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With a plethora of superb reviews and upcoming publication in the US, Thomas King's latest work affirms him as one of our wittiest and wisest writers. Truth & Bright Water is the tale of two young cousins and one long summer. Tecumseh and Lum live in Truth, a small American town, and Bright Water, the reserve across the border and over the river. Family is the only reason most of the people stay in the towns, and yet old secrets and new mysteries keep pulling the more nomadic residents back to the fold. Monroe Swimmer, famous Indian artist, returns to live in the old church with the hope of painting it into the prairie landscape and re-establishing the buffalo population. Tecumseh's Aunt Cassie has come back too, already arguing with his mother. Why has his mother given Cassie a suitcase full of baby clothes? And why is Lum interested only in winning the Indian Days race? Tecumseh has more questions than anyone will answer, until the Indian Days festival arrives and the mysteries of the summer collide in love, betrayal and reconciliation. Equally plainspoken and poetic, comic and poignant, Truth & Bright Water is a crackling good story that resonates with universal truths.… (more)
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Truth and Bright Water is a story of restoration, reparation, relocation of both the body and the spirit. It follows the lives of a two young boys, and an artist who restores paintings. And it is so much more than that.
In weaving together the narratives of these people, King creates a remarkable, sustained metaphor wherein a church is restored by the artist, returning it to the land by painting it to blend into the landscape around it, yet the church's interior, like a Tardis, remains, in this case the habitation and, if you will, the spirit of the artist who has taken an edifice of misery to the First Nations and made it part of his own self. It is a brilliant bit of writing.
Highly recommended.
Truth and Bright Water is a story of restoration, reparation, relocation of both the body and the spirit. It follows the lives of a two young boys, and an artist who restores paintings. And it is so much more than that.
In weaving together the narratives of these people, King creates a remarkable, sustained metaphor wherein a church is restored by the artist, returning it to the land by painting it to blend into the landscape around it, yet the church's interior, like a Tardis, remains, in this case the habitation and, if you will, the spirit of the artist who has taken an edifice of misery to the First Nations and made it part of his own self. It is a brilliant bit of writing.
Highly recommended.
Ok, did finish:
Ack. Good thing
And so far as the yuck factor - it kept just on the safe side of my level of tolerance. Probably totally fine for most people.
Oh, to clarify the star rating - I would have given it two stars except I'm just enchanted by Monroe's current pieces,