals, as many parts of this book describe scenes of cruelty to animals:
P.242
" 'The Dorobo will finish it off and gobble it up,' Kate Crawfurd said. 'How very carnivorous they are! But I suppose we are just as bad, only we cook it first, which makes everything a little more restrained, but doesn't affect the principle, that we all live on dead animals, like hyenas and lions. I used to think that vegetarians were cranks, but now I wonder; perhaps they have climbed a rung higher on the ladder of civilization. Perhaps it is more spiritual to live on beans and spinach, with possibly an egg now and then. Do you think we ought to try it, Humphrey, and give up being carnivores?' "
Humphrey does not.
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Subjects
Language
Original publication date
1959