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"The author of the New York Times bestseller and beloved book club favorite The Kitchen House continues the story of Jamie Pyke, son of both a slave and master of Tall Oakes, whose deadly secret compels him to take a treacherous journey through the Underground Railroad. Published in 2010, The Kitchen House became a grassroots bestseller. Fans connected so deeply to the book's characters that the author, Kathleen Grissom, found herself being asked over and over "what happens next?" The wait is finally over. This new, stand-alone novel opens in 1830, and Jamie, who fled from the Virginian plantation he once called home, is passing in Philadelphia society as a wealthy white silversmith. After many years of striving, Jamie has achieved acclaim and security, only to discover that his aristocratic lover Caroline is pregnant. Before he can reveal his real identity to her, he learns that his beloved servant Pan has been captured and sold into slavery in the South. Pan's father, to whom Jamie owes a great debt, pleads for Jamie's help, and Jamie agrees, knowing the journey will take him perilously close to Tall Oakes and the ruthless slave hunter who is still searching for him. Meanwhile, Caroline's father learns and exposes Jamie's secret, and Jamie loses his home, his business, and finally Caroline. Heartbroken and with nothing to lose, Jamie embarks on a trip to a North Carolina plantation where Pan is being held with a former Tall Oakes slave named Sukey, who is intent on getting Pan to the Underground Railroad. Soon the three of them are running through the Great Dismal Swamp, the notoriously deadly hiding place for escaped slaves. Though they have help from those in the Underground Railroad, not all of them will make it out alive"--… (more)
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The year is 1830 and Jamie Pyke, a celebrated silversmith and notorious ladies’ man, is keeping a deadly secret. Passing as a wealthy white aristocrat in Philadelphian society, Jamie is now living a life he could never have imagined years before when he was a runaway slave, son of a southern black slave and her master. But Jamie’s carefully constructed world is threatened when he discovers that his married socialite lover, Caroline, is pregnant and his beloved servant Pan, to whose father Jamie owes his own freedom, has been captured and sold into slavery in the South.
Fleeing the consequences of his deceptions, Jamie embarks on a trip to a North Carolina plantation to save Pan from the life he himself barely escaped as a boy. With the help of a fearless slave, Sukey, who has taken the terrified young boy under her wing, Jamie navigates their way, racing against time and their ruthless pursuers through the Virginia backwoods, the Underground Railroad, and the treacherous Great Dismal Swamp.
“Kathleen Grissom is a first-rate storyteller…she observes with an unwavering but kind eye, and she bestows upon the reader, amid terrible secrets and sin, a gift of mercy: the belief that hope can triumph over hell” (Richmond Times Dispatch). Glory Over Everything is an emotionally rewarding and epic novel “filled with romance, villains, violence, courage, compassion…and suspense.” (Florida Courier).
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Having thoroughly enjoyed Grissom’s [The Kitchen House], I was compelled to immediately pick up [Glory Over Everything]. The novel follows the life of James Pyke, illegitimate child of Belle (from the former novel) and Marshall Pyke, heir to
James falls in love with Caroline, a young woman from an aristocratic family, and, when she becomes pregnant, he is much alarmed (and rightfully so) that his true roots will be revealed. At the same time, James becomes guardian to young Pan, the son of Henry, a former acquaintance and slave who once saved James’ life. When Pan is stolen and sold into slavery, Pyke begins a treacherous journey via the Underground Railroad to recover his young ward. He will encounter persons from Tall Oaks, including some family members, but most notably Sukey. At the novel’s conclusion, both James and Pan will know an entirely new life.
What I Loved: Once Grissom introduced the Underground Railroad, I was completely enthralled and didn’t want to put the novel down. It was wonderful to be re-introduced to Sukey. And the novel’s conclusion made me want to stand up and cheer.
Highly recommended.
I looked up a couple of reviews of The Kitchen House to re-familiarize myself with the story, but it turns out I didn’t need to. All I had to do was look at the cover and I could remember the plot, characters and feelings I had reading it. Since I read so much, this rarely happens. It’s a testament to Grissom’s writing.
I received Glory Over Everything during the week, and made sure to clear my schedule so I could start it on the weekend. All it took me was one afternoon. ONE AFTERNOON!!! I don’t remember the last time I flew through a book like that.
