Call number
246 BEC
Status
Available
Call number
Pages
166
Description
Includes works from museums in Madrid, Florence, Rome, and St. Petersburg, featuring the art of such masters as Goya, Rembrandt, El Greco, Titian, and Caravaggio.
Publication
New York : Stewart, Tabori & Chang, 1996, c1994.
ISBN
9781556705090
Collection
User reviews
LibraryThing member gbill
A long time ago while flipping through channels on the TV, I'd find myself stopping when I came to "Sister Wendy's Odyssey" on PBS. It was a very unique show - a nun critiquing art - and I was always a little surprised at how enjoyable it was. The book takes off directly from that, and I like it's
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format - full page reproductions of selected paintings on the right, and Sister Wendy's interpretation and comments on the left. She is clearly a fan of art, and does not sermonize in her analysis. Show Less
LibraryThing member ValerieAndBooks
I have heard of Sister Wendy, but not being much of a TV watcher, never saw her TV shows on touring art museums all over the world. This book, "Sister Wendy's Grand Tour: Discovering Europe's Great Art" was for sale at the local library recently, being no longer the property of the library. Did not
The paintings, with a few sculptures included, are organized by the cities (by the museums that they were in) that Sister Wendy viewed them in. Each painting is featured in full-color on one page, with Sister Wendy's commentary on the opposing page.
It may not come as a surprise that many of the art pieces chosen by Sister Wendy are Old Masters, although she does provide insight on Van Gogh and Matisse. Being a nun, one might expect her to favor exclusively religious paintings, but that is not the case. And, she is not fuddy-duddy in her views either but certainly not ribald. Sister Wendy provides a fresh insight that I enjoyed, particularly for the paintings that many of us are familiar with.
About "Mars" by Diego Velazquez (c. 1636-42), Sister Wendy says:
"This is how Velazquez sees Mars: the great god of war: deflated, dejected, stripped of his armour, completely vulnerable. This is not because he has been defeated, but because he has just suffered the great male humiliation of being laughed at. Nothing is more painful to vanity than mockery, and Mars has just been publicly made a fool of."
Then, she adds:
"So he slumps here, brooding and melancholy, his armour useless around him and the only thing still erect is his mustache."
About "Artist's Bedroom" by Vincent van Gogh (1888):
"... van Gogh believed he was expressing great 'tranquility and restfulness', as he wrote to his family. He is actually expressing intense anxiety and frustration, ordered, held in vigorous, trembling tension. It is this moving contrast that makes us feel close to him. We are an anxious, neurotic generation, and we warm to this neurotic man, struggling so bravely to impose calm upon the turmoil of his mental stresses."
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enough people check this out? Too bad if that's the case, but at least it's mine for now.The paintings, with a few sculptures included, are organized by the cities (by the museums that they were in) that Sister Wendy viewed them in. Each painting is featured in full-color on one page, with Sister Wendy's commentary on the opposing page.
It may not come as a surprise that many of the art pieces chosen by Sister Wendy are Old Masters, although she does provide insight on Van Gogh and Matisse. Being a nun, one might expect her to favor exclusively religious paintings, but that is not the case. And, she is not fuddy-duddy in her views either but certainly not ribald. Sister Wendy provides a fresh insight that I enjoyed, particularly for the paintings that many of us are familiar with.
About "Mars" by Diego Velazquez (c. 1636-42), Sister Wendy says:
"This is how Velazquez sees Mars: the great god of war: deflated, dejected, stripped of his armour, completely vulnerable. This is not because he has been defeated, but because he has just suffered the great male humiliation of being laughed at. Nothing is more painful to vanity than mockery, and Mars has just been publicly made a fool of."
Then, she adds:
"So he slumps here, brooding and melancholy, his armour useless around him and the only thing still erect is his mustache."
About "Artist's Bedroom" by Vincent van Gogh (1888):
"... van Gogh believed he was expressing great 'tranquility and restfulness', as he wrote to his family. He is actually expressing intense anxiety and frustration, ordered, held in vigorous, trembling tension. It is this moving contrast that makes us feel close to him. We are an anxious, neurotic generation, and we warm to this neurotic man, struggling so bravely to impose calm upon the turmoil of his mental stresses."
Show Less