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Fiction. Literature. HTML: Winner of the Amazon.ca First Novel Award and a finalist for the Rogers Writers' Trust Fiction Prize and the Governor General's Literary Award, The Break is a stunning and heartbreaking debut novel about a multigenerational Métis�??Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg's North End. When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break �?? a barren field on an isolated strip of land outside her house �?? she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim �?? police, family, and friends �?? tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg's North End is exposed. A powerful intergenerational family saga, The Break showcases Vermette's abundant writing talent and positions her as an exciting new voice in Cana… (more)
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When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break ― a barren field on an isolated strip of land outside her house ― she calls the police to alert them to a possible crime.
In a series of shifting
My Review:
"In her dream, the break is land like any other land, just a place covered with snow. The sky is clear, the stars are bright and blinking, and the moon is full and bright. She can see all its dents and curves, and the light that reflects back somehow feels as warm as fire. The wind is the winter kind, huge and overpowering and in her ears. It's all she hears but it doesn't make her cold ... So her dream self walks that way, all the way, and doesn't look back. (273)
Set in contemporary Winnipeg, The Break is a stark and shocking portrayal of the aboriginal residents of the city’s North End. Stock characters – the older and jaded cop Christie; and the useless, abusive Charlie, Kookom’s ex –portray the racial prejudices of police officers toward the aboriginal community and the violence perpetrated against women by their partners. This latter revelation, not new by any means, renders the crime against Emily – unthinkable violence against women by women – the more disturbing.
In turn, Emily’s tragedy makes the strength of the female characters – Lou, Stella, Paulina, Cheryl, Kookum – the more palpable: enormous cultural and emotional strength that has prevailed in the face of abuse, violence, degradation, addiction, alcoholism – generation after generation.
Vermette takes her place among Canada’s best with The Break. I’d be pleased (and not surprised) to see her take 2016’s Governor General’s Literary Award for fiction. Most highly recommended, to those interested in Canadian literature, and in the experience of aboriginals living in Canada’s more Northern communities.
I did not expect to enjoy the story , and began reading it out of a sense of responsibility to read
What follows is what led up to the attack and what happens afterwards. The story is told from many different points of view through shifting narrators. The story very much humanizes the troubled First Nations people in the North End of Winnipeg and I suppose First Nations people in general. This is not a story about resentment from living in a residential school, or coming from a Reserve, but rather focuses on the hardship of life for the disadvantaged First Nations people living in the city.
This book gave me great empathy and insight into what living as a First Nation person might be like . Instead of reading with a sense of duty, I found this a compelling and fascinating read. There is a bit of a mystery about what happened in Stella's front yard - the blood left behind - was it just a couple of drunks? A bit of a gang fight, or was there more to it? But what drives the book is the characters, who are not necessarily that likeable, but are sympathetic and behave in understandable ways.
I had a difficult time getting into the first couple of chapters, but I quickly could not put it down. First nation gangs, poverty, dysfunctional families and the prejudice and the weariness of the police that deal with this group of people really show through in this novel.
This book takes place in the North End of Winnipeg, an area that is plagued with gang problems and violence, but an area that
I thought Vermette structured this story very well and I loved all the main characters even when I didn't always approve of them. If Vermette choses to follow up this book with a sequel I would certainly read it. The only thing that kept me from giving it full marks were the occasional typo and misspelling. That's probably mostly Anansi's fault but an author has a responsibility for the final draft too.
The Break refers to an open swath of land running between houses that holds the hydro-electric pylons. Left untouched in winter, it's where, in the early hours one morning, a woman holding a restless infant sees a group attacking a woman. She calls the police, but by the time they arrive, the only thing left is a disturbance in the snow and a pool of frozen blood. The cops don't entirely believe that she saw a woman being attacked, reasoning that she isn't exactly coherent.
While the crime does form a significant part of the book, the real focus is on the families involved, mostly headed by women, and even when there's a man in the picture, there's a real sense of a community of strong, strong women, who are used to facing both poverty and discrimination and to marching on regardless. Which is not to say they aren't often tired, or struggling along the way, but Vermette here has drawn a vivid picture of how these women relate to their communities, to each other and to themselves. She's also done a wonderful job of evoking life in winter in a northern city. I grew up in Edmonton, some distance away, but she really nailed the descriptions of what it was to walk home on a winter afternoon, or climb the porch steps when they're covered in packed snow. I'll be looking for more by this author.
Stella is a young mother who witnesses an assault across from her home. She wonders about trying to help, but her baby is crying and her toddler wakes up, so she calls 911. It takes several hours for the police to arrive, and Stella senses that at least one of them doubts her story. As the narrative voice of the novel shifts among those connected, by their relationships or their actions, to crime, we learn the story of this family of women. Excellent writing and strong characters who are life-like if not always likable. I will be watching for future novels by the author.
There isn't a lot that happens in this book but there is a lot of very good dialogue and flashbacks . The
Grandmother Kookum is a central character and she has witnessed much hardship and happiness and is a comfort to all the women. She is highly regarded and loved by all and well cared for.
The perpetrators of the crime are not the usual suspects but they do represent the children of adults who have been abused or addicted or removed by child welfare. The only strong male character is the police officer who investigates the rape.
Fo me the story represents love and hope overcoming tragedy and strong family bonds of love and forgiveness.
Really good book worth reading.
This is a beautifully-written book that somehow manages to be bleak
Canada needs to do better -- and I mean that both towards the government and towards all of us who are on occupied land.