Although you don’t have to read The Kitchen House to understand Glory Over Everything, I suggest you do. It helps set a backstory for Jamie, and it helps immerse you in the story so much more. I was able to feel what Jamie was feeling easier, and understand why he did certain things. At times when he was thinking back to his plantation days, I felt like we were two friends reminiscing, because I had followed him on that journey as well.
The story is told mostly from two points of view: Pan and Jamie’s. Even though I’m not normally a fan of multi-viewpoints, it worked well. They were each distinctive viewpoints, and I like that Jamie’s started a little farther back than Pan’s, so it wasn’t really overlapping. They intertwined nicely.
Pan I liked, although I found him a little annoying. Mind you he is a child, and a pretty sheltered one at that, so I can understand. But I gave him a lot of side eye throughout the novel. Other than that, I found him cute and I got really super nervous anytime I thought something bad might happen to him.
Jamie I didn’t mind at all. His growth in character was a little sudden and didn’t feel 100% genuine for me, but overall it didn’t detract from my liking of him. It was interesting to have him as a little boy in The Kitchen House, and then see him as a man in Glory Over Everything. You can definitely see how the past has shaped who he is today.
Overall, I loved Glory Over Everything, just like I loved The Kitchen House. Actually, I might have liked it more. If you’re a fan of historical fiction, pick this one up.
There is a good story idea here – Jamie / James is a “runaway” slave who is so light-skinned as to be
There are a number of twists and turn in the plot and Grissom keeps the action moving forward. There are scenes that had me on the edge of my seat. I was caught up in the story and wanted to know how things would turn out, and how the characters would fare. However …
Grissom uses multiple narrators. This is not an easy technique to employ successfully. Grissom has said in numerous interviews that her characters “spoke” to her, and revealed the story in their own way. But the result is that there is less cohesion in the story-telling. The ending felt rushed to me. There was so much danger and uncertainty even 30 pages from the ending, and while there is some ambiguity (not a bad thing given the story arc) about what will happen in the future, it seemed to me that Grissom was trying too hard to wrap things up with a pretty bow.
In summary, it’s a good story and kept me turning pages, but the writing fell short. It earns a solid 3 stars.
After reading The Kitchen House, millions of readers were wanting to hear more about the mixed-race escaped slave who had been raised white until his father sold him off.
Now they have another gripping story from Grissom. In this one, James Pyke has built a life for
He has also taken in the son of the man who helped him when he first arrived in the city. The other man is also an escaped slave, and both men constantly fear that the slave hunters will track them down, reveal their secrets, and return them to the South.
When the boy Pan is kidnapped by slave traders and taken south to be sold, James is the only person who can hope to find him and eventually return his freedom. What follows is two tales interwoven, and each tale offers its own rewards. When the two stories again merge, readers are swept along to a thundering climax that only Grissom could provide.
The only flaw with this work is found in the opening segment. The work is paced quite slowly here as readers are introduced to everything James has to lose. However, by the opening of the third chapter, readers are well entrenched in two lives. Readers who continue on will be richly rewarded with a novel that is compelling and strongly paced to the end.
5 stars!
Readers who are interested in other stories of lives stolen away and snatched back after great effort should consider The Family Made of Dust, which deals with the aftermath of Australia's twentieth-century genocidal policies against Aboriginal tribes. Readers who are interested in other groups that have built America and continue to make it strong will be interested in the contemporary story of a Native American man who must save his sister and his lover from a peyote cult in Reparation: A Novel of Love, Danger and Devotion.
If you read the first book you know why James Pyke fled to Philadelphia, and the feeling he had for his real mother Belle, well now you can continue, and you will be staying up late and page
This story answers some questions, and gives us more, but there are still some tragic happenings, and then the author gives us a conclusion to both books! This book does have it all and you will come away with a Wow!
Now I wish I was able to continue on in the lives of those I have come to know and care about!
Please let this be a trilogy.
