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In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself. Four months later, his decomposed body was found by a moose hunter. How Christopher Johnson McCandless came to die is the unforgettable story of Into the Wild. Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and, unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw the maps away. Leaving behind his desperate parents and sister, he vanished into the wild. Jon Krakauer constructs a clarifying prism through which he reassembles the disquieting facts of McCandless's short life. Admitting an interst that borders on obsession, he searches for the clues to the drives and desires that propelled McCandless. When McCandless's innocent mistakes turn out to be irreversible and fatal, he becomes the stuff of tabloid headlines and is dismissed for his naiveté, pretensions, and hubris. He is said to have had a death wish but wanting to die is a very different thing from being compelled to look over the edge. Krakauer brings McCandless's uncompromising pilgrimage out of the shadows, and the peril, adversity, and renunciation sought by this enigmatic young man are illuminated with a rare understanding--and not an ounce of sentimentality. Mesmerizing, heartbreaking, Into the Wild is a tour de force. The power and luminosity of Jon Krakauer's stoytelling blaze through every page.… (more)
Description
Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir.
In the Mojave Desert he has abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and, unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw the maps away. Leaving behind his desperate parents and sister, he vanished into the wild.
Jon Krakauer constructs a clarifying prism through which he has reassembles the disquieting facts of McCandless's short
life. Admitting an interest that borders on obsession, he searches for the clues to the dries and desires that propelled McCandless. Digging deeply, he takes an inherently compelling mystery and unravels the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons.
When McCandless's innocent mistakes turn out to be irreversible and fatal, he becomes the stuff of tabloid headlines and is dismissed for his naiveté, pretensions, and hubris.
He is said to have had a death wish but wanting to die is a very different thing from being compelled to look over the edge. Krakauer brings McCandless's uncompromising pilgrimage out of the shadows, and the peril, adversity, and renunciation sought by this enigmatic young man are illuminated with a rare understanding--and not an ounce of sentimentality. Mesmerizing, heartbreaking, Into the Wild is a tour de force. The power and luminosity of Jon Krakauer's storytelling blaze through every page.
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It is a life changing book, for me - a brilliant piece of work almost impossible to quantify for others, but I'll take a shot,
There are a lot of people (Alaskans, in particular) who resent the attention paid to Chris McCandless. He is considered by some to be an arrogant, and ill-prepared elite who had no sense at all to attempt what he accomplished. At the end of his great adventure he died, after all. As if that fact invalidates the nature and heart of what McCandless accomplished on his personal journey. The book spends a great deal of time addressing this attitude directly, and while everyone is all too aware of the errors and faults (some of which can be interpreted as arrogance, not using a map for instance), the author's impressions, research and conclusions tell a very different story.
This isn't about Alaska, or dying in Alaska. It is about our culture's detachment from honest, obvious and impacting rights of passage and how this natural need is bound to cost us the lives of some of our young - the ones daring enough to try to live life according to their own beliefs, passions and need for honest, truthful self discovery.
I shouldn't say what it is about, really. I've read many reviews and opinions wherein the writer gives their interpretation of 'what it is about' and accuse others of 'not getting it'. That is one of the beauties of this book - it is necessarily going to carry a different message to many different people.
Parents may face the cold reality that they do not ultimately control their children when they mature - and that the grey line between childhood and adulthood necessitates some dangerous transitions, if it is to benefit the adult in the making.
Mortality isn't something many in the West are comfortable with - to have died (whatever quality of life proceeds it) is the ultimate failure to many people. That this attitude prescribes a life of fear and limitation seems to escape most. Chris lived more life than many such people, and did so in 1/4 the time.
I'm predictably rambling and being less coherent than I'd like, so I'll start to close with a quote from the book:
"It is hardly unusual for a young man to be drawn to a pursuit considered reckless by his elders; engaging in risky behavior is a rite of passage in our culture no less that in most others. Danger always held a certain allure. That , in large part, is why so many teenagers drive too fast and drink too much and take too many drugs, why it has always been so easy for nations to recruit young men to go to war. It can be argued that youthful derring-do is in fact evolutionarily adaptive, a behavior encoded in our genes. McCandless, in his fashion, merely took risk-taking to its logical extreme."
I feel that McCandless ultimately gave us a worthy example mixed perfectly with a cautionary tale, and the jewels he unearthed through hard work most of us would never dream of attempting. After all was said and done, he concluded "HAPPINESS ONLY REAL WHEN SHARED", an intensely powerful conclusion for someone to attain after leaving everyone else behind.
This is one of the most compelling tales I have ever read and my favorite non-fiction book I have read thus far.
