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"Good Omens meets The Long Way to a Small, Angry Planet in Ryka Aoki's Light From Uncommon Stars, a defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts. Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six. When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate. But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn't have time for crushes or coffee dates, what with her very soul on the line, but Lan's kind smile and eyes like stars might just redefine a soul's worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline. As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found"--… (more)
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Things that I should have loved about this book: food, the cultural specifics of the LA setting, chosen family, queer
Things that ultimately ruined it for me:
- I cannot deal with books that use sci-fi trappings as whimsy. People keep comparing this book to Becky Chambers' Wayfarers series, but Chambers takes her sci-fi worldbuilding *seriously*, even while the worlds she creates are in service of the stories she wants to tell. In books like this, I can't tell which parts to think about, where to look for meaning or piece together a surprise, and where the author just wants me to shrug and suspend disbelief. (Same issue with This Is How You Lose the Time War, which I also couldn't stand even though everyone else loved it... it's possible this is also my problem with La Cuentista, though that one failed so hard on the worldbuilding that it told no story at all.)
- Who even were any of these people? We're told how special and amazing everyone is in each other's eyes, but we never spend enough time in anyone's perspective for me to *feel* it. Katrina got closest to being a character I could connect with. Lan's family was farthest away -- most of their motivations, after arriving on Earth, made very little sense to me. We learn nothing about Astrid as a person at all, so she may as well be a magical butler without a past or desires of her own, which is...honestly kind of offensive? There were a LOT of characters and a LOT going on; I think it needed half as many POV characters and more time with those so they could come into focus. Sometimes a book with a lot of characters successfully tells a larger story or sheds light on a central theme that way; in this book I just kept asking why so-and-so is even in the story.
- I did not come into this book caring about violins or the classical music industry, but I am very open to caring about new things! This book sure said a lot of things about that world, and dropped a lot of violin-related names, but not in a way that made me care.
- All the writing about how so-and-so's music made people "see their past" or "feel their home" or whatever just made me roll my eyes. I have had powerful experiences with music and art, of course, but this felt entirely overblown.
- Speaking of overblown, sentences like: "If magic is more than illusions on a stage, if magic can actually change the world, then what is reality but a song that one imagines and sets free?" Huh?? I kept stopping and saying, "argh, that doesn't MEAN anything!"
I find this a little difficult to rate and review. The main character's experiences being a young trans woman were very well portrayed and at times difficult to read, and the representation is definitely important. However, because this story is structured in a very disjointed way with constantly alternating POVs, she was the only character that actually felt real. Everyone else remained translucent, and in some cases completely incidental.
I feel like the author wanted to throw in some cozy, silly spins with the donut shop and the budding relationship between the donut shop lady and the queen of hell, but there just wasn't enough meat to any of it. In the end I didn't really care enough about the actual central plot to really enjoy this as a reading experience, but there were still redeeming qualities to it as well.
While the story isn't quite similar in this one, the book this most reminded me of was The Invisible Life of Addie LaRue, and I think fans of that one would really appreciate this one as well.
I'll be interested in Aoki's future work, but hopefully the next one will be a little more condenced and a little less all over the place.
Shizuka Satomi is a famous violin teacher, once a prodigy herself. She is called the Queen of Hell and it turns out there is a good reason. She has promised to deliver the souls of seven other violin prodigies to the Devil in return for her own. So far she's delivered six and is on the lookout for the seventh. Katrina Nguyen is a young transgender woman who has been teaching herself to play the violin via YouTube tutorials. Her father is abusive and she earns a small amount of money as a sex worker. When she can no longer tolerate the abuse she's endured for so long, she runs away from home and ultimately ends up homeless. Shizuka hears Katrina playing her violin in a park and knows she's found her next student. Lan Tran is an alien, both in the sense of a creature from somewhere other than Earth and in the sense of being an immigrant to the US (she and her family have taken on human form). Her family/crew is trying to remain undiscovered as they flee from war and plague on their home planet. They've bought a donut shop and are working to make it an interstellar star gate. This is, of course, the donut shop where Shizuka gets her coffee in the morning and she is drawn to Lan despite both women keeping the secret of their real identity from each other.
