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"The final novel from Richard Wagamese, the bestselling and beloved author of Indian Horse and Medicine Walk, centres on an abused woman on the run who finds refuge and then redemption on a farm run by an Indigenous man with wounds of his own. A radiant novel about the redemptive power of love, mercy, and compassion--and the land's ability to heal us. Franklin Starlight had long settled into a quiet and predictable life working his remote farm. But his contemplative existence is turned upside down by the sudden arrival of Emmy, a woman who has committed a desperate act so she and her child can escape a harrowing life of violence. After Emmy has a run-in with the law, Starlight agrees to take in her and her daughter to help them get back on their feet. Over time, he introduces them to the land and patiently teaches them the skills that have allowed him not only to survive but to find communion with the world, and, gradually, this accidental family changes Starlight and Emmy in ways they never imagined. But Emmy's abusive ex isn't content to just let her go. He wants revenge and is hunting her down. Starlight was unfinished at the time of Richard Wagamese's death, yet every page radiates with his masterful storytelling, intense humanism, and insights that are as hard-earned as they are beautiful. With astonishing scenes set in the rugged backcountry of the B.C. Interior, and characters whose scars cut deep even as their journey toward healing and forgiveness lifts us, Starlight is a last gift to readers from a writer who believed in the power of stories to save us."--… (more)
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"Starlight sat back on his heels and watched them run, In the flash of moonlight they appeared as bursts of shadows between the trees. The lope and bend of them. When they hit the glade the leader dropped into a low growl, the ears of him flat to the skull, his snout pressed close to the ground." - Richard Wagamese - Starlight. Wagamese is describing a wolf pack that Starlight spots in the moonlight, as he's stalking them with only his camera. Beautiful imagery! Incredibly descriptive language.
The publisher did provide an ending to the story based on Wagamese's notes and observations as to how he wanted to end Frank's story, and I prefer to think of Frank, Emmy and Winnie continuing together, discovering all the beauty and majesty of the land around Frank's farm. Sometimes it's nice to write your own ending to a beloved story. Such an overwhelming loss it is without this talented and gifted writer.
Connection to the land is a consistent theme in all of Wagamese’s
This book has the same central character as Wagamese's book Medicine Walk, Frank Starlight. Frank was raised by a man he just calls "the old man" on a farm in the northern interior of British Columbia. At the beginning of this book the old man has died and left Frank the farm. Frank thought he would head out into the world for at least a bit but when he got to the end of the driveway he turned around and decided to stay put. Frank is aboriginal but he had to pick up all he knows about nature from the old man and then later on his own. He becomes a renowned nature photographer but he thinks of himself as a farmer first. One day in town he witnesses a young girl and her mother get arrested for shoplifting and he decides to help them. He offers the mother, Emmy, a job as his housekeeper and a place to stay because Emmy and her daughter, Winnie, have been living in an abandoned shack. They are running away from some situation but it takes a while for Emmy to talk about it. Winnie and Emmy gradually come to trust Frank and his hired man, Eugene, who are the first men who have been decent to them. Frank passes on his knowledge of nature and survival on the land and that helps the two to heal and feel safe. Unbeknownst to them the men that they are running from have been searching BC and Alberta for them. If they ever find Emmy it is unlikely she will survive.
I felt that the dialogue in this book could have used some more work but of course Wagamese wasn't around to do that and the editors said that they lightly edited the manuscript for such things as "[g]rammatical errors, word repetitions, inconsistencies, and continuity issues". It is still a very powerful book and I am glad it was published.
This is a very well written story about abuse and abandonment and finding comfort and trust in nature and in
Starlight is a victim of the 60s scoop which removed Canadian Indigenous children from their homes and placed them in foster care. He ended up on a ranch in western Canada at the hands of a kind white rancher who allowed him to mature in a gentle and nurturing environment. He became immersed in the natural beauty surrounding him, appreciating the quiet solitude while developing his photographic talents and ability to stealthily track animals for photographs.
Into his life comes Emmy and her young daughter Winnie escaping yet another abusive relationship. Sensing a broken woman in need of patience, kindness and support, he takes them in in exchange for housekeeping duties. He uses the techniques learned from the “old man” to restore their trust and confidence by exposing them to the healing powers of their environment.
Highly recommended
There were a few other unbelievable parts: no farmer leaves his farm with his #1 hand for a trip to the city. It took Starlight a lifetime to achieve his communion with nature, but he is apparently such a great teacher that it takes him only a few indeterminate months to get Emmy and Winnie to the same place?! And how does he suddenly have so much time to teach them, after establishing in the first few chapters that he is practically a work-aholic on the farm? Why does a guy who has such trouble with words become so well the first time he speaks to a crowd? (Mind, the speech sounds spot-on to the speaking style of Indigenous elders I have heard speak.) Despite these plot holes, the writing style is great, with a strong vocabulary and witty repartee.
Dickens' Mystery of Edwin Drood it is not. That unfinished piece was a true mystery. This one just feels unpolished and incomplete.
When Franklin Starlight took Emmy and her daughter Winnie into his home, offering a job and security, he also taught them both survival skills for the wilderness not knowing that the people that are tracking her are coming closer every day. Emmy found herself learning how to replace a lifetime of hurt and anger with the enrichment of nature and a new awareness of her own self-worth. She and Franklin grew closer to each other but a dangerous confrontation with her abusers is on the horizon.
Richard Wagamese was a firm believer in forgiving and moving forward and learning how to leave the hurt behind so there is a strong indication that this novel would lean toward reconciliation and healing. Hopefully Frank’s gentle guidance would influence Emmy to show mercy and allow her and Frank to find peace together. I enjoyed this follow-up story about Frank Starlight who was first introduced in Medicine Walk. Even though unfinished, I am giving this soulful story five stars.
And yet, that's where the magic lies. Wagamese's voice. I absolutely adored Medicine Walk and, when I started reading this, my first thought was, it's not going to come close.
I was utterly
It's not the same story, but it's equally as good as that preceding novel. It starts with everyone broken, but looking with desperate hope toward the future.
When you figure you've got nothing, moving back and going on can feel like the same direction.
Then, Wagamese just gives you one beautiful scene after another. He's truly a gifted author, and his passing before completion of this novel (or any other works he might have produced) is an utter tragedy.
I won't talk to the plot, because it's best discovered by each reader. But I will say, there's a lot to be found in these pages.
You take the label off a can of beans, it's still a can of beans. Seems to me a label doesn't matter much at all. What counts is what's inside.