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As Nero Wolfe prepares to speak at a gathering of the world's great chefs, one is found indelicately murdered. When the target for killing shifts to himself, the great detective must close this case quickly or his next meal may be his last. World-class cuisine, charming company . . . The secret ingredient is poison. Everyone knows that too many cooks spoil the broth, but you'd hardly expect it to lead to murder. But that's exactly what's on the menu at a five-star gathering of the world's greatest chefs. As guest of honor, Wolfe was lured from his brownstone to a posh southern spa to deliver the keynote address. He never expected that between courses of haute cuisine he and Archie would be compelled to detect a killer with a poison touch--a killer preparing to serve the great detective his last supper. "It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore."--The New York Times Book Review A grand master of the form, Rex Stout is one of America's greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained--and puzzled--millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself, Rex Stout.… (more)
User reviews
Since this takes place in West Virginia in 1938 at a spa-like location we meet several blacks employed there in menial positions. Many people object to the racist language used in this book, but that was how it was then. Even Archie showed some mild effects of the tenor of the times. What I was impressed with is how Rex Stout has Nero Wolfe relate to these employees, taking the trouble not only to ask but also to remember the name of each one of them when he interviews them, letting one educated black air his opinions without putting him down but never condescending to them. In short he treated them just as he would treat any other person he was interrogating. I think it was remarkable that an author would make a point of having his character behave this way at a time when most people were prejudiced against blacks even outside of the South.
Extended review:
I've stated my opinion that an author oughtn't to be faulted for accurately reflecting prevailing or common views and attitudes of his or her own time and place; or, I suppose, of others' if faithfully represented. For every
Several recent readings have tested my commitment to that opinion, most notably the novels of John Buchan (1910s) and Neville Shute (1940s), with their depiction of native Africans and Australians, respectively; or, more precisely, their depiction of white men's view of them. I've managed to read through the portions that are objectionable by today's standards, saying that people really did think and speak that way and that we shouldn't forget what it is that people have struggled to overcome.
Rex Stout's Too Many Cooks, however, exceeds my limits of tolerance. It is set in a Southern state in 1938, and the race of black Americans is a key issue in the plot. Even though the most offensive speech and behavior are expressed as those of characters belonging to that culture, the language of the narrator and various other characters throughout is simply too condescending, superior, and even contemptuous to be read with equanimity in 2016. Not only blacks but women and even Chinese come in for some heavy-handed stereotyping that is bound to choke most modern readers. Nero Wolfe makes a speech against racism and for justice:
"The ideal human agreement is one in which distinctions of race and color and religion are totally disregarded; anyone helping to preserve those distinctions is postponing that ideal...." (page 110)
but that is not enough to offset the effects of unapologetically racist representations expressed--perhaps even with harmless intent--throughout.
For that reason, even though the story is a good enough series mystery, solved by fair means--an interesting setup, and the clues are all present, but only Nero Wolfe puts them all together--I regret rereading this one and can't recommend it except to students of evolving social attitudes in the United States of the twentieth century.
Not the best of the Nero Wolfe stories but far from the worst. Interesting to take the large detective out of his normal area and into the wilds of Virginia.It is also interesting that there is almost as much about food as murder in this murderous culinary tale.
It must be said, however, that Rex Stout didn't just talk the talk, he walked the walk. According to his
[Incidentally, an earlier reviewer says the book is oblivious of the looming war. This is not strictly true. There is a scene in which a French chef and an Italian chef have a shouting match, and Archie says, "I suppose that's how the war will start." In 1938, France v. Italy looked like as likely a flashpoint as any. Stout certainly wasn't unaware that war was coming; he was as early and persistent an interventionist as could be found.)
This novel was originally published in 1938, and Nero Wolfe and Archie have travelled south to a five-star resort to attend the gathering of the world’s greatest chefs. As guest of honor, Wolfe is served both haute cuisine and murder. Reluctantly at first, Wolfe eventually decides he does need to solve this case.
At that time, much of the hotel staff were black and although Wolfe actually did address and deal with some of the outright and obvious prejudice, there was still a number of racial slurs and condescending speech about and towards these black characters. This brings thoughts of today’s policy of pulling these types of books from the shelves. I have mixed feelings about this, yes, it is distasteful to read, but how are we going to remember how hurtful this casual racism is and improve upon it if we don’t see where this type of prejudice comes from. I would rather books like this come with a foreword discussing the situation than to see them disappear.
Rex Stout delivers interesting, intricate mysteries that give the reader plenty to puzzle upon. The interplay between Wolfe and Archie make these books well worth picking up. I enjoyed Too Many Cooks and fully intend on continuing my exploration of this series.
I do want to point out that though Archie goes by the common vernacular,
With a giant pool of suspects, many of which disliked the murdered man to the point of considering doing it themselves, this book makes for a twisted path in trying to ascertain the killer. Add in the fact that poor Nero has traveled outside his home (something he is loath to do) to go to the event, and lack of sleep as events unfold, and Nero Wolfe and Archie will be put to the test to solve this caper.
This is the kind of impossible crime that made Wolfe such a famous fictional detective. The book was written in the Jim Crow era and set in the southern U.S., and several of the spa’s African American staff are crucial witnesses. While other characters in the book use highly offensive racial slurs for the African American service workers as well as for other ethnic minority characters, Wolfe never uses this offensive language, and he treats the African American staff with respect.
Nero Wolfe's irascibility is one of the best parts of the series, along with his curtness, erudition, and gourmet/gourmand qualities. Archie Goodwin's sarcasticness is one of the best parts of the series, along with his innate goodness.
In this book, Wolfe is actually out of the brownstone, traveling on a train to a meeting of chefs at a fancy spa in West Virginia. One of the chefs is murdered and another is accused. Wolfe takes part for personal reasons and is paid with a sausage recipe. The mystery is, like all Wolfe books, pretty good. I tried to find the clues and was wrong, but the clues were there.
It was interesting to see Wolfe in 1938 (when the book was written) treating African Americans like equal human beings, even in Jim Crow West Virginia. (This echoes author Rex Stout's views.) For instance, the local whites call the black people the n-word while Wolfe uses the (then appropriate) "negro."
All-in-all, a good one.