And I highly recommend that you read this book.
“She was silent for as long as he could be. She thought she could heal there, but she was only resting, she was only standing still waiting for the real work to being. Waiting until she found the words.” (Stella pg. 273)
As
There are many strengths in Vermette’s novel. Her clear and true voice, her depictions of the heartbreaks and tragedies that shadow her characters’ lives, and the ultimate strength of family bonds that tie these imperfect people to each other, their heritage and their land. Katherena Vermette’s gift of story telling is profound. Her characters are all imperfect and real. As she takes the reader through each of their lives, one can’t help developing sympathy, understanding, and fondness for them. In addition, the unfairness and struggle the women (and men, too) in her novel face is difficult to read. The female characters are imperfect, strong, and beautiful. It doesn’t take long for the reader to develop a kinship with them.
While it is difficult to find a weakness in this magnificent novel, I have talked to some people who found it difficult to keep up with the leaps between characters. At first this was a challenge for me as well. At one point early on in my reading I became confused as to which character was which. But the large cast of characters is absolutely necessary for the reader to understand the ultimate message in Vermette’s work. And as one continues reading, the confusion evaporates as each character develops into a complete person, distinguishable and important to the overall story.
This is not an easy book to read and that is what makes it so powerful. The truth and honesty in Vermette’s words is soul shattering. I highly recommend you add this to your reading list.
We learn about what happened that night on the break through the voices of four generations of First Nations women. They have lived hard lives full of loss as well as betrayal by their husbands, by other men, both First Nations and white, not infrequently by other women, and by a system that doesn't value them. Despite all this, they are strong resilient women who rely on their own strength and on the support and strength of the other women in their family to deal with this just as they have always done.
This is also a story about how poverty, homelessness, cultural loss, and prejudice can lead to despair which, in turn, can lead to violence even across generations. This is made clear especially in the actions of the main perpetrator who is one of the few voices from outside the family. Although Vermette doesn't excuse her actions, she also shows how they are connected to her background of poverty, abandonment, and years left in the care of people who cared nothing for her.
Among all the voices, there is only one male - a young Metis police officer, one of the officers who investigates the crime. He is married to a white woman who sees his Metis status as simply a boon to be used to get ahead. He does it but he hates that others know he is Metis. He feels he lives in two world, First Nations and white, but isn't welcome in either. The only place he does feel at home is when he visits his Indigenous mother.
The Break is a beautifully written, compelling, and powerful story about the issues First Nations, especially women, are forced to face. It is heartbreaking at times but surprisingly hopeful at the end and I can't recommend it highly enough.
Thanks to Edelweiss+ and House of Anansi Press for the opportunity to read this book in exchange for an honest review
Coco (spelling? I listened on Hoopla) is the matriarch of this family, Emily is her great-granddaughter. Coco has seen a lot and been through a lot (including the beating death of a daughter), but she has kept this family together in Winnipeg. Even when one strays, she returns home. Widowhood saved her from her abusive husband, and her surviving daughter and granddaughter have made better choices in their men. They all have each others' backs.
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I listened on Hoopla audio, and the narrator was fantastic. The perfect accent to go with this book.
The relationship with the police - and men more
I would have liked to see the characters better developed but, as it is, the rhythm is perfect and the reader easily becomes absorbed by the little-known, unique world.
Stella observes the crime, only later to learn that the victim was her niece, Emily. Stella’s backstory involves a childhood being cared for by her grandmother, Kookom, following the addiction and murder of her mother, Lorraine. Stella’s white husband, suspicious of where Kookom lives, has isolated her from her family. Kookom’s other daughter, Cheryl, is a functioning alcoholic who works at an art gallery. She has two daughters of her own, Lou and Paulina, but still has lingering regrets arising from the murder of her sister. Paulina, the single mother of the rape victim, is struggling with her new male partner. Lou is a social worker and, like her sister, is has a dysfunctional relationship with her male partner. Each of these women exhibits considerable strength in coping with the "big and small half-stories that make up a life," including substance abuse, domestic violence and separation from family.
Vermette depicts the community’s more severe issues of drugs, crime, and violence with Phoenix. She is an addicted homeless teenager, recently released from juvenile detention, who seeks to reconnect with her gang leader uncle. Phoenix is indeed not a likeable character. However, she is counterbalanced somewhat by Zegwan, Emily’s best friend and self-proclaimed geek. She seeks to convince Emily that her childish crush might be dangerous.
The police investigating the rape evince the racism and classism that are prevalent in Winnipeg law enforcement. Despite being Metis himself, Officer Tommy Scott works the case while struggling with his own identity. "In his head, he thinks, all those women blend into one…same long dark hair, straight and shiny, same almond eyes, almost.” His partner, Officer Christie, is an overt racist. He represents the prevailing opinions of the police when it comes to serving and protecting native people. He displays an utter lack of interest in solving the crime, referring to the women as “a dime a dozen.”
Vermette demonstrates remarkable control in using a single crime as well as shifting perspectives and timelines to give the reader a compelling narrative on the broad issues facing native people living in urban environments like Winnipeg. She refrains from preaching; instead, lets the facts speak for themselves. The novel has a couple of minor flaws, however, but neither detracts significantly from its impact. With the exception of Tommy Scott, Vermette provides no nuanced male characters. Instead they all seem to blend into one absent macho stereotype. Also, her parsimonious narrative can leave the reader with the need for a more information.