Chris McCandless had what many consider a good life. His parents, who worked hard to rise from poverty, were proud to provide the family with a comfortable life in Annadale, Virginia. McCandless was smart, driven, and talented. He excelled in school, and when it was time to
Into the Wild is Jon Krakauer’s attempt to answer the many questions arising from Chris McCandless’ unusual life and death. There are few answers in the account of the young man who abandoned a seemingly happy and comfortable life to distance himself from his family and society at large. Was it the influence of the literature of Jack London, Thoreau and Tolstoy? Was it the revelation of his father’s bigamy? Was it nature or nurture that led the young man to his tragic end in a bus in the middle of Alaska? Krakauer shies away from conclusions; instead, he retraces McCandless’ steps and interviews those who came in contact with him to provide enough information and leaves it to the reader to make up his or her own mind about McCandless. Readers are left with a picture of a conflicted young man whose personality swayed from friendly, generous, gregarious, and caring to self-righteous, impatient, intolerant, and self-absorbed. The reader is left to ponder if McCandless’ main motive, and the cause of his death, was hubris or innocence.
In Into the Wild, Jon Krakauer does an outstanding job of researching Chris McCandless’ life and death. It is not hard to see that Krakauer’s fascination with McCandless stems from his identification with the young man. Instead of threatening the journalistic objectivity readers are used to in documentary pieces, this personal connection makes of the book an arresting piece of non-fiction. The mystery here is not how the book will end but why anyone would choose the path taken by McCandless. Readers are caught between the romantic notion that one can leave behind society and its evils for a life of community with the purity of nature and the reality that in pursuing such endeavor, one leaves behind broken pieces for others to pick up. Young adults might be particularly interested in the story since it focuses on someone who dared face social expectations and carve his own way in life, and great discussions can ensue from McCandless’ ambiguous nature. If one cannot mourn the man and his idiosyncrasies, it is hard not to sympathize with his desire for freedom and the courage (or hubris or selfishness) to leave everything behind for the sake of a dream.
An interesting young man to say the least.
Adventure may be considered, culturally, a male need, but I found myself wishing for
McCandless' story needs no more elaboration or analysis provided by an additional reporter -- it is fascinating and lingers in the readers' minds even without the brooding commentary of an obviously narcissistic author.
The book gets 3 and a half stars from me, but only out of respect for the story hidden between the lines of what seems to be a nightmarishly long and terribly edited high school paper.
Clearly,
For me, the most memorable chapters weren’t about Chris at all. Rather, they recounted a perilous, almost fatal effort by Krakauer to climb the unclimbable Alaskan peak called the Devil’s Thumb. In that harrowing recounting, Krakauer attempts to understand Chris by delving into why he himself had dome something just as rash, the only difference being that he survived.
The final two chapters of the book, when Krakauer first visits the bus where Chris died, then returns with Chris’s parents, were also extremely moving. No matter what opinion you may hold of Chris’s actions, this story of the failed prophet who doesn’t return from the wilderness is a powerful one.
based on this young man's odyssey through the Southwest and Alaska. With access to McCandless' journals, pictorial records,
Each chapter begins with either a map, or passage, some underlined from one of McCandless' many books found at his campsite, or telling of the mind set of an adventurer. The passages are from authors as varied as Thoreau, Mark Twain, Jack London, Boris Pasternak or naturalists and adventurers who scaled mountains and forged trails through the wilderness. . Each passage and the book it is from gives an insight into the thought process of Chris and helps explain why he might have chosen the path for himself: London's Call of the Wild and White Fang, Thoreau's Walden, or Life in the Woods, Roderick Nash's Wilderness and the American Mind.
Krakauer , an outdoorman himself, does not so much judge Chris as try to explain the cultural rite of passage which McCandless engaged in: risky behavior which pits a young man against nature among its harshest elements. While this is a biography, McCandless as an adventurer, makes for a thrilling read for high school students, especially boys, who admire a free spirt, an altruistic fellow ready to follow his passions yet fullfill his parents concerns for a college education.
The book really would have benefited
And I think that is the biggest problem with this book: Krakauer sees himself in Christopher McCandless, and that clouds his judgment. The author states at the beginning that he is biased, and boy does that bias rear its ugly head in practically every chapter. Krakauer does his best to canonize McCandless as some folk hero.
As another reviewer stated, Krakauer spends a lot of time declaring that Christopher McCandless was not mentally ill. And yet Krakauer had never met the young man who irrationally hated his parents, who renamed himself Alexander Supertramp, who burned money he might later need, who wandered the western United States alone for years, who was homeless, who wrote about himself in the third person, and who ultimately went to Alaska and starved to death. Those who had met Christopher called him charming and intelligent, but just as likely to call him odd, strange, and downright weird. I'm not saying that Christopher was mentally ill - it's impossible for me to know one way or another - but it's equally impossible for Krakauer to say that he wasn't.