These narrative threads don't actually mesh very well, and they are not the only ones presented here either. Aoki seems to be trying to do too many things all at once. In fact, there are so many traumatic issues dealt with here, rape, racism, abuse, incest, and transphobia to name a few, that it is hard to feel like any of them were given enough space on the page. The fact that there's so much going on isn't helped by the cast of characters, many of whom are barely fleshed out at all, especially Lan and family. Had Aoki chosen to just write this story about Shizuka and Katrina, the book would have held together better (although certainly a different ending would have been needed--something I might have advocated for anyway). The constant flipping of perspective between characters without any warning and even within sentences or paragraphs made this difficult to follow without having to circle back and re-read. I know many people really loved this book and I generally enjoy quirky, ultimately hopeful books but this one just didn't work for me (or for most of my book club either).
Light From Uncommon Stars is a joy, a revelation, a rare book that is utterly unique in all its elements. This is a book that explores what it means to be transgender in modern America--and not through a side character, but through the
Truly, this is one of the best books I've read this year--one of the best, period. It moved me to tears more than once. If this doesn't get award nominations next year, I am going to rage.
Light is not a fluffy, easy read, though. It has trigger warnings galore. There are blatant depictions of the domestic and sexual abuse, sex work, homophobia, and racism--but there is also brilliant hope and triumph. These characters slog through the darkness to find the light, especially Katrina. Oh, Katrina. There is a scene where she goes shopping, and with heartfelt support finds a dress that makes her feel truly beautiful, and wow. This book abounds with moments of wow.
This, she did not have to explain. No matter where you live, if you have an Asian friend who can set you up with free Wi-Fi, you go with it and don’t ask questions.
Infuriating, how can a father treat his family so
Then she felt her father kicking in the door.
She shuddered. She
Freak! Abomination!
Why are you even alive?
Faggot, just die.
What wins science or religion?
Science, and that was how this book cemented itself as an all time favorite. Demons and hell are anchored to earth, and science is universal.
It wasn't just Katrina 's father, so many of the people that Katrina interacted with were just horrid to her.
It wasn't until I read the about author that I understood what I instinctively knew. The writing is really rhythmic like poetry, but it's not the words used as much as the punctuation that drives that rhythm.
Can we, should we show tolerance to the intolerant?
At first I wasn’t sure what to do with this book — the donut aliens, the cursed violin teacher, the trans violin
You’re not only going to find demons here that are reminiscent of Gaiman and Pratchett’s Crowley, replete with unexpected moments of levity, but a family fleeing a galactic war and the Endplague that will sooner or later come for us all. Katrina Nguyen unknowingly stumbles into this setting while fleeing an abusive home. She’s been damaged by a world that has stolen her confidence and power at every turn. Among all the characters, there are tragic, heartfelt themes of different forms of pain and doubt sown by a world that often does not care to understand the damage it can so casually inflict upon people who are different-than – Othered by a society that seems to have no place for them. The learned defenses of each character clash brilliantly against each other like a frenzied froth of sprinkle fireworks in a duck pond. This is a story about characters struggling to heal, discovering their own power, and establishing their own legacy.
One journey of discovery begins with being stuck on a California freeway having to pee so badly her bladder might literally explode and the bonding power of delicious, fresh donuts baked by emigrant aliens. Enter Shizuka Satomi, Queen of Hell. Despite Katrina’s harrowing experiences and journey, in many ways this is Shizuka’s story. She once had the evocative power to touch people’s hearts with transcendent music played on her exquisite Guarneri violin with a Hell-cursed dogwood bow. She has sold her soul to a demon and the only way to get it back is to provide Hell with seven deliciously tortured souls. She’s given them six prodigies and she’s got her formidable Miranda Priestly gaze set upon Katrina as the last. Shizuka’s stumbling, growing relationship with the captain of the alien crew, Lan Tran, who manages the donut shop, her companion Astrid’s steadfast caring through cooking, and Katrina’s influence help them all find ways to heal themselves and each other.
This is a book to experience with all your senses from lush descriptions of food that will have you craving them to the evocative, heartfelt language and power of music to touch people’s souls. A violin is the perfect vessel for the lessons to be learned from this story. Aoki reminds us it is not the strings that make a violin sing but the reverberating echoes of sound through its hollow spaces that give a memorable and powerful voice to the violinist. This is very much true of all her characters along their journeys to carve out a place in this world together.