While there are some good things in this novel, I found it extremely difficult to like Jamie, even though I thought I should. For someone supposedly so smart, he really isn’t always the brightest bulb in the box. Not that I can’t like someone who isn’t, of course, but it didn’t work well for him. And while the writing is solid, there is nothing particularly special about it. I think this might be due in part to the author having been born and raised about 140 km from where my dad was born and raised in Saskatchewan. In heart Grissom is very rooted where she lives now, but I didn’t feel it in her writing. I’d love to see Grissom write something set in the Southern US written from a Canadian POV; I think that could work well for he
People will be happy to note that this is a stand-alone novel, and one need not have read The Kitchen House to understand it. There are references to Jamie’s childhood years and his flight from his childhood home, but Ms. Grissom covers all of the necessary backstory. That does not mean readers will not want to read The Kitchen House first. It is an excellent story in its own right and well-deserving of a second or even third reading. However, for those who may be worried about being able to pick up Jamie’s story in what is essentially the middle of it need not continue to do so.
In Jamie, Ms. Grissom gives us a character which will simultaneously raise one’s ire and one’s sympathy. His need to fit into white society, along with his ongoing repulsion about his mother and the black community at large, are difficult to stomach at times as he reflects the same hateful attitudes which he later faces in person. Actions speak louder than words, and some of Jamie’s actions are not the most promising. Yet, there is no doubt Jamie is a good person. He knows his attitudes are shameful, and he feels that shame. He is generous, kind, and caring. He has a large capacity for love and, more importantly, for forgiveness. His journey of self-discovery is uncomfortable and poignant as he comes to some hard truths about his past, his present, and his future.
As for Jamie’s physical journey, it is a thrilling one. The story starts out slowly, establishing Jamie’s position in Philadelphia, his relationships with his servants and with his beloved. However, what seems slow is really just the creation of that important relationship between main character and reader, so that once Jamie faces exposure of his deepest secret readers are firmly involved in the story and willing to overlook Jamie’s weaknesses. Once Jamie hits the Mason-Dixon line, the action is virtually nonstop and the resulting whirlwind is intense in its highs and lows.
What makes the story even better is that the narration shifts between Jamie, Sukey, and Pan. Each of their stories provides greater insight into the world in which they live as well as differing glimpses into slavery. Pan’s innocence and his lack of understanding of his surroundings remains one of the more upsetting sections if only because readers know the truth and are impotent to protect this vibrant and adorable little boy. Sukey’s story is plain ugly but necessary. In spite of everything she recalls and shares, she remains one of the more hopeful characters one will ever meet. Hers is a narrative that would drive other men to madness, but she maintains her dignity, loyalty, and love throughout the most horrific scenes. Sukey is the type of character we should all try to emulate.
In Glory over Everything, Ms. Grissom proves her writing mettle, for it is every bit as good, if not better, than her first book. There is something about Jamie’s struggle that hits close to home for all readers, regardless of color, and its scope is quite ambitious given the complexity of most of the themes. In fact though, Ms. Grissom is more than up to the task of tackling such themes with delicate forthrightness while creating a fantastic thriller at the same time. If fans loves The Kitchen House, they will adore Glory over Everything.
Meanwhile, Jamie’s cherished servant Pan has been kidnapped and taken into slavery, and because of his indebtedness to Pan’s father Henry, he embarks on a journey to recover Pan and to bring him to safety. While much of the novel in the first chapters were interesting, it was really when this journey toward freedom began that I became captivated with the story. The harsh cruelties that the slaves endured, such as when Sukey’s tongue was removed for wailing as her baby was plucked out of her arms, were almost too much to bear. Kathleen Grissom, being such a gifted writer, brings the Underground Railroad experience to life, as she depicts a treacherous journey in the Great Dismal Swamp with all the oozing mud, the eerie sounds of wildlife in the darkness of night, and the mosquitoes relentlessly swarming about.
This novel is intriguing to me because Grissom portrays its main character, Jamie, as a man struggling with racial identity and inner conflict. He has survived an arduous escape from the plantations, but he is not perfect in character. At times he is overcome by fear and succumbs to choices that reveal his human imperfections. What I love about this story, however, is that by the end, Jamie recognizes his mistakes and chooses to live in a more virtuous and fulfilling way.