Ultimately, McCandless died because he had a great love for nature, but no fear of it. While he read romantic accounts of Alaska, he didn't take into account that much of it was fiction, and even the non-fiction writers had a different set of skills. Even the Inuit can starve in Alaska, and their ancestors have been there for thousands of years. But armed with only a book about Alaskan plant life, ignoring the warnings that he received from several people, McCandless bumbled into death. Was he suicidal? Probably not. But he was definitely reckless. He is not someone who should be deified or, god forbid, emulated.
However, in spite of the book's flaws, it is very readable.
The book lacks little; if nothing else, I wish it were longer.
However, I was pleasantly surprised. Krakauer goes a lot further, examining the roots of McCandless's wanderlust, his complicated relationship with his father and family, his desire for space and freedom. He traces the route taken by McCandless across America, and interviews many of those who knew him.
McCandless remains something of an enigma. Consumed by the passionate fires of youth, McCandless was intelligent but hardly a poet - had he lived beyond his experiences, it's very possible that he could have become a 20th-century Thoreau or Tolstoy, but he never had the chance. In fact, at times, the stories of the broken-down people McCandless met along the way comes across as more absorbing and more captivating than his own travails.
The reactions to McCandless's death are particularly interesting to observe. So too are the digressions that Krakauer takes to explore other men like McCandless, and the author's own obsession with space and wanderlust, and how he grew beyond it, to incorporate the wandering spirit into his own life.
I wonder if there are any traces of my own personality in this tale - the book was given to me as a gift, by a friend who knows me better than myself. Could it then be that she saw something that she thought this book could save me from?
I ended just baffled by what makes somebody set out on a quest like this, and sad for his family and the people who cared about him.
Jon Krakauer has done it again with another true
After graduating from college, Chris donated his entire savings to charity, loaded his old Datsun B-210 and just vanished. Although his parents hired a private investigator, they would not hear about their son again until news of the discovery of his body in an old shell of a bus reached them some 2 years later. His travels took him not only throughout the lower 48, but down into Mexico and up into Alaska, his final goal. McCandless had mentors in Thoreau, Jack London, Tolstoy and other writers and decided to take their advice and do some real living for himself, often in situations in which you wouldn't expect someone of his background to find himself. Krakauer takes us through the events of McCandless's travels, as best as he can put them together. His writing is amazing; his storytelling abilities are incredible.
I absolutely loved this book, although as a parent, it was in parts a bit difficult to read, but only due to the emotional content of the "what -ifs" through which I put myself at times. Very highly recommended, with absolutely no reservations.
I look forward to seeing the movie.
Jon Krakauer did a fantastic job of bringing the story of Chris McCandless to life. Krakauer, who also traveled to Alaska at the age of 23, gives the reader rare insight into McCandless’ mindset. Using McCandless’ letters, quotes from his favorite authors, and passages from books in his possession at the time of his death, Krakauer pieces together a portrait of a determined young man, a “leather tramp”, and a decent and caring friend.
Krakauer also manages to make the reader feel that he knows the answer to the big question: “Why would someone leave civilization behind and try to survive in the wilds f Alaska?”
According the McCandless himself:
“It is the experiences, the memories, the great triumphant joy of
living to the fullest extent in which real meaning is found. God
it’s great to be alive! Thank you. Thank you.”
Journal Entry dated 2/27/90
I thoroughly enjoyed this biography and would recommend it to anyone who has ever felt the pull of nature or the call of a simpler existence.
The book follows a familiar but effective pattern, used in Krakauer's other books. He chronologically reconstructs events using interviews and the writings of the protagonist. He uses a technique that is quickly annoying my in today's nonfiction. He does a sentence or two of description of the interviewee creating a caricature rather than a character, then tells us what they said. It reads like a movie treatment.
Krakauer gives Chris McCandless the biggest, and least deserved posthumous reach around in literary history. It is amazing that Krakauer can diagnose the young man's mental health without meeting the living person. But he makes a point of saying McCandless was not insane, mentally ill, crazy several times. How does he do it? Well, this lad that chose the name "Alexander Supertramp." ignored warnings of numerous people, wrote about himself in third person, and was described as strange, odd, weird, by pretty much everyone that met him was kinda like a young Krakauer.
What Chris McCandless did was stupid, selfish, crazy, immature despite him being charismatic and friendly. There is only so much lipstick you can put on a crazy, spoiled dumbass pig that kills itself.