There are going to be a lot of readers seeking out classical music from reading this book and one can only hope something will resonate that helps them find their way out of their own personal darkness. Ryka Aoki is keen to remind us that you can always, always rewrite your song and the Light from Uncommon Stars can help light the way. Now if you’ll excuse me, I have to make a trip to the donut shop while listening to some Alondra de la Parra.
** Thank you lucky, glittery stars and Tor Books for the advanced reader copy from a Twitter contest! This is my honest, unbiased review **
I picked this up hoping for quirkiness ala Becky Chambers, and there is definitely fun quirkiness there (aliens running a doughnut shop? yes!), but it didn't quite work for me. The perspective leaps around a bit, which can be jarring. Also, there's just a lot going on, and with that and the perspective hopping, it's hard to really sink into the story and get to know the characters. I felt that in general characters were too quick to accept things that would normally stretch credulity. I had some other, harder to verbalize issues with the book, but those are enough for a start. If the premise seems interesting to you, you might love it, but it's not a book I'll revisit. (It did give me a powerful craving for doughnuts, though.)
Deals with the devil stories have a certain predictability though cutely twisted here, and earth arts as a contributor to galactic well-being isn't stunningly new and over-dials end of book feel goodies. Oh and wasn't that relentlessly telegraphed?! Over doing is a fault but not fatal as the characters and their problems are worth spending a bit of extra time with. And while the Monterey Park/El Monte they inhabit is parallel rather than congruent with the one I used to visit regularly it is entirely recognizable in its variety and dedication, perhaps even obsession, with eating well and widely. If it weren't for the weather, I'd move there.
This story mixes a
The alien story felt somewhat incomplete and in some ways more than the story needed but still it made me want to find some music and discover different foods.
But by the two-fifth mark, I was totally into it. Once I adjusted to what Ryka Aoki was doing here, I was captivated by it. Light from Uncommon Stars is a great book about people confronting the histories that pull them down, both personal and family, and managing to forge new ones. The main character is a would-be violinist, and she comes into the orbit of a violin instructor who has promised to deliver the souls of nine promising violin students into hell so that she can obtain musical greatness for herself. Only unlike all her previous students, this one's greatest aspiration is to stream performances of videogame and anime music on YouTube! Aoki's depiction of a found home amidst the problems of transphobia is effective and charming; watching the "Queen of Hell" decide that if this girl is going to play anime music, she is going to be the best at it, is very effective. I often bounce off writing about music, but Aoki's, well, sings. I enjoyed reading about violin refurbishers, and the climax, where she carries us through someone's performance of a solo violin sonata, is incredibly effective. There are good twists and reversals in the plot and characters, and neat connections drawn, and the music works both as a metaphor for other things and as music in itself.
This was the very last of the 2022 Hugo finalists that I read, and even thought I was burning out of them, it was my favorite of all them.
Lan Tran is a starship captain who has escaped a
Katrina Nguyen is a teenage transgender girl who has run away to Los Angeles from her abusive family and supports herself making YouTube videos. She also plays the violin.
Somehow not only are all these characters in the same novel, but their interactions create a heartfelt human story that transcends genres. Shizuka and Lan meet, share their strange histories, and strike up a romance. And of course, Shizuka takes on Katrina as her student, and yet treats her with such tenderness that it's hard to believe she plans to sell Katrina's soul to the Devil.
And that only scratches the surface of the brilliant, warm, funny, and creative novel!
~ 2022 Hugo Novel Nominee
Score: 3.5, rounded up
"Where does music end, and love begin?"
I've had to shuffle a lot around in my head for this one, and I always know it's a problem when it starts in a muddle and requires some more muddling to figure out where to put it. The problem
This is a love letter to Faustian pacts, to transgender youth, to online gaming & video recording, to galactic space opera wars, to artificial intelligence, to Asian-American culture, to violins, to music, to family you'd lie to and die to protect, to family you find along the way, to donuts, and every bit of delicious food out there. There's so much going on in here, that the plates never stop spinning, even in the moments when it's supposed to feel calm.
I loved all of the main characters, but I felt that the casting was drastically only made up of women, which felt off-balance to me for where and when it was set (yes, there are a number of male roles but they aren't focused on much at all in any of the pov's; and I still have some unresolved feelings about Marcus' unresolved storyline ending).
[Audiobook note: the