But it is the characters that made this story for me. Jamie, raised as white only learning of his black heritage as a teen, when he has to, run away. Just loved young Pip and his father Henry, whose fear of slavery made him ever watchful, fearful. Robert, a black man, a man I would wish on my side no matter the circumstance and Adelaide, a young Southern girl, who is a handful, opinionated and wonderful. There is much on race of course, the differing opinions, degrees of acceptance, even in the North where slavery was not supposed to be accepted. But laws can be enacted, doesn't mean everyone will change their thinking. A book that at times left me breathless, angry, a book filled with emotion.
The ending felt a bit too good to be true, a little much but I still immensely enjoyed this book. The world as a whole still has such a long way to go despite the fact that we have come a long way from the days of slavery. Or have we? Something to think about.
ARC from Netgalley.
Glory is
Never expecting a sequel to Kitchen House, I am now hopeful that Grissom will continue this into a series. These are stories that need to be heard and she does it so wonderfully.
When Henry comes to James' house for help, he feels he must help him to pay back the debt he feels he owes him. Henry's son, Pan, has been working for James as a houseboy and has disappeared. Henry thinks he has been taken by slave traders and put on a boat south to be sold as a slave. There are other things going on in James' life at this point, but I do not want to spoil the story so will not share, that put him in extreme danger if he goes after Pan, but he follows through with his promise to Henry.
Not only does the story does go back and forth in time but it is told from different points of view by several of the characters from this book as well as others who were also in The Kitchen House. This was not a book that could be read in one sitting. It is painful to read about the conditions and situations that the African American people were going through during this time. The characters that I disliked in the first book, Marshall the plantation owner, Rankin the overseer and his son Jake were either in the story or were referred to in this one. I still hated them. The characters of Belle, Sukey, Miss Lavinia and her daughter Ellie also appeared in this book and either helped or found help for James and others in the book. They are still heroes in my eyes.
As I mentioned at the beginning of this review that you do not have to have read The Kitchen House to enjoy this book, but I do encourage you to read it first so you have a full picture of this story. The publisher generously provided me with a copy of this book via Netgalley.
By Kathleen Grissom
Narrated By Santino Fontana, Heather Alicia Simms, Madeleine Maby, and Kyle Beltran
Published 2016 by Simon & Schuster Audio
12 hours and 5 minutes
A few years ago, I listened to The Kitchen House by Kathleen Grissom and I was blown
In Glory Over Everything, the main character of the story is Jamie Pyke. Although some of the characters are the same as in The Kitchen House, this book could be read as a stand-alone. Having read The Kitchen House first, and the bar being set so high, it’s difficult to write my thoughts about Glory Over Everything without comparing it to The Kitchen House. I thought this book was almost as gripping as the first but I wasn’t left with the same wow factor. I’ve thought a lot about this since I finished the book and the missing piece for me was the narration. The Kitchen House had two narrators and the performance was part of what made that book so outstanding. This book had 4 narrators, all of which were good except for the voice of Jamie. I’m not sure exactly what it was about his reading that I disliked but it affected my overall perspective of the book. Nevertheless, it was still a great book and I’m still a big fan of Kathleen Grissom.
Jamie Pyke, passing as James Burton, was a minor figure in The Kitchen House. He is now a white aristocrat artist living in the upper echelon in early nineteenth century Philadelphia. He constantly attends to societal details, even fresh manicures, as he graces ballrooms and is attended to by house servants. Despite his sophistication, he fears his security in the white elite is tenuous.
Multiple first person narratives inform us of James’ back-story and lives of minor characters. Jamie totters on danger if his true identity is discovered. After incriminating evidence is revealed, life as he knows it ceases. He chooses a virtuous path, returning to the south to rescue Pan, the son of his old friend, Henry.
Tension builds in this historical thriller. We expect the brutality of the slaves to take center stage, but kindness trumps evil in the story. The bravery, sacrifice, and courage of the slaves are impressively aligned with the compassion and humanity of those who help them. The fine line walked by mulatto people living during the time of slavery is brilliantly painted. What happens to Pan in the future is an open door for Ms. Grissom to walk through in what may become her next novel. We shall see. Highly recommended.
I thank the author and Simon and Schuster for an advance reader's edition for my unbiased review.
Just as good as her previous novel and another I did not want to put down.